beppe/startrek-ml
1
0
Fork 0
mirror of https://github.com/bvanroll/startrek-ml.git synced 2025-08-29 12:02:45 +00:00
Code Issues Packages Projects Releases Wiki Activity
Files
7e6e99c869e80090708c7b60a567ee72c6324840
startrek-ml/Data/StarTrekTheNextGeneration/199.txt
Beppe Vanrolleghem 3fd04b3ffd why isn't it commiting
2018-05-22 21:58:56 +02:00

3381 lines
70 KiB
Plaintext
Raw Blame History

This file contains invisible Unicode characters

This file contains invisible Unicode characters that are indistinguishable to humans but may be processed differently by a computer. If you think that this is intentional, you can safely ignore this warning. Use the Escape button to reveal them.

STAR TREK: THE NEXT GENERATION
"In Theory"
#40274-199
Written by
Joe Menosky & Ronald D. Moore
Directed by
Patrick Stewart
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
WITH THE TELEVISION LEGAL DEPARTMENT.
Copyright 1991 Paramount Pictures Corporation. All Rights
Reserved. This script is not for publication or
reproduction. No one is authorized to dispose of same. If
lost or destroyed, please notify the Script Department.
FINAL DRAFT
MARCH 20, 1991
STAR TREK: "In Theory" - REV. 4/1/91 - CAST
STAR TREK: THE NEXT GENERATION
"In Theory"
CAST
PICARD ENSIGN JENNA D'SORA
RIKER
DATA ENSIGN McKNIGHT
BEVERLY
TROI
GEORDI
WORF
GUINAN
O'BRIEN
KEIKO
COMPUTER VOICE
Non-Speaking
NURSE
SECURITY OFFICERS
THORNE
LIEUTENANT VAN MAYTER
DATA'S CAT
SUPERNUMERARIES
STAR TREK: "In Theory" - 3/20/91 - SETS
STAR TREK: THE NEXT GENERATION
"In Theory"
SETS
INTERIORS EXTERIORS
USS ENTERPRISE USS ENTERPRISE
MAIN BRIDGE
CAPTAIN'S READY ROOM SHUTTLE
OBSERVATION LOUNGE
CORRIDOR DARK MATTER NEBULA
MAIN ENGINEERING
SICKBAY
TEN FORWARD
TROI'S OFFICE
DATA'S QUARTERS
JENNA'S QUARTERS
TORPEDO BAY
CONCERT HALL
SHUTTLE
STAR TREK: "In Theory" - REV. 4/17/91 - TEASER 1.
STAR TREK: THE NEXT GENERATION
"In Theory"
TEASER
FADE IN:
1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
The ship is on the outskirts of a DARK MATTER NEBULA.
This material is not normally visible to the eye, so
all we should see at this point is a large black space
devoid of stars hanging in front of the ship. Perhaps
some nearby stars around the periphery of the nebula
are partly obscured by the gaseous material, thus
indicating that something is blocking our view.
PICARD (V.O.)
Captain's Log: Stardate 44932.3
The Enterprise is preparing to
enter the Mar Oscura, an
unexplored dark matter nebula
first identified over a century
ago.
2 INT. TORPEDO BAY
This is the torpedo operations center. Launch bays for
torpedos are set into one of the bulkheads. DATA is
working on a photon torpedo which has been slid out of
one of the launch bays.
PICARD (V.O.)
Commander Data is modifying
several of our photon torpedos
for an experiment designed to
elicit more information about this
unusual phenomenon.
3 NEW ANGLE
Revealing ENSIGN JENNA D'SORA as she moves over to
assist Data. Jenna is of Mediterranean descent,
petite, and almost fragile in appearance. But her
doll-like face belies the fact that she is a veteran
security officer who could probably hold her own
against anyone aboard ship. Emotionally, as we will
learn, she is more fragile.
STAR TREK: "In Theory" - REV 4/17/91 - TEASER 1A.
3 CONTINUED:
On the surface this manifests itself only as an
eagerness to please, a puppy-dog friendliness that asks
for approval and affection.
STAR TREK: "In Theory" - 3/20/91 - TEASER 2.
3 CONTINUED:
DATA
The initial dispersal pattern
should not be more than seven
kilometers in diameter.
JENNA
(makes adjustment)
Six point eight kilometers...
Jenna is just a tiny bit distracted, a little quiet...
but it's enough for Data to pick up on.
