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STAR TREK: THE NEXT GENERATION
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"Thine Own Self"
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(fka "Jayden")
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#40277-268
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Story by
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Christopher Hatton
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Teleplay by
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Ronald D. Moore
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Directed by
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Rick Kolbe
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1993 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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STAR TREK: "Thine Own Self" - 11/30/93 - CAST
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STAR TREK: THE NEXT GENERATION
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"Thine Own Self"
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CAST
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PICARD GARVIN
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RIKER GIA
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DATA SKORAN
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BEVERLY RAINER
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TROI TALUR
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WORF APPRENTICE
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GEORDI
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COMPUTER VOICE
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Non-Speaking Non-Speaking
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N.D. SUPERNUMERARIES N.D. VILLAGE PEOPLE
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N.D. ENGINEERS
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STAR TREK: "Thine Own Self" - 11/30/93 - SETS
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STAR TREK: THE NEXT GENERATION
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"Thine Own Self"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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BRIDGE
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SICKBAY SHUTTLECRAFT
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RIKER'S QUARTERS
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TROI'S QUARTERS TOWN SQUARE
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HOLODECK/MAIN ENGINEERING
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HOME (ON PLANET)
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STAR TREK: "Thine Own Self" - 11/30/93 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Thine Own Self"
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PRONUNCIATION GUIDE
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DORAKS door-RAKS
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TALUR tah-LUR
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TARANKO tah-RAN-ko
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VELLORIAN vuh-LUR-ree-an
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STAR TREK: "Thine Own Self" 11/30/93 - TEASER 1.
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STAR TREK: The Next Generation
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"Thine Own Self"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE AND SHUTTLE (OPTICAL)
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The shuttle is heading toward the Enterprise.
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TROI (V.O.)
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Deanna Troi Personal Log: Stardate
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47611.2. I have spent the last
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three days attending a reunion of
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my graduating class at the Carvin
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Institute for Psychological
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Studies. It was a very... thought-provoking
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experience.
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2 INT. MAIN BRIDGE
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The lighting is DIM -- the night shift is on duty.
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BEVERLY in Command, ENSIGN RAINER at Tactical, other
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N.D. Crewmembers at their stations.
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BEVERLY
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(to Rainer)
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Send a message to Commander Data
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and inform him of our delay.
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RAINER
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Aye, sir.
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TROI ENTERS from the Turbolift.
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BEVERLY
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Deanna... welcome back.
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TROI
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Thank you. I just wanted to
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report in. I didn't expect to
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find anyone up except Data.
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BEVERLY
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Data's away on assignment. A
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Federation deep space probe went
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off course and crashed on Barkon
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Four. Some of the material in the
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casing is radioactive, so Data was
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sent to recover it before it
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contaminates the biosphere.
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STAR TREK: "Thine Own Self" 11/30/93 - TEASER 2.
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2 CONTINUED:
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TROI
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Isn't Barkon Four inhabited?
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BEVERLY
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(nods)
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There's a pre-industrial society,
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but the probe crashed over a
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hundred kilometers from the
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nearest settlement. Data won't
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have to make contact with any of
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the Barkonians.
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Troi nods and Beverly sits in the Captain's chair and
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works the arm panel for a beat.
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BEVERLY
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How was the reunion?
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TROI
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Fine. It was good to see some old
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friends... I'd fallen out of touch
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with most of them.
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(beat)
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It was interesting to see the
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different paths some of their
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lives have taken...
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Troi sits in her usual chair. There's clearly
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something on Troi's mind here... something she wants to
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explore...
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TROI
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(continuing)
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Beverly... you don't usually stand
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a watch on the Bridge even when
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Data's not here... why this time?
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BEVERLY
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I volunteered tonight. I like to
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get in a little Bridge time now
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and then... stay on top of
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operations... tactical
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procedures...
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(beat, then smiles)
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And the truth is... I like it.
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Not every doctor gets to command
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a starship... even if it is only
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the night shift.
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TROI
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May I ask you a personal
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question... what made you decide
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to become a commander?
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(MORE)
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STAR TREK: "Thine Own Self" 11/30/93 - TEASER 3.
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2 CONTINUED: (2)
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TROI (Cont'd)
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I mean, you didn't need the rank
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in order to be Chief Medical
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Officer... so why put yourself
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through all the extra work?
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BEVERLY
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I don't know... I never gave much
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thought to my rank for a long
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time... it seemed pretty trivial
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compared to being a doctor.
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(beat)
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But then, about eight years ago,
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I began to feel like I wanted
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to... stretch myself a little.
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Rainer interrupts from Tactical.
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RAINER
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Commander... there's been no
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response from Commander Data to
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our signal.
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BEVERLY
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Continue sending him updates on
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our schedule.
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RAINER
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Aye, sir.
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TROI
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Is something wrong?
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BEVERLY
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No. I wanted to let Data know
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that we'll have to delay picking
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him up for a couple of days. We
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have orders to rendezvous with the
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Lexington and take medical
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supplies to the Taranko Colony.
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STAR TREK: "Thine Own Self" 11/30/93 - TEASER 4.
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2 CONTINUED: (3)
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TROI
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But he's not responding.
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BEVERLY
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Geordi said the radiation from the
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probe would probably interfere
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with communications... I just
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thought I'd try anyway. I'm sure
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he's fine... it's a very routine
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mission.
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CUT TO:
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3 EXT. TOWN SQUARE - EARLY MORNING
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A small village on Barkon Four. The level of
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technology on this planet is roughly equivalent to that
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of the Renaissance on Earth and the architecture,
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tools, and clothing should reflect this. The village
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has several storefronts and buildings, one of which is
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the Barkonian version of a small BLACKSMITH'S SHOP with
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the necessary equipment and tools out in front of it.
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The other storefronts should have practical doors and
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a few display tables (which are now covered by drop
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cloths). There is also a WELL visible in the center of
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the square.
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A man named GARVIN and his young daughter GIA are
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walking through the town square. The time of day is
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early morning and there's no one else up at this hour.
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Gia is carrying a black slate. Garvin is holding his
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daughter's hand and walking her to school.
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GARVIN
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(to Gia)
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... so when you return from school
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tonight, I'll be meeting with the
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Village Elders.
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GIA
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(disappointed)
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Again?
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GARVIN
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(chiding)
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Gia...
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GIA
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(downbeat)
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I know. I know you're the
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magistrate and you have a lot of
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work to do.
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(MORE)
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STAR TREK: "Thine Own Self" 11/30/93 - TEASER 5.
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3 CONTINUED:
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GIA (Cont'd)
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But it seems like you're always in
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some meeting or --
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Garvin suddenly stops short in astonishment by
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something he sees o.c. Gia stops too and follows his
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gaze... her expression also changes to one of shock as
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she sees...
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4 DATA
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Standing near the entrance to the square. His hair is
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disheveled... his uniform ripped and in tatters... his
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combadge gone... he's carrying a large Starfleet
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CONTAINER (about the size of a briefcase) in one
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hand... he looks like hell. Data opens his mouth and
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tries to speak, but instead of speech, a horrible
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ELECTRONIC NOISE comes out of his mouth. OFF this
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strange and frightening image...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Thine Own Self" 11/30/93 - ACT ONE 6.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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5 EXT. TOWN SQUARE - EARLY MORNING
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Continuous from the Teaser. Garvin quickly pulls Gia
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away to protect her from Data. Garvin takes a couple
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of steps backward.
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GARVIN
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(to Gia, urgent)
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Gia, go home. Now.
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He pushes her away and Gia runs a few steps away, but
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she takes cover behind the well instead of actually
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leaving. Gia peeks out from behind the well to see
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what happens.
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GARVIN
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(continuing,
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challenging, to Data)
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Who are you? What do you want?
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Data thinks for a long beat... then tries to work his
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mouth again... the electronic noise slowly changes from
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a garbled mess to recognizable sounds.
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DATA
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(electronic)
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Wayuman... whaaaa... yuuuu...
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waaaant... what d'yuuuu... what
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you want... what do you want?
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Data seems genuinely confused... his tone of voice is
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almost a plea for help... he's also not making any
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threatening moves. Garvin's attitude loses a little of
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its confrontational aspect as it becomes more clear
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that Data is not going to attack him.
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GARVIN
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What's wrong with you?
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DATA
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(electronic)
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Runnnn... rung... wrong wrong
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wrong... what is...
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(beat, then less
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electronic)
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What is wrong with you?
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STAR TREK: "Thine Own Self" 11/30/93 - ACT ONE 7.
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5 CONTINUED:
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GARVIN
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There's nothing wrong with me.
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Data looks confused again... Garvin tries another tack.
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GARVIN
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(continuing)
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Who are you? What is your name?
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(beat)
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Your name? Can you understand me?
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(points at himself)
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My name is Garvin.
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Data thinks for a moment... then points to himself.
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His voice is normal by now. His expression is
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hopeful... he seems eager to learn and be understood.
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DATA
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My name is Garvin?
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From behind the well, Gia giggles a little. Garvin
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turns around with a frown.
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GARVIN
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(continuing)
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I thought I told you to go home.
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GIA
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(downcast)
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I know...
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Data has been thinking during this conversation and now
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he seems to have figured out something.
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DATA
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I do not know my name.
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Garvin turns around to face him again.
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GARVIN
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What?
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DATA
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You asked... if I knew my name.
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I do not.
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STAR TREK: "Thine Own Self" 11/30/93 - ACT ONE 8.
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5 CONTINUED: (2)
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GARVIN
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Well... at least you seem to be
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understanding a little more.
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DATA
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Yes. It is becoming... easier.
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GIA
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Ask him where he's from, Father.
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GARVIN
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Gia, go on to school. I'll deal
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with the stranger.
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GIA
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(downcast)
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Yes, Father.
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She comes out from behind the well and begins to head
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off in the original direction she and Garvin were
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heading. She pauses for a moment and looks at Data.
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GIA
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(continuing)
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Good-bye.
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DATA
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Good-bye.
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Gia EXITS. Garvin moves a little closer to Data...
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looks over his strange clothes and appearance.
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GARVIN
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Your eyes and skin look so...
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strange. And your clothes... you
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look like you've been in some kind
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of accident.
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DATA
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I do not remember being in an
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accident.
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(beat)
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But then, I do not remember very
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much at all.
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GARVIN
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What do you remember?
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DATA
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I walked here... from the
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mountains.
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STAR TREK: "Thine Own Self" 11/30/93 - ACT ONE 9.
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5 CONTINUED: (3)
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GARVIN
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(amazed)
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The mountains? The mountains are
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over two hundred seltons from
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here.
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DATA
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I do have a clear memory of my
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journey. It began on a steep path
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in the mountains... near a large
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waterfall with two jagged
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promontories.
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GARVIN
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There are several large waterfalls
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up in those mountains...
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(beat)
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What do you remember before that?
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DATA
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I have no prior memories.
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Garvin looks at him for another moment... then the
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container in Data's hand catches his attention.
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GARVIN
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(re: container)
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Do you know what that is?
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Data looks down in surprise as if noticing it for the
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first time.
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DATA
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No.
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GARVIN
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(reaching out for it)
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May I?
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Data looks at him for a moment.
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GARVIN
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(continuing)
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May I have it?
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DATA
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(understanding)
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Yes.
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Data hands it to him and Garvin sets it on a nearby
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table.
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|
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STAR TREK: "Thine Own Self" 11/30/93 - ACT ONE 10.
|
||
|
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5 CONTINUED: (4)
|
||
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GARVIN
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There might be something in here
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that can tell us who you are.
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Garvin bends down and examines the container for a
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moment.
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|
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6 CLOSE ON CONTAINER
|
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|
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On the lid of the container, there is a Starfleet logo
|
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and 24th century radiation symbol. It is also clearly
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marked "RADIOACTIVE."
|
||
|
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7 RESUME SCENE
|
||
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GARVIN
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I wonder what these markings
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mean...
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||
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DATA
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||
(reading)
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"Radioactive."
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||
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GARVIN
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What?
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DATA
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That is what is written on the
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container.
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GARVIN
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You can read this language?
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||
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DATA
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Evidently.
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|
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GARVIN
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Radioactive... what does that
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||
mean?
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||
|
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DATA
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I do not know. Perhaps it is my
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||
name.
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GARVIN
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I've never heard of a name like
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that... you must come from a very
|
||
distant place.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT ONE 11.
|
||
|
||
7 CONTINUED:
|
||
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||
Garvin fumbles with the latches for a moment... then
|
||
the container OPENS, revealing a pile of METAL
|
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FRAGMENTS inside. The fragments are twisted and burned
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||
beyond recognition. Garvin reaches in and picks up a
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chunk of metal. As he unwittingly examines this deadly
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fragment...
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||
|
||
FADE OUT.
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||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 12.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
8 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship hangs in space.
|
||
|
||
9 INT. RIKER'S QUARTERS
|
||
|
||
RIKER is practicing a difficult piece of music on his
|
||
trombone, when the door to his quarters OPENS and Troi
|
||
ENTERS. She quietly moves to a chair so as not to
|
||
interrupt him. He finishes the piece and then looks
|
||
over at her expectantly. He plays a couple of notes on
|
||
the trombone which sort of emulate a "voice" -- the
|
||
notes and the expression on his face communicate the
|
||
words "how's that?" She smiles.
|
||
|
||
TROI
|
||
Is that supposed to be a question?
|
||
|
||
He plays a note that sounds like "yeah."
|
||
|
||
TROI
|
||
(continuing)
|
||
Well, if you're asking me if I
|
||
liked what you were playing, then
|
||
the answer is yes.
|
||
|
||
Riker plays "thank you."
|
||
|
||
TROI
|
||
(continuing)
|
||
And I think this is a much better
|
||
way of communicating for you.
|
||
It's much less... confusing than
|
||
when you try to speak normally.
|
||
|
||
Riker plays a loud sour note and then sets the trombone
|
||
aside.
|
||
|
||
RIKER
|
||
I can always count on the ship's
|
||
Counselor to boost my self-image.
|
||
|
||
TROI
|
||
Glad to be of service.
|
||
|
||
RIKER
|
||
Did you come here for something in
|
||
particular, or just for some
|
||
general Riker-bashing?
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 13.
|
||
|
||
9 CONTINUED:
|
||
|
||
TROI
|
||
I'd actually like your opinion on
|
||
something.
|
||
(beat)
|
||
I've been thinking about taking
|
||
the Bridge Officer's test and
|
||
becoming a full commander.
|
||
|
||
Riker's a little surprised and it shows. He sits down
|
||
across from her.
|
||
|
||
RIKER
|
||
What brought this up?
|
||
|
||
TROI
|
||
A lot of things... working on last
|
||
month's personnel review...
|
||
talking with Beverly about her
|
||
experiences... going to my class
|
||
reunion...
|
||
|
||
RIKER
|
||
Ah, the class reunion... saw a few
|
||
old friends who'd taken the
|
||
test... ?
|
||
|
||
TROI
|
||
All right, I'll admit that was a
|
||
catalyst. But I can honestly say
|
||
it's something I have thought
|
||
about off and on over the past two
|
||
years.
|
||
|
||
RIKER
|
||
Why the past two years?
|
||
|
||
TROI
|
||
Do you remember when the
|
||
Enterprise hit that quantum
|
||
filament... and I was left in
|
||
command on the Bridge?
|
||
|
||
RIKER
|
||
(nods)
|
||
I remember...
|
||
|
||
TROI
|
||
When it happened, I felt
|
||
overwhelmed... but when it was
|
||
over...
|
||
(MORE)
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 14.
|
||
|
||
9 CONTINUED: (2)
|
||
|
||
TROI (Cont'd)
|
||
I realized that a part of me
|
||
missed it... not the actual
|
||
disaster, but the experience of
|
||
being in command. When I was on
|
||
the Bridge, I felt like I was
|
||
exploring a new side of myself.
|
||
I don't want to give up counseling
|
||
by any means... but I would like
|
||
to... stretch myself a little.
|
||
|
||
Riker gets up and moves around... his expression is
|
||
very thoughtful.
|
||
|
||
RIKER
|
||
Deanna, if you want to take the
|
||
Bridge Officer's test, you have my
|
||
complete support. But as first
|
||
officer, I'll be judging your
|
||
performance.
|
||
(beat)
|
||
And I want you to know... I'm a
|
||
pretty hard judge.
|
||
|
||
She smiles at him.
|
||
|
||
TROI
|
||
I'm a pretty good student.
|
||
|
||
RIKER
|
||
We'll start tomorrow -- oh eight
|
||
hundred hours.
|
||
|
||
Troi heads for the door.
|
||
|
||
CUT TO:
|
||
|
||
10 INT. HOME - DAY
|
||
|
||
A small home with a living room, a staircase, and a
|
||
dining room. Again, the furniture and decor should be
|
||
very pre-industrial, along the lines of a 15th century
|
||
Italian villa. There should be a couch large enough
|
||
for a person to recline on.
|
||
|
||
Data is sitting on a chair in the middle of the main
|
||
room. TALUR, a woman in her mid-forties, is examining
|
||
Data. She's the town healer and probably the most
|
||
educated person in the village... she's also very
|
||
aware of this fact and Talur can be quite pompous and
|
||
self-important. Garvin looks on as Talur peers into
|
||
Data's open mouth with a tongue depressor.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 15.
|
||
|
||
10 CONTINUED:
|
||
|
||
TALUR
|
||
Hmmmm. Remarkable set of teeth...
|
||
no sign of decay...
|
||
(sniffs)
|
||
Breath smells like...
|
||
(puzzled)
|
||
Well, it doesn't have any smell,
|
||
actually.
|
||
|
||
She leans back and considers him for a moment.
|
||
|
||
TALUR
|
||
(continuing)
|
||
You can close your mouth.
|
||
|
||
Data closes his mouth and Talur puts on an alien
|
||
stethoscope and uses it to listen to Data's chest.
|
||
|
||
TALUR
|
||
(continuing)
|
||
Heartbeat sounds a little odd...
|
||
but seems regular.
|
||
|
||
She pulls back and feels his face.
|
||
|
||
TALUR
|
||
(continuing)
|
||
Skin is... clammy. But you say
|
||
you feel fine?
|
||
|
||
DATA
|
||
That is correct.
|
||
|
||
TALUR
|
||
No headaches... palpitations...
|
||
sluggishness... indigestion...
|
||
|
||
DATA
|
||
No. However, I cannot have
|
||
indigestion since I have not
|
||
eaten.
|
||
|
||
TALUR
|
||
When was your last meal?
|
||
|
||
DATA
|
||
I do not know.
|
||
|
||
TALUR
|
||
Ah. Malnutrition. You should try
|
||
to eat something that will build
|
||
strength and return your
|
||
vitality... lots of meat...
|
||
butter... cheese... that should
|
||
be a start.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 16.
|
||
|
||
10 CONTINUED: (2)
|
||
|
||
GARVIN
|
||
What about his eyes and his skin?
|
||
They're so... odd.
|
||
|
||
TALUR
|
||
(self-important)
|
||
Oh, quite so, quite so. I'm sure
|
||
my grandmother would have called
|
||
our friend here a... demon or
|
||
spirit or some kind of monster.
|
||
But current scientific methodology
|
||
allows us to dismiss such
|
||
ridiculous superstition and
|
||
concentrate on scientific reality.
|
||
|
||
DATA
|
||
Then what do you believe I am?
|
||
|
||
TALUR
|
||
(measured)
|
||
You are an ice-man.
|
||
|
||
DATA
|
||
Ice-man?
|
||
|
||
TALUR
|
||
(matter of fact)
|
||
Yes. You probably come from a
|
||
race of people who live in the
|
||
snow and ice of the Vellorian
|
||
mountains. Your skin and eye
|
||
coloration are most likely a
|
||
result of prolonged exposure to
|
||
the harsh winter conditions.
|
||
|
||
DATA
|
||
Then I am not ill?
|
||
|
||
TALUR
|
||
Other than your memory loss, you
|
||
don't have symptoms of any illness
|
||
that I'm familiar with. No, I'd
|
||
say you're an ice-man.