DATA
That should suffice.
(beat)
Is there something occupying your
thoughts, Jenna? You are somewhat
subdued today...
JENNA
I bumped into Jeff in the
turbolift again this morning.
DATA
Was the experience as emotionally
problematic as last week's
encounter?
Beat... Jenna doesn't answer directly, but keeps going
with her thought.
JENNA
He... asked me to dinner.
DATA
What was your response?
JENNA
I told him I'd think about it.
DATA
As you requested, I must now
remind you of the reasons you
decided to end your relationship
with Jeff.
Jenna's eyes roll slightly... and there's a bit of
humor in her expression... a small bargain between
friends.
STAR TREK: "In Theory" - REV. 4/8/91 - TEASER 3-3A.
3 CONTINUED: (2)
JENNA
I guess I asked for this... go
ahead.
DATA
You objected to the fact that Jeff
seemed unwilling to set aside
sufficient time for you. You said
he never did... the little things.
He was unresponsive. You disliked
the sound he made when he ate his
soup...
JENNA
(with humor)
Okay, okay... I remember.
DATA
This is the third time I have
refreshed your memory. Do you
wish to rescind our agreement?
JENNA
No, no. It's for my own good.
It's just so easy to forget.
(indicates device)
Hand me that sequencer.
DATA
Many lovers throughout history
have had similar difficulties.
Anne Boleyn was quite distressed
that Henry the Eighth preferred
the company of his huntsmen to
that of his wife.
Data hands her a small instrument. She waves it a few
times over the inside of the torpedo, taking a reading.
STAR TREK: "In Theory" - REV. 4/8/91 - TEASER 4.
3 CONTINUED: (3)
JENNA
(wryly)
As I recall, she ended up losing
her head. I guess I'm well out of
this.
(beat)
When did you develop an interest
in romantic historical figures?
DATA
Six weeks ago, when you and Jeff
dissolved your relationship, I
saw an excellent opportunity to
study that aspect of human
intimacy. Also, I believed it
was my obligation to do so.
JENNA
"Obligation"? What do you mean?
DATA
I anticipated this would be a
difficult period for you. As your
friend, it is my responsibility
to be supportive in times of need.
JENNA
(genuinely touched)
That is really sweet, Data.
She looks at him with gratitude, affection... and
something more...
STAR TREK: "In Theory" - REV. 4/1/91 - TEASER 5.
4 NEW ANGLE
Data closes the panel on the torpedo. Jenna moves to
a control console on the bulkhead. Data gives
everything one final check and then steps away from
the torpedo and nods to Jenna. She works the controls
and the torpedo SLIDES INTO the launch bay.
DATA
(hits communicator)
Data to Bridge. We are ready for
the first illumination test.
5 INT. MAIN BRIDGE
RIKER in Command, ENSIGN MCKNIGHT at Con, WORF at
Tactical.
RIKER
(to com)
Acknowledged. All science
stations stand by... we're about
to light up the nebula. Mister
Worf?
WORF
(reading console)
Launch bay one shows ready,
Commander.
RIKER
Fire torpedo.
Worf works the console.
6 INT. TORPEDO BAY (OPTICAL)
Data and Jenna are reading displays and working
consoles. A SOUND EFFECT is heard and some lights
FLASH to indicate the torpedo launch. A display
monitor gives an EXTERIOR VIEW of the nebula outside
the ship.
STAR TREK: "In Theory" - 3/20/91 - TEASER 6.
7 EXT. SPACE - THE ENTERPRISE (OPTICAL)
The torpedo DISAPPEARS into the nebula. After a couple
seconds, the torpedo EXPLODES and there is a BRILLIANT
SHOW OF LIGHT. The dark matter has been illuminated
by the display and the gaseous cloud can be seen
clearly for the first time.
8 INT. TORPEDO BAY (OPTICAL)
Data and Jenna watch the monitor.
JENNA
(softly)
It's beautiful.
(she moves closer to
him)
Like watching fireworks when I
was a little girl.
Jenna turns her gaze to Data... and there is a great
deal more in her look than simple friendship. We get
another hint of her growing feelings for him. As they
watch the brilliant light show together...
FADE OUT.
END OF TEASER
STAR TREK: "In Theory" - REV. 4/2/91 - ACT ONE 7.