|
||
|
||
Talur stands up and gets ready to leave.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 17.
|
||
|
||
10 CONTINUED: (3)
|
||
|
||
TALUR
|
||
(continuing)
|
||
Get something to eat and have a
|
||
good night's sleep. I'll come
|
||
back tomorrow to see if your
|
||
memory has begun to return.
|
||
|
||
DATA
|
||
Thank you.
|
||
|
||
Talur bows her head to him slightly and then OPENS the
|
||
door. Gia ENTERS just as Talur EXITS.
|
||
|
||
TALUR
|
||
Hello, Gia.
|
||
|
||
GIA
|
||
Hello.
|
||
|
||
Gia goes to her father with an eager expression.
|
||
|
||
GIA
|
||
(continuing)
|
||
What did Talur say about him? Is
|
||
he sick?
|
||
|
||
GARVIN
|
||
Not exactly. She said he's lost
|
||
his memory, but seems to be fine
|
||
otherwise. Talur thinks he is
|
||
from a race that lives in the
|
||
mountains.
|
||
|
||
DATA
|
||
I am an ice-man.
|
||
|
||
GARVIN
|
||
We'll have to call you something
|
||
besides Ice-man until your memory
|
||
returns. What was the word on the
|
||
container?
|
||
|
||
DATA
|
||
Radioactive.
|
||
|
||
GARVIN
|
||
Mister Radioactive... ?
|
||
|
||
GIA
|
||
I don't like that name.
|
||
(beat)
|
||
Let's call him Jayden.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 18.
|
||
|
||
10 CONTINUED: (4)
|
||
|
||
GARVIN
|
||
What do you think of that?
|
||
|
||
DATA
|
||
It is acceptable. What is the
|
||
origin of that name?
|
||
|
||
GIA
|
||
(eager)
|
||
It's from a story. Jayden was a
|
||
boy who looked different from
|
||
everyone else. The other children
|
||
were mean to him and made fun of
|
||
him, but Jayden never got angry.
|
||
It turned out that he was really
|
||
a handsome nobleman who had been
|
||
put under the spell of a demon and--
|
||
|
||
GARVIN
|
||
That can wait until later, Gia.
|
||
Right now, we should clean him up
|
||
and get him something decent to
|
||
wear. Run upstairs and get some
|
||
of my old clothes for him.
|
||
|
||
GIA
|
||
Yes, Father.
|
||
|
||
Gia goes up the stairs as Garvin moves to the open
|
||
container of metal and looks at the fragments for a
|
||
moment.
|
||
|
||
GARVIN
|
||
(thoughtful)
|
||
I wonder if Skoran could tell us
|
||
something about this metal of
|
||
yours...
|
||
|
||
CUT TO:
|
||
|
||
11 EXT. TOWN SQUARE - DAY
|
||
|
||
The Town is now alive with activity. PEOPLE are moving
|
||
through the square... shopkeepers are selling their
|
||
wares outside the storefronts... someone is using the
|
||
well to fill a bucket with water, etc. In front of the
|
||
Blacksmith's shop, Garvin is showing the metal to
|
||
SKORAN, the village blacksmith. Skoran is a large,
|
||
burly man with powerful arms and what seems like a
|
||
permanent scowl on his face. Data is standing nearby
|
||
and he continues to draw curious looks from passersby
|
||
in the b.g. during the conversation. He is now dressed
|
||
in native clothes and his hair has been combed and
|
||
parted in a new way.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/07/93 - ACT TWO 19.
|
||
|
||
11 CONTINUED:
|
||
|
||
The container of metal fragments is sitting on a table
|
||
in front of Skoran, who keeps throwing suspicious looks
|
||
at Data. Behind them an APPRENTICE is pounding metal
|
||
on an ANVIL of alien design which is supported by a
|
||
wooden base. Skoran is examining one of the pieces.
|
||
|
||
SKORAN
|
||
(to Data)
|
||
You. Ice-man, where did you find
|
||
this?
|
||
|
||
DATA
|
||
I do not know.
|
||
|
||
GARVIN
|
||
I told you, he's lost his
|
||
memory... and we're calling him
|
||
Jayden for now.
|
||
|
||
SKORAN
|
||
Jayden, huh?
|
||
|
||
Skoran obviously is uncomfortable around Data, but he
|
||
tries to concentrate on the metal.
|
||
|
||
SKORAN
|
||
(continuing)
|
||
The metal is slightly warm...
|
||
|
||
GARVIN
|
||
All the fragments are like that.
|
||
|
||
SKORAN
|
||
(noncommittal)
|
||
Hmmmm.
|
||
|
||
He takes the fragment and moves to the anvil. Skoran
|
||
takes a pair of tongs and a hammer from his Apprentice
|
||
and POUNDS the fragment for a moment. The fragment
|
||
flattens out on the anvil. Skoran scowls at it for a
|
||
long moment.
|
||
|
||
They move away from the anvil and the Apprentice goes
|
||
back to work.
|
||
|
||
SKORAN
|
||
It's obviously been tempered and
|
||
milled... but the lusterous
|
||
quality of the metal is so pure...
|
||
this wasn't made in any forge I've
|
||
ever seen.
|
||
(MORE)
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/07/93 - ACT TWO 20.
|
||
|
||
11 CONTINUED: (2)
|
||
|
||
SKORAN (Cont'd)
|
||
(beat)
|
||
Will you sell them?
|
||
|
||
GARVIN
|
||
You want them?
|
||
|
||
SKORAN
|
||
(shrugs)
|
||
The metal's malleable enough to
|
||
make some jewelry.
|
||
|
||
GARVIN
|
||
They belong to Jayden.
|
||
(to Data)
|
||
Do you want to sell them? You are
|
||
going to need money.
|
||
|
||
Garvin looks to Data who thinks about this for a
|
||
moment.
|
||
|
||
DATA
|
||
You may be right. But I do not
|
||
wish to sell all the fragments.
|
||
They could provide a clue to my
|
||
identity.
|
||
|
||
SKORAN
|
||
I'll give you twenty doraks for
|
||
half the lot.
|
||
|
||
GARVIN
|
||
Agreed.
|
||
|
||
Skoran dumps most of the fragments out of the container
|
||
onto the table.
|
||
|
||
12 CLOSE ON ANVIL BASE
|
||
|
||
Suddenly, the wooden base beneath the anvil cracks and
|
||
then COLLAPSES.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 21.
|
||
|
||
13 RESUME SCENE
|
||
|
||
The anvil comes crashing down on the leg of the
|
||
Apprentice, who SCREAMS in pain. Garvin and Skoran
|
||
rush to him.
|
||
|
||
APPRENTICE
|
||
My leg! Get it off! Get it off!
|
||
|
||
Skoran and Garvin struggle, but they can't lift the
|
||
heavy object.
|
||
|
||
SKORAN
|
||
We need a lever.
|
||
|
||
They both let go of the anvil. Skoran moves to get a
|
||
long pole, while Garvin tries to comfort the
|
||
Apprentice.
|
||
|
||
GARVIN
|
||
It will be all right. Don't
|
||
struggle it will only...
|
||
|
||
Garvin breaks off as the anvil is LIFTED by Data. Both
|
||
Garvin and the Apprentice look up at him in shock as he
|
||
lifts the heavy object without difficulty. Skoran
|
||
drops the pole he was carrying and his eyes go wide.
|
||
Data suddenly becomes aware of the silence around him
|
||
and he turns to see that EVERYONE in the town square
|
||
has stopped what they were doing and are now staring at
|
||
him silently. Garvin finally recovers and stands up.
|
||
|
||
GARVIN
|
||
(continuing, quiet)
|
||
Jayden... put it down.
|
||
|
||
Data puts down the anvil. After a beat, some of the
|
||
townspeople rush in and carry away the injured
|
||
Apprentice.
|
||
|
||
DATA
|
||
(to Skoran)
|
||
I believe the support structure of
|
||
the anvil collapsed because some
|
||
of the wood had rotted.
|
||
|
||
Skoran nods silently, still amazed at what he's seen.
|
||
Data looks around and notices he is getting odd looks
|
||
from everyone.
|
||
|
||
DATA
|
||
Did I do something wrong, Garvin?
|
||
|
||
GARVIN
|
||
No... just unexpected.
|
||
|
||
OFF Data's innocent expression...
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT TWO 22.
|
||
|
||
14 INT. HOME - NIGHT (OPTICAL)
|
||
|
||
Later that evening. Data, Garvin, Gia, and Talur are
|
||
sitting around the table, in the midst of dinner.
|
||
Talur is holding forth again, very confident of her
|
||
ability to explain everything. Mid-conversation.
|
||
|
||
TALUR
|
||
(to Data)
|
||
It's perfectly understandable.
|
||
Your people probably all have
|
||
great strength... it would allow
|
||
them to fight off the ferocious
|
||
creatures that live in the
|
||
Vellorian Mountains.
|
||
|
||
DATA
|
||
You have told me no one from the
|
||
village has ever been to the
|
||
Vellorian Mountains. How do you
|
||
know there are... ferocious
|
||
creatures there?
|
||
|
||
Talur is caught a little off-guard.
|
||
|
||
TALUR
|
||
It is... a well-known fact.
|
||
|
||
DATA
|
||
But no one has actually seen one?
|
||
|
||
TALUR
|
||
Not to my knowledge...
|
||
|
||
DATA
|
||
In the absence of empirical data
|
||
on these creatures, how can you
|
||
support your theory about the
|
||
nature of my strength?
|
||
|
||
Talur manages a weak smile.
|
||
|
||
TALUR
|
||
You certainly have a lot of
|
||
questions, Jayden. I'm sure that
|
||
once your memory returns, a great
|
||
many things will become clear to
|
||
you.
|
||
|
||
Garvin puts a hand to his head and closes his eyes
|
||
briefly.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 23.
|
||
|
||
14 CONTINUED:
|
||
|
||
GIA
|
||
(concerned)
|
||
Father... are you all right?
|
||
|
||
GARVIN
|
||
I've been... tired since this
|
||
afternoon. I'm sure it's nothing.
|
||
|
||
Talur feels his forehead and peers into his eyes.
|
||
|
||
TALUR
|
||
You feel slightly warm... some
|
||
fresh air and a brisk walk will do
|
||
you good.
|
||
|
||
Talur stands up and Garvin slowly stands as well.
|
||
|
||
GARVIN
|
||
That sounds like a good idea.
|
||
(kisses Gia)
|
||
I'll be back soon.
|
||
|
||
Garvin and Talur EXIT. Gia picks up her plate and Data
|
||
helps her to clear the table. They take the dishes to
|
||
a nearby sideboard and put them in a basin of water.
|
||
Gia sees how much food is still left on Data's plate.
|
||
|
||
GIA
|
||
(re: food)
|
||
You didn't like it?
|
||
|
||
DATA
|
||
I neither liked nor disliked the
|
||
food. I simply had no appetite.
|
||
|
||
GIA
|
||
Father's cooking isn't as good as
|
||
mother's. He tries, though.
|
||
|
||
DATA
|
||
Where is your mother?
|
||
|
||
Gia tries to be casual, but this is a painful subject.
|
||
As Gia talks, Data's gaze is caught by the view out the
|
||
window. He looks out at the stars.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT TWO 24.
|
||
|
||
14 CONTINUED: (2)
|
||
|
||
GIA
|
||
She died about a year ago.
|
||
(beat)
|
||
Father says that she went to a...
|
||
beautiful place where everything
|
||
is peaceful... where everyone
|
||
loves each other... and no one
|
||
ever gets sick.
|
||
(beat)
|
||
Do you think there's really a
|
||
place like that?
|
||
|
||
Data stares out the window at the stars for a long
|
||
beat... drawn to them by something that he can't name.
|
||
|
||
DATA
|
||
Yes. I do.
|
||
|
||
OFF his expression as he looks at the night sky...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT THREE 25.
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
15 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship hangs in space.
|
||
|
||
16 INT. HOLODECK/MAIN ENGINEERING (OPTICAL)
|
||
|
||
The room is alive with activity and the ship is at RED
|
||
ALERT. Troi is working at the pool table while
|
||
ENGINEERS rush back and forth, trying to fix a problem.
|
||
Geordi comes out of his office with a worried look on
|
||
his face. Worf is frantically working a console in the
|
||
b.g.
|
||
|
||
GEORDI
|
||
We've just lost contact with
|
||
everything above deck twenty-one...
|
||
including the Bridge.
|
||
|
||
WORF
|
||
(off console)
|
||
There is something wrong with one
|
||
of the anti-matter containment
|
||
units. The magnetic field is
|
||
starting to fluctuate.
|
||
|
||
TROI
|
||
Switch to auxiliary control.
|
||
|
||
WORF
|
||
(works)
|
||
Auxiliary control is not on-line.
|
||
We are starting to lose
|
||
containment on anti-matter storage
|
||
unit three.
|
||
|
||
Troi thinks for a minute.
|
||
|
||
TROI
|
||
All right... then switch the EM
|
||
power inverter to the lateral...
|
||
no, wait use the neodyne relay.
|
||
|
||
GEORDI
|
||
(urgent, off console)
|
||
Commander, the neodyne relay isn't
|
||
holding. Ten seconds to
|
||
containment failure.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT THREE 26.
|
||
|
||
16 CONTINUED:
|
||
|
||
TROI
|
||
Computer: Emergency procedure.
|
||
Eject anti-matter storage unit
|
||
three. Authorization: Troi omega
|
||
omega three one.
|
||
|
||
COMPUTER VOICE
|
||
Unable to comply. All power to
|
||
ejection systems has been
|
||
terminated.
|
||
|
||
GEORDI
|
||
Commander, the unit's beginning to--
|
||
|
||
Suddenly there is a BLINDING EXPLOSION which seems to
|
||
destroy everything in the room except for Troi, who
|
||
shields her eyes against the glare. When the light
|
||
subsides, Engineering is GONE and Troi finds herself
|
||
standing alone on the HOLODECK GRID. She looks
|
||
frustrated.
|
||
|
||
RIKER'S VOICE
|
||
(o.c.)
|
||
Congratulations. You just
|
||
destroyed the Enterprise.
|
||
|
||
17 NEW ANGLE
|
||
|
||
Revealing Riker standing in the Arch with a PADD in his
|
||
hand. He moves to Troi.
|
||
|
||
TROI
|
||
(sarcastic)
|
||
Thanks for the encouragement.
|
||
|
||
RIKER
|
||
Don't feel bad. You passed
|
||
everything else -- diplomatic law,
|
||
first contact procedures, Bridge
|
||
operations... but, the
|
||
Engineering Qualification is one
|
||
of the toughest parts of the test.
|
||
|
||
TROI
|
||
So what did I do wrong?
|
||
|
||
RIKER
|
||
I'm afraid I can't tell you that.
|
||
|
||
TROI
|
||
Why not? What kind of test is
|
||
this?
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT THREE 27.
|
||
|
||
17 CONTINUED:
|
||
|
||
RIKER
|
||
It's the kind of test you'll have
|
||
to take again if you want to be a
|
||
Bridge Officer. And next time,
|
||
the problem won't be so easy, so
|
||
you better study up on emergency
|
||
procedures.
|
||
|
||
TROI
|
||
How am I supposed to study if you
|
||
won't tell me what I did wrong?
|
||
|
||
RIKER
|
||
I don't know. You'll have to
|
||
figure that out too.
|
||
|
||
Riker EXITS, leaving a very frustrated and annoyed Troi
|
||
alone.
|
||
|
||
CUT TO:
|
||
|
||
18 EXT. TOWN SQUARE - DAY
|
||
|
||
Talur is teaching a group of CHILDREN in the center of
|
||
town. The children are seated around her and busily
|
||
scribbling on their slates as Talur lectures. Data and
|
||
Gia are also in the class. Gia is wearing a necklace
|
||
with a PENDANT made from the same type of metal seen
|
||
earlier.
|
||
|
||
Talur is holding a small piece of WOOD. Sitting nearby
|
||
is a lit CANDLE. As Talur expounds on the nature of
|
||
fire and matter, Data becomes more and more concerned --
|
||
this doesn't sound right to him.
|
||
|
||
TALUR
|
||
Fire, rock, sky, and water are the
|
||
basic elements of the universe.
|
||
They can be found in every object,
|
||
every person, every animal --
|
||
everything.
|
||
|
||
Talur holds up the wood.
|
||
|
||
TALUR
|
||
(continuing)
|
||
The rock in this wood can be felt
|
||
by its weight and by its hardness.
|
||
If we expose the wood to flame...
|
||
|
||
She uses the candle to LIGHT the end of the wood.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/07/93 - ACT THREE 28.
|
||
|
||
18 CONTINUED:
|
||
|
||
TALUR
|
||
(continuing)
|
||
We can encourage the fire in the
|
||
wood to show itself.
|
||
(waves hand through
|
||
smoke from wood)
|
||
We also see smoke, which is a part
|
||
of the sky. But, the water in
|
||
wood is very difficult to see.
|
||
Sometimes the basic elements can
|
||
be hidden deep within objects, but
|
||
all four elements are always
|
||
there.
|
||
|
||
Data finally raises his hand.
|
||
|
||
TALUR
|
||
Yes, Jayden?
|
||
|
||
DATA
|
||
I do not believe that is correct.
|
||
|
||
Everyone looks at him in surprise. Talur is more
|
||
bemused than threatened by his assertion.
|
||
|
||
TALUR
|
||
Oh?
|
||
|
||
DATA
|
||
I believe you are reasoning by
|
||
analogy -- classifying objects and
|
||
phenomena according to superficial
|
||
observation rather than by
|
||
empirical evidence.
|
||
(beat)
|
||
For example, wood does not contain
|
||
fire simply because it is
|
||
combustible. Nor does it contain
|
||
rock simply because it is heavy.
|
||
Wood, like any complex organic
|
||
form, is composed of thousands of
|
||
different chemical compounds, none
|
||
of which is fire.
|
||
|
||
Talur's bemusement starts to become irritation.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/07/93 - ACT THREE 29.
|
||
|
||
18 CONTINUED: (2)
|
||
|
||
TALUR
|
||
(firm)
|
||
Jayden, that will be enough.
|
||
(to all)
|
||
As I told you earlier, our friend
|
||
Jayden has lost much of his
|
||
memory. So don't put too much
|
||
faith in his... ideas.
|
||
|
||
The children all nod in agreement. Data frowns in
|
||
thought as he tries to reconcile this with what he
|
||
knows to be true.
|
||
|
||
TALUR
|
||
I think that will be all for
|
||
today, class. I'll see you
|
||
tomorrow. Be sure to practice
|
||
your arithmetic and spelling
|
||
tonight.
|
||
|
||
The class breaks up and Gia moves to Data.
|
||
|
||
GIA
|
||
Are you all right?
|
||
|
||
DATA
|
||
Yes. But I do not agree with
|
||
Talur's assessment. Although I do
|
||
have... gaps in my memory, I know
|
||
that fire is not an element.
|
||
|
||
Suddenly their attention is drawn to a loud argument at
|
||
the Blacksmith's shop.
|
||
|
||
GARVIN'S VOICE
|
||
That is not what you promised me!
|
||
|
||
19 NEW ANGLE
|
||
|
||
Including the Blacksmith's shop. Data and Gia approach
|
||
as Garvin is arguing loudly with Skoran.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/07/93 - ACT THREE 30.
|
||
|
||
19 CONTINUED:
|
||
|
||
The metal fragments seen earlier are on display on the
|
||
table, but some of them have been pounded into various
|
||
pieces of jewelry. Garvin is wearing one of the metal
|
||
fragments as a pin on his shirt. Garvin's skin is
|
||
getting blotchy and red... even small blisters in some
|
||
areas.
|
||
|
||
SKORAN
|
||
You're getting old, Garvin. I
|
||
offered fifteen for the metal and
|
||
I've given it to you. No more.
|
||
|
||
GARVIN
|
||
We agreed on twenty.
|
||
|
||
Skoran shakes his head when Data intervenes.
|
||
|
||
DATA
|
||
Garvin is correct. You did agree
|
||
on twenty.