ACT ONE
FADE IN:
9 INT. TEN FORWARD
A woodwind quintet composed of Data (oboe), Jenna
(flute), KEIKO, (clarinet) and TWO N.D. MALE
CREWMEMBERS (bassoon, French horn), is playing a piece
of music to the patrons in the room, including O'BRIEN.
The music comes to a stop and there is APPLAUSE from
the audience. The members of the quartet stand and
acknowledge the crowd. O'Brien moves toward the
"stage" area along with a few other well-wishers.
O'BRIEN
(to Keiko)
It was wonderful.
He gives her a quick kiss.
KEIKO
Thanks.
Data sets down his instrument, Jenna keeps her flute in
hand, still stares at her music, obviously unhappy.
Data cocks his head in puzzlement.
DATA
Is anything wrong?
JENNA
My tempo was off. I felt like
I was really rushing it.
DATA
I do not believe that is so. Your
rhythmic control has improved
markedly. I heard no fluctuations
during the performance.
She relaxes a bit -- Data's support means a lot to her.
JENNA
Well, maybe. But I ruined the
coda. I got confused with the
phrasing... I kept breathing at
the wrong times.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT ONE 7A.
9 CONTINUED:
DATA
The contrapuntal nature of the
composition is quite demanding.
We will give the rhythmic
patterns more attention in our
next rehearsal.
(beat)
However, I am quite certain that
the audience was oblivious to such
nuances. They seemed to enjoy
the performance thoroughly.
She looks at him and smiles -- his kind attention makes
her feel better.
JENNA
Thanks, Data... you're really
sweet.
10 INT. TEN FORWARD - LATER
A short time later. Data, Jenna, Keiko, and O'Brien
are sitting at one of the tables, sharing drinks.
STAR TREK: "In Theory" - REV. 3/27/91 - ACT ONE 8.
10 CONTINUED:
KEIKO
... every night, Miles leaves his
socks on the floor. When we got
married, I made the mistake of
picking them up a few times...
then I realized if I kept it up
I'd be doing it the rest of my
life... so I stopped... figuring
he'd get the message and do it
himself.
Miles smiles easily, unbothered.
KEIKO
One night goes by... two... a
week... ten days... by now there's
a pile of socks half a meter
high!
O'BRIEN
Come on... it wasn't half a
meter...
KEIKO
After two weeks I couldn't stand
it any more -- I bundled them up
and put them in the cleaning
processor. And I'm still doing
it.
O'BRIEN
And a very good job of it she
does, too...
He winks broadly at Data as Keiko whirls on him, rising
to the jibe. O'Brien laughs and puts his arm around
her. They kiss lightly on the lips, a loving couple
accepting each other's faults and foibles. Jenna
regards them, a look of faint envy crossing her face.
She glances at Data, touches his arm occasionally, and
as she talks, her manner suggests that they, too, are
a couple...
STAR TREK: "In Theory" - REV 4/17/91 - ACT ONE 9-9A.
10 CONTINUED: (2)
JENNA
Keiko, you sound just like Data.
He came to my quarters the other
day to give me a music lesson,
and he said the funniest thing...
how did you put it, Data?
DATA
I believe I observed that you seem
to have an aversion to
orderliness... but it was not
intended as a humorous remark...
JENNA
So before we started, he gallantly
offered to help me straighten up.
She threads her arm fondly through his, clearly wanting
to establish that they, too, have this easy-going
relationship.
DATA
And a very good job of it I did,
too.
He gives O'Brien a broad wink and the group laughs.
Data is pleased that he has caused this reaction --
though he's not entirely certain why.
CUT TO:
STAR TREK: "In Theory" - REV 4/17/91 - ACT ONE 10.
11
thru OMITTED
13
14 EXT. SPACE - THE ENTERPRISE (OPTICAL)
The ship near the nebula.
15 INT. MAIN BRIDGE (OPTICAL)
Data is at the aft science station, studying
information from the nebula.
PICARD
Report, Mister Data.
DATA
I am nearly finished compiling
the readings from our most recent
illuminatory burst. They differ
considerably from surveys of
similar nebulae.
PICARD
How so?
DATA
Dark matter density is nearly one
order of magnitude higher than
previously found.
(beat)
Lifeforms here may have developed
in ways never before observed.
RIKER
(to Data)
Interesting hypothesis. Are there
any M-Class planets we could check
out?
DATA
Several, Sir. The nearest is
approximately three light years
from our present position.
STAR TREK: "In Theory" - REV 4/17/91 - ACT ONE 11.