|
||
|
||
SKORAN
|
||
(annoyed)
|
||
Stay out of this, Ice-man. Your
|
||
memory's not very reliable.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/07/93 - ACT THREE 31.
|
||
|
||
19 CONTINUED: (2)
|
||
|
||
Suddenly Garvin puts a hand to his head and nearly
|
||
falls over. Skoran catches him before he can fall.
|
||
|
||
GIA
|
||
Father! Father, what's wrong?
|
||
|
||
GARVIN
|
||
(weak)
|
||
I don't know... I feel... very
|
||
weak suddenly.
|
||
|
||
GIA
|
||
You've got a fever.
|
||
(to Data)
|
||
We should get him home.
|
||
|
||
Data and Gia help Garvin make his way across the town
|
||
square. Skoran looks after them with a scowl of hatred
|
||
on his face.
|
||
|
||
CUT TO:
|
||
|
||
20 INT. HOME - DAY
|
||
|
||
Garvin is lying on the couch as Talur finishes looking
|
||
him over. There is a small bag with her medical herbs
|
||
and primitive instruments sitting on the floor. Gia
|
||
and Data look on with concern. Garvin's skin is
|
||
beginning to show signs of radiation poisoning --
|
||
blisters, red spots, discoloration. Talur peers into
|
||
Garvin's eyes... feels his forehead... then notices a
|
||
tuft of HAIR on the pillow beside Garvin. She runs her
|
||
fingers through his hair experimentally, and is
|
||
surprised when a large amount of hair comes away in her
|
||
hand.
|
||
|
||
GIA
|
||
What's wrong with him?
|
||
|
||
TALUR
|
||
I suspect that he --
|
||
|
||
She hesitates, forced to admit that, for once, she
|
||
doesn't have an answer.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT THREE 32.
|
||
|
||
20 CONTINUED:
|
||
|
||
TALUR
|
||
(continuing)
|
||
I don't know. I've never
|
||
encountered anything like this
|
||
before.
|
||
|
||
Talur reaches into her bag and brings out a primitive
|
||
MICROSCOPE. This scope is designed to examine objects
|
||
the size of a hand, not slides, and so it should have
|
||
a large magnifying lens and is hand-held. Talur uses
|
||
it to examine Garvin's skin.
|
||
|
||
TALUR
|
||
(continuing)
|
||
These lesions look like burn
|
||
marks.
|
||
|
||
Talur puts down the microscope and thinks for a moment.
|
||
Data picks it up and looks at the device with
|
||
curiosity.
|
||
|
||
TALUR
|
||
The fluids in his body have been
|
||
overheated... that would explain
|
||
the fever and the burning skin.
|
||
(to Gia)
|
||
Keep him cool, let plenty of fresh
|
||
air into the house...
|
||
(takes something out of
|
||
bag)
|
||
... and give him these herbs. That
|
||
should bring his fluidic
|
||
temperature down and allow this to
|
||
pass.
|
||
|
||
GIA
|
||
I understand.
|
||
|
||
Talur begins to put away her things.
|
||
|
||
DATA
|
||
(re: microscope)
|
||
With an increased focal length and
|
||
an achromatic objective lens this
|
||
instrument will have a higher
|
||
effective magnification.
|
||
|
||
Talur holds out her hand and clears her throat in
|
||
irritation. Data realizes what she wants and then
|
||
hands her the microscope.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT THREE 33.
|
||
|
||
20 CONTINUED: (2)
|
||
|
||
TALUR
|
||
(to Garvin)
|
||
I'll be back tomorrow to check on
|
||
you.
|
||
|
||
GARVIN
|
||
(weak)
|
||
Thank you.
|
||
|
||
Talur EXITS. Data looks at Garvin for a moment.
|
||
|
||
DATA
|
||
Garvin, with your permission, I
|
||
would like to begin my own...
|
||
investigation regarding the cause
|
||
of your illness.
|
||
|
||
Garvin manages a tolerant smile.
|
||
|
||
GARVIN
|
||
Go ahead.
|
||
|
||
DATA
|
||
Gia, I would like you to accompany
|
||
me to the village. I will need
|
||
some supplies.
|
||
|
||
They both head for the door.
|
||
|
||
CUT TO:
|
||
|
||
21 EXT. TOWN SQUARE - DAY
|
||
|
||
Data and Gia are leaving one shopkeeper's store with
|
||
boxes containing writing paper, pens, glassware, tubes,
|
||
thread and other material.
|
||
|
||
GIA
|
||
What are you going to do with all
|
||
this?
|
||
|
||
DATA
|
||
I will use these materials to make
|
||
the laboratory equipment I need to
|
||
research your father's illness.
|
||
|
||
GIA
|
||
Do you think you can help him?
|
||
|
||
DATA
|
||
I do not know. First, I must
|
||
isolate the cause of the --
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT THREE 34.
|
||
|
||
21 CONTINUED:
|
||
|
||
SKORAN'S VOICE
|
||
There he is!
|
||
|
||
They turn to see Skoran, his apprentice and several
|
||
townspeople. The apprentice looks sick -- he shows the
|
||
same blistering and skin blotches as Garvin.
|
||
|
||
SKORAN
|
||
(re: Data)
|
||
It's his fault! None of us were
|
||
sick before he came to the
|
||
village!
|
||
|
||
DATA
|
||
Am I to understand that Garvin's
|
||
illness has spread?
|
||
|
||
SKORAN
|
||
That's right -- and you're the
|
||
cause.
|
||
|
||
GIA
|
||
That's not true!
|
||
|
||
Data eyes the crowd -- the mood is starting to turn
|
||
ugly.
|
||
|
||
DATA
|
||
I think we should leave, Gia.
|
||
|
||
Data and Gia start to walk away. Skoran starts to move
|
||
after them.
|
||
|
||
SKORAN
|
||
That's it, leave! Get out of
|
||
here! Go back where you came
|
||
from!
|
||
|
||
OFF Skoran's angry expression...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/0193 - ACT FOUR 35.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
A22 INT. HOME - DAY
|
||
(FORMERLY SCENE 24)
|
||
|
||
Data has turned the dining room of the house into a
|
||
laboratory crammed with home-made equipment. Reams of
|
||
paper filled with complex calculations and diagrams are
|
||
littered across the floor... test tubes and beakers
|
||
are sitting on every flat surface... (Garvin is no
|
||
longer on the couch.)
|
||
|
||
Data is hunched over a new and more sophisticated
|
||
MICROSCOPE. Talur ENTERS the room and looks around in
|
||
astonishment.
|
||
|
||
TALUR
|
||
Jayden... what are you doing?
|
||
|
||
DATA
|
||
I am studying tissue samples from
|
||
Garvin and Gia in an attempt to
|
||
isolate the cause of the illness.
|
||
|
||
TALUR
|
||
(surprised)
|
||
Gia?
|
||
|
||
DATA
|
||
Yes. She is also beginning to
|
||
show signs of the illness.
|
||
|
||
Talur takes in that bad news for a moment, then her
|
||
curiosity is piqued by the sight of the microscope.
|
||
|
||
TALUR
|
||
What is that?
|
||
|
||
DATA
|
||
It is a magnifying device based on
|
||
your hand-held instrument. I have
|
||
refined the design to increase the
|
||
magnification level.
|
||
|
||
TALUR
|
||
(re: microscope)
|
||
May I?
|
||
|
||
DATA
|
||
Of course.
|
||
|
||
Data moves aside and lets her peer through the
|
||
eyepiece. She pulls back in astonishment.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/03/93 - ACT FOUR 35A.
|
||
|
||
0A CONTINUED:
|
||
|
||
TALUR
|
||
How strong is the magnification?
|
||
|
||
DATA
|
||
Objects appear approximately five
|
||
hundred times their normal size.
|
||
|
||
Talur looks back through the microscope.
|
||
|
||
DATA
|
||
As you can see, the cellular
|
||
damage is quite extensive.
|
||
However, based on the interstitial
|
||
transparency and membrane
|
||
integrity, I do not believe this
|
||
is an infection or any form of
|
||
communicable disease.
|
||
|
||
Most of what Data is saying might as well be Greek to
|
||
Talur, but it is in her nature to appear to know more
|
||
than she does.
|
||
|
||
TALUR
|
||
I see...
|
||
|
||
DATA
|
||
At the moment, I am looking for a
|
||
common experience or event that
|
||
Garvin, Skoran, and Gia might have
|
||
shared that could have a causal
|
||
relationship to their illness.
|
||
|
||
TALUR
|
||
Well... they've all been here in
|
||
the village for many years. I'm
|
||
sure there have been many common
|
||
experiences.
|
||
|
||
DATA
|
||
Yes, but since this illness struck
|
||
all three of them in a relatively
|
||
short period of time, it is
|
||
reasonable to assume that the
|
||
experience would be recent and
|
||
unusual.
|
||
|
||
Talur thinks for a moment.
|
||
|
||
TALUR
|
||
Actually Jayden... encountering
|
||
you has been the most unusual
|
||
experience that they've all shared
|
||
recently.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/02/93 - ACT FOUR 35B.
|
||
|
||
A22 CONTINUED: (2)
|
||
|
||
DATA
|
||
I am aware of that. And I am open
|
||
to the possibility that I am in
|
||
some way the causal factor. But
|
||
since you have had a great deal of
|
||
contact with me and have shown no
|
||
sign of the sickness, I tend to
|
||
discount myself as a likely
|
||
candidate.
|
||
|
||
Talur nods, that makes sense.
|
||
|
||
TALUR
|
||
Still... it does seem to be more
|
||
than a coincidence that shortly
|
||
after you arrived, people started
|
||
to become ill.
|
||
|
||
DATA
|
||
I agree.
|
||
|
||
Gia now ENTERS by coming down the stairs. She does
|
||
indeed show signs of the illness -- blotches on her
|
||
skin, movements are painful, difficulty focusing her
|
||
eyes.
|
||
|
||
GIA
|
||
(weak)
|
||
Jayden... I tried to give Father
|
||
the broth... but he won't eat...
|
||
|
||
Talur moves to the child, concerned.
|
||
|
||
TALUR
|
||
(feels skin)
|
||
You have the fever. You should be
|
||
in bed.
|
||
|
||
GIA
|
||
I'm all right. Father needs me.
|
||
|
||
DATA
|
||
I believe Talur is correct. You
|
||
should rest. I will attend to
|
||
your father.
|
||
|
||
Gia nods and turns to go back up the stairs. But as
|
||
she goes, suddenly the METAL PENDANT on her clothes
|
||
catches Data's attention.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FOUR 35C.
|
||
|
||
0A CONTINUED: (3)
|
||
|
||
DATA
|
||
Gia.
|
||
(she turns)
|
||
When did you begin wearing that
|
||
pendant?
|
||
|
||
GIA
|
||
Two days ago. Father bought it
|
||
from Skoran. Why?
|
||
|
||
DATA
|
||
May I see it?
|
||
|
||
Gia hands him the pendant and Data looks closely at the
|
||
metal for a moment... his mind beginning to race...
|
||
|
||
DATA
|
||
This was made from one of the
|
||
metal fragments I sold to
|
||
Skoran...
|
||
|
||
CUT TO:
|
||
|
||
22 INT. TROI'S QUARTERS
|
||
|
||
Troi is deep in the middle of studying for her
|
||
Engineering test. There are PADDS strewn about her
|
||
desk, and a large Plexiglass board is in the middle of
|
||
the room with a complex engineering diagram on it.
|
||
Troi looks tired, but determined as she traces a
|
||
conduit line on the board with her finger and checks it
|
||
against a PADD in her hand.
|
||
|
||
TROI
|
||
(to herself)
|
||
... the aft secondary plasma vent
|
||
has a... triple redundant by-pass...
|
||
that means the primary
|
||
access junction would be routed...
|
||
|
||
The door CHIMES.
|
||
|
||
TROI
|
||
(without looking up)
|
||
Come in.
|
||
(right back into it)
|
||
... would be routed through the
|
||
port transducer matrix...
|
||
|
||
Riker ENTERS and Troi glances up at him.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FOUR 35D.
|
||
|
||
22 CONTINUED:
|
||
|
||
TROI
|
||
(sarcastic)
|
||
Here to give me more...
|
||
encouragement?
|
||
|
||
RIKER
|
||
No... actually I'm here to tell
|
||
you that I've decided to cancel
|
||
the rest of your test.
|
||
|
||
Troi looks up at him in shock.
|
||
|
||
TROI
|
||
What?
|
||
|
||
RIKER
|
||
I'm cancelling the test.
|
||
|
||
For a moment Troi is too stunned to say anything...
|
||
then she puts down the PADD and gives him an icy look.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FOUR 36.
|
||
|
||
22 CONTINUED: (2)
|
||
|
||
TROI
|
||
May I ask why?
|
||
|
||
RIKER
|
||
You've taken the Engineering
|
||
Qualification three times now...
|
||
and you're no closer to passing.
|
||
|
||
Troi's eyes flash in anger.
|
||
|
||
TROI
|
||
Then I'll take it four times or
|
||
fourteen times or however many
|
||
times are necessary for me to get
|
||
it right.
|
||
|
||
RIKER
|
||
Deanna... this is nothing
|
||
personal... but not everyone is
|
||
cut out to be a Bridge Officer.
|
||
I don't think this is for you.
|
||
|
||
TROI
|
||
Why? Because I'm not the most
|
||
technically-minded person on the
|
||
ship? I may have trouble telling
|
||
the difference between a plasma
|
||
conduit and a phase inducer, but
|
||
there's more to being a bridge
|
||
officer than just memorizing
|
||
technical manuals.
|
||
|
||
RIKER
|
||
That's right, there is. But even
|
||
if you spend the next month
|
||
memorizing every technical manual
|
||
in the computer, I still don't
|
||
think you'll pass the test.
|
||
|
||
Troi reins in her temper and takes a couple of steps
|
||
around the room.
|
||
|
||
TROI
|
||
Tell me one thing... is there
|
||
really a solution? Or is this
|
||
simply a test of my ability to
|
||
handle a no-win situation?
|
||
|
||
RIKER
|
||
There is a solution.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FOUR 37.
|
||
|
||
22 CONTINUED: (3)
|
||
|
||
TROI
|
||
Then give me time to find it.
|
||
|
||
RIKER
|
||
I can't.
|
||
(beat)
|
||
As much as I care about you, my
|
||
first duty is to the ship. I
|
||
can't let anyone serve as a Bridge
|
||
Officer who isn't qualified. I'm
|
||
sorry.
|
||
|
||
Troi turns away from him and Riker EXITS. Troi takes
|
||
a beat to herself and then picks up one of the PADDS as
|
||
she tries to sort out her feelings. She begins to
|
||
stack the PADDS and put them away... when suddenly she
|
||
stops as something Riker said strikes home with her.
|
||
|
||
TROI
|
||
"My first duty is to the ship... "
|
||
|
||
Her mind is racing, and after a moment she heads for
|
||
the door with a determined look on her face...
|
||
|
||
CUT TO:
|
||
|
||
23 INT. HOLODECK/MAIN ENGINEERING (OPTICAL)
|
||
|
||
Troi ENTERS.
|
||
TROI
|
||
Computer, load Bridge Officer's
|
||
Test, program Engineering
|
||
Qualification Section One.
|
||
|
||
Main Engineering APPEARS around her, along with Geordi,
|
||
Worf, and some Engineering N.D.s APPEAR.
|
||
|
||
COMPUTER VOICE
|
||
Ready.
|
||
|
||
TROI
|
||
Run program.
|
||
|
||
Everything springs to life. The ship is at RED ALERT
|
||
and in the middle of a crisis.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/0193 - ACT FOUR 38.
|
||
|
||
23 CONTINUED:
|
||
|
||
WORF
|
||
The control system for the primary
|
||
containment field is not
|
||
functioning.
|
||
|
||
GEORDI
|
||
Something's severed the ODN
|
||
conduit between here and the antimatter
|
||
storage deck.
|
||
|
||
Troi gives Geordi a long, grim look before going on.
|
||
|
||
TROI
|
||
(measured)
|
||
Geordi... could you repair the ODN
|
||
conduit if you went into that
|
||
crawlway?
|
||
|
||
WORF
|
||
(shocked)
|
||
Sir. That crawlway is in a warp
|
||
plasma shaft. He would never
|
||
survive the radiation.
|
||
|
||
Troi steels herself.
|
||
|
||
TROI
|
||
I know that. Geordi, could you
|
||
repair the conduit?
|
||
|
||
GEORDI
|
||
I... think so.
|
||
|
||
This is one of the hardest things Troi has ever done...
|
||
and she struggles with it for a moment before facing
|
||
Geordi directly and making the decision.
|
||
|
||
TROI
|
||
Then do it.
|
||
(beat)
|
||
That's an order.
|
||
|
||
Geordi glances at Worf, then accepts his fate.
|
||
|
||
GEORDI
|
||
Aye, sir.
|
||
|
||
Geordi EXITS to the Jefferies Tube and the doors close
|
||
behind him. Troi looks after him for a long beat.
|
||
|
||
RIKER'S VOICE
|
||
End program.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FOUR 39-42
|
||
|
||
23 CONTINUED: (2)
|
||
|
||
Worf and the other Engineers now VANISH from the room,
|
||
leaving Troi alone. Riker ENTERS the scene and
|
||
approaches her.
|
||
|
||
RIKER
|
||
Something told me you wouldn't let
|
||
this go.
|
||
(beat)
|
||
Congratulations. You passed.
|
||
|
||
TROI
|
||
(quiet)
|
||
That's what this was all about,
|
||
wasn't it? To see if I could
|
||
order someone to their death.
|
||
|
||
RIKER
|
||
That's right.
|
||
|
||
Troi is somber... quiet.
|
||
|
||
TROI
|
||
I always knew that was part of
|
||
being in command... I thought I
|
||
was prepared for it... but when
|
||
the moment came, I hesitated. It
|
||
took me four times to realize that
|
||
was the answer.
|
||
(beat)
|
||
Maybe you were right. Maybe I'm
|
||
not cut out for this.
|
||
|
||
RIKER
|
||
You did exactly what you needed to
|
||
do. You tried every
|
||
alternative... looked at all the
|
||
options, and in the end you made
|
||
the hard choice.
|
||
(beat, then smiles)
|
||
Come on, let's get out of here...
|
||
Commander.
|
||
|
||
She looks up at him and then seems to accept his words.
|
||
They EXIT together...
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FOUR 43.
|
||
|
||
24 OMITTED
|
||
|
||
25 INT. HOME - NIGHT (OPTICAL)
|
||
|
||
Data is hard at work in his "lab" in the dining room.
|
||
Talur is standing nearby, looking on in fascination as
|
||
Data sets up an experiment. Data is holding a cloth
|
||
SCREEN about one foot square.
|
||
|
||
DATA
|
||
I have coated this piece of cloth
|
||
with the liquid which is used in
|
||
lamps.
|
||
|
||
Data places the screen in a small HOLDER sitting on the
|
||
table and then picks up a lamp and brings it near the
|
||
screen.
|
||
|
||
DATA
|
||
(continuing)
|
||
You can see that the cloth becomes
|
||
luminescent when exposed to an
|
||
energy source.
|
||
|
||
The cloth does indeed look slightly luminous. Data now
|
||
picks up the metal pendant from Gia and sets it near
|
||
the screen.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/02/93 - ACT FOUR 44.
|
||
|
||
26 ON SCREEN (OPTICAL)
|
||
|
||
There is a VISIBLE pattern of LIGHT on the screen. It
|
||
should look something like the pattern from a shotgun
|
||
burst.
|
||
|
||
27 RESUME SCENE (OPTICAL)
|
||
|
||
Talur looks at the screen with curiosity.
|
||
|
||
TALUR
|
||
Where is this pattern of light
|
||
coming from?
|
||
|
||
DATA
|
||
I believe a stream of particles is
|
||
emanating from the metallic
|
||
pendant and hitting the cloth.
|
||
|
||
TALUR
|
||
(skeptical)
|
||
I don't see any... particles
|
||
coming from the pendant.