15 CONTINUED:
PICARD
It's worth a look. We'll continue
with our survey along the way.
(to McKnight)
Ensign, get the planet's
coordinates from Commander Data
and plot a course, three quarters
impulse.
CUT TO:
16 EXT. SPACE - THE ENTERPRISE (OPTICAL)
The ship ENTERS the nebula at impulse.
16A INT. SICKBAY (PREVIOUSLY SCENE 11)
BEVERLY and a NURSE are standing at the large wall
monitor, running a complex experiment.
BEVERLY
(to Nurse)
Let's increase the flow rate --
see if that helps.
The Nurse nods and then leaves. Beverly looks at the
monitor for a beat, then moves toward her office.
16B ON BEVERLY (PREVIOUSLY SCENE 12)
As she walks by a RACK OF INSTRUMENTS on the wall...
Several steps past it she hears a glassy, metallic
CLINK! She stops... looks back at the rack in
puzzlement... then looks down at the floor.
16C NEW ANGLE (PREVIOUSLY SCENE 13)
Revealing a MEDICAL INSTRUMENT lying on the deck
beneath the rack. She's puzzled.
She looks around, but there's no one here at the
moment. With a trace of annoyance, Beverly picks up
the instrument and replaces it in the rack.
CUT TO:
STAR TREK: "In Theory" - REV 4/17/91 - ACT ONE 12.
17 INT. TORPEDO BAY
Data and Jenna are working on an open photon torpedo.
Jenna is installing a small cannister inside the
central chamber of the torpedo. Data monitors with
a small digital instrument. The work doesn't require
their constant attention.
JENNA
Sometimes in the summer we went
on cookouts... just my little
brother and me, and Mother... She
was hopeless without a replicator.
But we didn't care.
DATA
Children often do not develop a
discerning palette until well
beyond adolescence.
JENNA
It's wasn't that. It just felt...
so good to be together... as a
family. We didn't have much of
that after my father died... so
those times were really special.
(beat)
I wish we were back there now...
you and I...
DATA
The unidirectional nature of the
time continuum makes that an
unlikely possibility.
JENNA
(laughs)
That's one thing I've always loved
about you. You make me laugh.
(beat)
You know, maybe I've been with
the wrong men. Why couldn't they
be like you, Data? You've got
everything.
DATA
That is not true. I have no human
feelings.
She takes his hand in a friendly fashion.
STAR TREK: "In Theory" - REV 4/17/91 - ACT ONE 13.
17 CONTINUED:
JENNA
But you've still given me more
than any of them. You've spent
time with me when I was lonely...
you've encouraged me when I was
down. No one could have been
kinder to me... those are the
things that matter...
STAR TREK: "In Theory" - REV. 4/2/91 - ACT ONE 14.
17 CONTINUED: (3)
Jenna smiles.
JENNA
(continuing, re: the
job)
Well, I think that's it.
(with put on formality)
With your permission, Commander,
I'll be going.
DATA
(straight)
Permission granted.
She gives him a friendly kiss on the cheek, but only
pulls a short distance away afterwards.
JENNA
I don't know if you're aware of
it... but you're very handsome...
She kisses him again, this time longer and on the lips
-- a real kiss, which Data doesn't resist. Jenna
smiles.
JENNA
(continuing)
See you tomorrow...
She turns and leaves the room. OFF Data's reaction.
FADE OUT.
END OF ACT ONE
STAR TREK: "In Theory" - REV. 4/2/91 - ACT TWO 15.
ACT TWO
FADE IN:
18 INT. TEN FORWARD
It's after hours and the room is deserted. GUINAN is
mixing several drinks in odd-shaped glasses on the bar.
Data ENTERS, there is a lost, puzzled expression on
his face.
GUINAN
Hi, Data. Want to try something
new?
Data sits at the bar and looks at the drinks she's
making with only slight curiosity.
GUINAN
(continuing)
This is a concoction I heard about
on Prakal Two. I think it's
great, but I want another opinion,
so...
She carefully combines a yellow and a blue liquid in
a glass, producing a sickly green potion. She offers
it to Data. He takes a small drink. She waits for
a reaction.
DATA
Eighty-seven percent Saurian
Brandy... Targ milk and Denevian
mead comprise the rest... an
unusually high concentration of
mono-saccharides and fructose
compounds.
GUINAN
Too sweet, huh?