|
||
|
||
Data thinks for a moment... then picks up the Starfleet
|
||
container seen earlier and puts it between the metal
|
||
and the screen.
|
||
|
||
28 ON SCREEN (OPTICAL)
|
||
|
||
The pattern of light DISAPPEARS.
|
||
|
||
29 RESUME SCENE
|
||
|
||
DATA
|
||
It would appear that the container
|
||
is constructed from a material
|
||
which can block or absorb the
|
||
particles coming from the metal.
|
||
|
||
Talur is still skeptical, but not so sure of herself
|
||
any longer.
|
||
|
||
TALUR
|
||
It's... a trick...
|
||
|
||
DATA
|
||
No. It is empirical data. I
|
||
believe that the fragments were
|
||
originally placed in this
|
||
container to protect people from
|
||
accidental exposure.
|
||
(MORE)
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FOUR 45.
|
||
|
||
29 CONTINUED:
|
||
|
||
DATA (Cont'd)
|
||
The word "radioactive" may be a
|
||
warning about the dangerous nature
|
||
of the metal.
|
||
|
||
TALUR
|
||
All right... let's say for the
|
||
moment that you're right and there
|
||
are... invisible particles coming
|
||
from this metal. What should we
|
||
do?
|
||
|
||
DATA
|
||
I will continue with my
|
||
experiments. I would like you to
|
||
gather all the pieces of metal in
|
||
the village. Put them back in
|
||
this container.
|
||
|
||
Talur thinks about this for a moment... then decides to
|
||
go along with him. She picks up the container.
|
||
|
||
TALUR
|
||
All right.
|
||
(beat)
|
||
But when I return, I'll want a
|
||
more thorough explanation of all
|
||
this. I want to examine your data
|
||
in detail.
|
||
|
||
DATA
|
||
Of course.
|
||
|
||
Talur EXITS the house. Data goes back to the work area
|
||
and resumes his work. After a few beats, there is a
|
||
POUNDING on the door. Data goes to it and OPEN the
|
||
door, revealing Skoran, and ONE burly-looking MAN.
|
||
Skoran doesn't look at all well, the blotches are
|
||
starting to show up on his skin. Both of them are
|
||
carrying some kind of crude weapon -- an axe handle, a
|
||
metal rod, a pickaxe. One of the men is carrying a
|
||
lantern. They push their way into the room... they all
|
||
glower at Data in obvious hatred.
|
||
|
||
SKORAN
|
||
(threatening)
|
||
There you are...
|
||
|
||
The three men all form a circle around Data.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 11/30/93 - ACT FOUR 46.
|
||
|
||
29 CONTINUED: (2)
|
||
|
||
SKORAN
|
||
(continuing)
|
||
You're the cause of all this, Iceman.
|
||
|
||
DATA
|
||
If you are referring to the
|
||
illness, you are partially
|
||
correct, but it is more complex
|
||
than that. You see, the metal
|
||
fragments that --
|
||
|
||
Skoran swings an axe handle at Data, who deftly blocks
|
||
it, but then one of the men swings a metal rod at
|
||
Data's face... the rod glances off Data, but it also
|
||
RIPS AWAY a portion of his SKIN, revealing a METAL
|
||
structure underneath. All three men stagger back in
|
||
shock and fear.
|
||
|
||
SKORAN
|
||
(continuing, horrified)
|
||
What... what are you?
|
||
|
||
Data reaches up with one hand and touches the bare
|
||
metal of his face -- he's a little surprised as well.
|
||
|
||
DATA
|
||
I do not know.
|
||
|
||
The three men run out of the room in terror. Data
|
||
turns and looks at himself in the mirror... he's
|
||
shocked by the image of his android self laid bare.
|
||
OFF his reaction...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FOUR
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FIVE 47.
|
||
|
||
ACT FIVE
|
||
|
||
FADE IN:
|
||
|
||
30 INT. HOME - NIGHT
|
||
|
||
Talur is putting the last of the metallic jewelry into
|
||
the container. She closes the container and then moves
|
||
to where Skoran and several other people are gathered
|
||
around the very sick Garvin, who is propped up on a
|
||
small couch. Gia is tending to his fever -- though
|
||
she, too, is clearly ill. Skoran and the rest of the
|
||
townspeople are armed with crude weapons.
|
||
|
||
SKORAN
|
||
I saw it with my own eyes. He is
|
||
not a person, he is some kind
|
||
of... creature.
|
||
|
||
GIA
|
||
(to Garvin)
|
||
It's not true, Father.
|
||
|
||
SKORAN
|
||
We have to find him and stop him
|
||
before he kills us all.
|
||
|
||
GARVIN
|
||
(weak)
|
||
I don't... not Jayden... he
|
||
wouldn't try to hurt... us...
|
||
|
||
But finally, Garvin's eyes flutter and he falls asleep.
|
||
|
||
SKORAN
|
||
(to others)
|
||
Come on.
|
||
|
||
Skoran and the townspeople EXIT.
|
||
|
||
TALUR
|
||
(to Gia, re: Garvin)
|
||
Let him rest for now.
|
||
(looks at her)
|
||
You should rest as well. Exerting
|
||
yourself will only make you
|
||
sicker.
|
||
|
||
Gia nods in understanding.
|
||
|
||
TALUR
|
||
(continuing)
|
||
I'll be back.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FIVE 48.
|
||
|
||
30 CONTINUED:
|
||
|
||
She gives the girl a kiss on the head and then EXITS.
|
||
Gia looks at her sleeping father for a moment... then
|
||
moves into the living room and stares at the strange
|
||
lab equipment strewn about.
|
||
|
||
DATA'S VOICE
|
||
(o.c.)
|
||
Gia?
|
||
|
||
Gia whirls around and sees Data standing near the back
|
||
door. His face is partially covered by a scarf which
|
||
hides the wound. Gia is at once relieved and scared to
|
||
see him. Her words come tumbling out in a torrent.
|
||
|
||
GIA
|
||
(desperate)
|
||
Jayden. Everyone's looking for
|
||
you. Skoran said that you're some
|
||
kind of creature.
|
||
|
||
She stares at him, her breath coming in ragged heaves
|
||
as the anxiety and radiation sickness begin to catch up
|
||
with her.
|
||
|
||
DATA
|
||
I do not know what I am. But I am
|
||
not like you.
|
||
|
||
Gia takes a step back from him.
|
||
|
||
GIA
|
||
I know... you're an Ice-man. We
|
||
talked about that...
|
||
|
||
DATA
|
||
No. I am not...
|
||
|
||
GIA
|
||
Jayden... why are you wearing that
|
||
scarf?
|
||
|
||
DATA
|
||
I do not wish to scare you.
|
||
|
||
GIA
|
||
I won't be afraid. Take it off.
|
||
|
||
Data hesitates for a moment.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/06/93 - ACT FIVE 49.
|
||
|
||
30 CONTINUED: (2)
|
||
|
||
GIA
|
||
(continuing)
|
||
Please. I have to see.
|
||
|
||
Data finally relents and pulls away the scarf revealing
|
||
the metallic workings of his head. Gia recoils from
|
||
the sight, but doesn't run.
|
||
|
||
Gia tries to steady herself... she wants desperately to
|
||
believe in Data, but his hideous visage is difficult to
|
||
overcome. Data looks over at the mirror on the wall...
|
||
gazes into his own reflection for a moment.
|
||
|
||
DATA
|
||
I understand your reaction. I
|
||
must admit, I do not know what I
|
||
am.
|
||
|
||
A beat, then he turns to Gia.
|
||
|
||
DATA
|
||
(continuing)
|
||
But I do not wish to harm you.
|
||
You or Garvin or anyone else. I
|
||
only wish to help... to find a
|
||
cure for the illness. I was
|
||
getting very close. I need to
|
||
continue my work, but it will take
|
||
time. How long will it be until
|
||
Skoran and the others return?
|
||
|
||
GIA
|
||
I don't know... they're out
|
||
looking for you.
|
||
|
||
DATA
|
||
Then I must hurry.
|
||
|
||
Data moves to the lab table...
|
||
|
||
TIME CUT:
|
||
|
||
31 INT. HOME - NIGHT
|
||
|
||
It is now several hours later and Data comes down the
|
||
stairs. Gia is asleep in a chair nearby. There are
|
||
many more stacks of paper and slides and beakers are
|
||
scattered across the room to indicate the passage of
|
||
time.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/06/93 - ACT FIVE 50.
|
||
|
||
31 CONTINUED:
|
||
|
||
After a beat, data seems satisfied with what he sees
|
||
through the microscope, makes a final notation on a
|
||
piece of paper, then moves to Gia and gently wakes her
|
||
up.
|
||
|
||
DATA
|
||
Gia... I believe I have found the
|
||
answer.
|
||
|
||
Gia is groggy and clearly getting a little worse.
|
||
|
||
GIA
|
||
You... you found a cure?
|
||
|
||
DATA
|
||
I believe so.
|
||
|
||
On the table can be seen a mortar and pestle filled
|
||
with METALLIC DUST, a large BUCKET filled with a
|
||
silvery solution, and several other petrie dishes with
|
||
odd-looking chemicals in them. As Data pours a small
|
||
amount of silvery liquid onto a spoon:
|
||
|
||
DATA
|
||
I tested this medicine on skin
|
||
samples from your father. They
|
||
showed improvement, so I gave him
|
||
a spoonful. He is now recovering.
|
||
|
||
GIA
|
||
What kind of medicine is it?
|
||
|
||
DATA
|
||
A compound I made which will
|
||
neutralize the particles that are
|
||
making you ill.
|
||
|
||
STAR TREK: "Thine Own Self" 11/30/93 - ACT FIVE 51.
|
||
|
||
31 CONTINUED: (2)
|
||
|
||
DATA
|
||
(continuing)
|
||
Swallow this.
|
||
|
||
Data helps her to swallow the liquid. She makes a face
|
||
at the taste.
|
||
|
||
DATA
|
||
(continuing)
|
||
I am sorry that I did not have
|
||
time to create a more palatable
|
||
flavor.
|
||
|
||
GIA
|
||
(weak)
|
||
That's all right... it's no worse.
|
||
than... grandmother's soup.
|
||
|
||
Data moves to the bucket and puts a lid on it. He
|
||
frowns in thought.
|
||
|
||
DATA
|
||
I must administer this to everyone
|
||
in the village, but I do not think
|
||
they will trust me after what
|
||
happened with Skoran.
|
||
|
||
GIA
|
||
I could... tell them...
|
||
|
||
DATA
|
||
I am afraid they will not believe
|
||
you either.
|
||
(thinks)
|
||
Gia, is the well in the town
|
||
square the only source of water
|
||
for this village?
|
||
|
||
GIA
|
||
(groggy)
|
||
Well... ?
|
||
|
||
DATA
|
||
This is very important. Are there
|
||
any other sources of fresh water
|
||
near the village?
|
||
|
||
GIA
|
||
No... the nearest river is... two
|
||
days away...
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FIVE 52.
|
||
|
||
31 CONTINUED: (3)
|
||
|
||
DATA
|
||
Then I will put the compound into
|
||
the well water. It will be
|
||
diluted, but it should still have
|
||
enough potency to work.
|
||
|
||
GIA
|
||
The compound... the well...
|
||
|
||
Her eyes flutter and she falls asleep. Data arranges
|
||
her comfortably on the couch and then pulls a blanket
|
||
over her. He looks down at her peaceful face for a
|
||
moment, then grabs the bucket and heads for the door...
|
||
|
||
CUT TO:
|
||
|
||
32 EXT. TOWN SQUARE - NIGHT (OPTICAL)
|
||
|
||
The square is deserted. Data cautiously moves into the
|
||
square... looks around to make sure no one is watching
|
||
and then heads for the well. The well has a large
|
||
wooden cover over it, with a few metal latches to
|
||
secure it. Data sets down the bucket and is starting
|
||
to unhook the latches when suddenly we hear Skoran's
|
||
voice from o.c.
|
||
|
||
SKORAN'S VOICE
|
||
There he is!
|
||
|
||
Data turns and now we can see Skoran and a large group
|
||
of Townspeople ENTER the square from an alleyway. Most
|
||
of them have crude weapons and some are carrying
|
||
LANTERNS. They're in an ugly mood as they close in on
|
||
Data.
|
||
|
||
SKORAN
|
||
(points to Data's face)
|
||
You see? It's just as I said...
|
||
|
||
This is met with nods of assent and muttered threats
|
||
from the mob.
|
||
|
||
DATA
|
||
I only wish to help you...
|
||
|
||
Skoran coughs painfully, doubling over in agony... he's
|
||
feverish, almost delirious with the sickness.
|
||
|
||
SKORAN
|
||
(coughing)
|
||
This is how you've helped us... by
|
||
bringing this plague...
|
||
(MORE)
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FIVE 53.
|
||
|
||
32 CONTINUED:
|
||
|
||
SKORAN (Cont'd)
|
||
... tried to kill us all... but you
|
||
won't succeed... I won't let you!
|
||
|
||
With that, Skoran rushes toward Data.. the townspeople
|
||
go with him...
|
||
|
||
-- Data flings back the cover on the well and picks up
|
||
the bucket. He quickly begins pouring the liquid into
|
||
the well.
|
||
|
||
-- Finally, Skoran rushes up and DRIVES a spear through
|
||
Data's back, IMPALING him on the metal rod.
|
||
|
||
-- Data begins to jerk and there is a small SPRAY OF
|
||
SPARKS from where he was stabbed.
|
||
|
||
-- The last of the liquid is poured into the well and
|
||
the bucket slips from Data's hand onto the ground.
|
||
Data turns and looks at the now quiet crowd, jerks once
|
||
or twice... then falls to the ground, dead.
|
||
|
||
Talur pushes her way through the crowd and then kneels
|
||
down by Data. She feels for a pulse, but finds none.
|
||
Talur picks up the bucket and looks at it with
|
||
curiosity and then looks back down at Data. Hold for
|
||
a long beat on this quiet and tragic scene.
|
||
|
||
TIME CUT:
|
||
|
||
33 EXT. TOWN SQUARE - DAY
|
||
|
||
A normal busy day in the square with people moving
|
||
about and merchants hawking their wares. Riker and
|
||
Beverly ENTER the village, disguised as natives. They
|
||
look around for a few beats, then Beverly's eye is
|
||
caught by a group of children walking through the
|
||
square. One of the children is Gia. She looks
|
||
completely recovered from her sickness. As the
|
||
children pass by the well, Gia slows down and then
|
||
stops, looking down at something on the ground.
|
||
Beverly & Riker walk over to her.
|
||
|
||
BEVERLY
|
||
Excuse me. We're looking for a
|
||
friend of ours. He may have
|
||
wandered into your village a few
|
||
days ago.
|
||
|
||
RIKER
|
||
You'd remember him... his
|
||
appearance would have been very...
|
||
strange. Pale skin, gold eyes...
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FIVE 54.
|
||
|
||
33 CONTINUED:
|
||
|
||
Gia reacts in sadness.
|
||
|
||
GIA
|
||
He was your friend?
|
||
|
||
BEVERLY
|
||
Yes. You know him?
|
||
|
||
Gia nods.
|
||
|
||
RIKER
|
||
Where is he?
|
||
|
||
Gia points down and now we can see that there is a
|
||
crude stone marker next to the well with an alien
|
||
inscription on it.
|
||
|
||
BEVERLY
|
||
(puzzled)
|
||
I don't understand.
|
||
|
||
GIA
|
||
We didn't know his real name, so
|
||
we called him Jayden.
|
||
|
||
RIKER
|
||
Are you saying... he's dead?
|
||
|
||
GIA
|
||
(nods)
|
||
They killed him because they were
|
||
afraid of him.. But he saved all
|
||
of us from the sickness.
|
||
|
||
BEVERLY
|
||
The sickness?
|
||
|
||
GIA
|
||
There were these pieces of
|
||
metal... they made everyone sick.
|
||
But Jayden put something in the
|
||
water... and now everyone's
|
||
better.
|
||
|
||
Riker and Beverly exchange a look -- they realize she
|
||
must be referring to the radioactive debris.
|
||
|
||
RIKER
|
||
What happened to these... pieces
|
||
of metal?
|
||
|
||
GIA
|
||
We buried them out in the forest.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 12/01/93 - ACT FIVE 55.
|
||
|
||
33 CONTINUED: (2)
|
||
|
||
She looks down at the grave for a moment.
|
||
|
||
GIA
|
||
(continuing)
|
||
What was his real name?
|
||
|
||
RIKER
|
||
Data.
|
||
|
||
GIA
|
||
Data.
|
||
(beat)
|
||
He was my friend too.
|
||
|
||
Gia gets up and walks away. Beverly and Riker exchange
|
||
a look, then Beverly surreptitious pulls out a
|
||
tricorder and quickly scans the ground.
|
||
|
||
BEVERLY
|
||
(off tricorder)
|
||
It's Data all right... he's buried
|
||
about two meters down. He's been
|
||
deactivated... I can't tell how
|
||
bad the damage is.
|
||
|
||
RIKER
|
||
We can beam him and the probe
|
||
fragments up to the ship and no
|
||
one will know.
|
||
|
||
Beverly nods and they begin to head out of town.
|
||
|
||
CUT TO:
|
||
|
||
34 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship in orbit.
|
||
|
||
35 INT. SICKBAY
|
||
|
||
Data is lying on the table, still dressed as we saw him
|
||
in the town square. There is a jagged hole in his
|
||
uniform with some circuitry hanging out where the metal
|
||
rod punctured him. Beverly is using a DEVICE on his
|
||
head and checking the readings on a tricorder. Troi,
|
||
PICARD and Riker look on.
|
||
|
||
BEVERLY
|
||
Positronic net is on-line... sub-processor
|
||
relays in place... neuro-electrical
|
||
systems enabled.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 11/30/93 - ACT FIVE 56.
|
||
|
||
35 CONTINUED:
|
||
|
||
She reaches underneath Data's back and activates him by
|
||
using his "on" switch. Data suddenly sits up, fully
|
||
conscious.
|
||
|
||
BEVERLY
|
||
Data... are you all right?
|
||
|
||
DATA
|
||
I do not know. I am... surprised
|
||
to find myself here. I thought I
|
||
was on Barkon Four.
|
||
|
||
PICARD
|
||
What's the last thing you
|
||
remember?
|
||
|
||
DATA
|
||
I had located the crashed
|
||
Federation probe and collected the
|
||
radioactive fragments. I was
|
||
attempting to download the sensor
|
||
logs from the probe's on board
|
||
computer when there was a... power
|
||
surge. I believe the surge
|
||
overloaded my positronic matrix.
|
||
(beat)
|
||
After that... I have no memory
|
||
until this moment.
|
||
|
||
He looks down at his clothes and at the jagged hole in
|
||
his chest.
|
||
|
||
DATA
|
||
(continuing)
|
||
But it would appear that I had...
|
||
an interesting time.
|
||
|
||
RIKER
|
||
We don't know much about what
|
||
happened either... except you
|
||
apparently saved an entire village
|
||
from radiation poisoning...
|
||
|
||
BEVERLY
|
||
And you were a very special friend
|
||
to a little girl.
|
||
|
||
Data ponders these statements, but they make no sense
|
||
to him at all.
|
||
|
||
STAR TREK: "Thine Own Self" REV. 11/30/93 - ACT FIVE 57.
|
||
|
||
35 CONTINUED: (2)
|
||
|
||
TROI
|
||
If you'll excuse me, I have the
|
||
Bridge for this watch.
|
||
|
||
Data reacts and now notices that Troi is wearing
|
||
Commander's pips.
|
||
|
||
DATA
|
||
(to Troi)
|
||
Counselor, have you been promoted
|
||
during my absence?
|
||
|
||
TROI
|
||
That's right.
|
||
(joking)
|
||
Which means you can call me "sir"
|
||
from now on.
|
||
|
||
DATA
|
||
Yes, sir.
|
||
|
||
Riker and Beverly exchange smiles as Troi EXITS. OFF
|
||
Data's puzzled look...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FIVE
|
||
|
||
THE END
|
||
|
||
|
||
|
||
|
||
|
||
STXT |