Data gives her a look -- "Kool Aid." Guinan drinks
some of the potion herself and Data retreats into
thoughtful silence.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT TWO 16.
18 CONTINUED:
Guinan quickly picks up on the fact that something's
on his mind.
GUINAN
If I didn't know you better, I'd
say you were... preoccupied.
DATA
Ensign D'Sora just gave me what
could be considered a very...
passionate kiss in the Torpedo
Bay.
Guinan gives him a long piercing look.
GUINAN
Really?
(beat)
How did it make you feel?
DATA
I cannot feel because---
GUINAN
I know, I know. You have no
emotions.
(very intrigued)
What I mean is, what's going on
in there?
(points at his head)
What did it make you think about?
DATA
I was... intrigued. Jenna seemed
to be displaying genuine affection
toward me.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT TWO 17.
18 CONTINUED: (2)
GUINAN
And then?
DATA
I calculated that Jenna's actions
to date would tend to support the
supposition that she wishes to
initiate a non-platonic mutually
exclusive relationship.
GUINAN
You're just a starry-eyed
romantic, aren't you?
(before he can answer)
What do you think of her?
DATA
I find her to be a competent
officer... highly motivated...
lacking somewhat in her
understanding of the theory
underlying dilithium matrix
applications---
GUINAN
But what do you think of her
personally?
(beat)
Do you like her?
DATA
I have become... used to her.
GUINAN
It sounds like the next step is
up to you.
(beat)
So what are you gonna do about
it?
DATA
I do not know. Clearly, an
ongoing intimate relationship is
an option. However, I am
inexperienced in such matters.
I require advice.
Beat.
STAR TREK: "In Theory" - REV. 3/28/91 - ACT TWO 18.
18 CONTINUED: (3)
GUINAN
Well, don't look at me.
Data obligingly looks away from her.
GUINAN
No, no. I mean, this time I don't
have any advice to give. You
can't tell someone how to handle
their first love affair. They have
to find a way to do that
themselves.
Data thinks for a moment.
DATA
But I am incapable of love.
GUINAN
(knowing look)
Then this should be a very unique
experience.
On Data's expression...
CUT TO:
19 EXT. SPACE - THE ENTERPRISE (OPTICAL)
In the nebula.
20 INT. CORRIDOR
Data is about to go into his quarters. From o.s. we
hear...
GEORDI'S VOICE
Missing someone?
21 NEW ANGLE
Revealing GEORDI walking toward Data. He is carrying
Data's CAT in his arms.
GEORDI
I found Spot wandering through
the corridor two sections away.
Geordi hands Data the cat.
STAR TREK: "In Theory" - REV. 3/25/91 - ACT TWO 19.
21 CONTINUED:
DATA
(puzzled)
Thank you.
GEORDI
Forget to secure the door when
you left?
DATA
The door sensor has been
programmed to recognize only
humanoid forms for entry or
egress. Spot could not have
triggered the mechanism.
They EXIT to...
22 INT. DATA'S QUARTERS - CONTINUOUS
Data puts the cat down.
GEORDI
Maybe someone came in while you
were away and let him out by
accident. Has anything been
disturbed?
DATA
(looks around very
quickly)
No.
(to com)
Computer, has anyone entered my
quarters in the last twelve hours
other than myself or Commander
La Forge?
COMPUTER VOICE
Negative.
GEORDI
That's pretty strange... we should
report a possible unauthorized
entry to security, just to be on
the safe side.
Data nods in agreement and Geordi moves toward the
door, but Data stops him.
STAR TREK: "In Theory" - REV. 3/27/91 - ACT TWO 20.
22 CONTINUED:
DATA
Geordi, may I ask your advice
concerning a... personal matter?
GEORDI
Sure, Data.
DATA
Should I pursue a relationship
with Ensign D'Sora?
Geordi is caught off-guard and it shows.
DATA
(prompting)
Ensign Jenna D'Sora. Serial
number CL-10928---
GEORDI
Yeah, I know who she is. I
thought she and Jeff Arton...
DATA
They discontinued their
association. Now she has made
the... first move in initiating
a relationship with me.
(beat)
What should I do?
Geordi thinks for a long beat, then gropes for
something to tell his friend.
GEORDI
Hmmm... if she just ended a bad
situation... sometimes it takes
people a while... but if they
jump into another relationship
--
From the confused look on Data's face, Geordi can tell
this isn't helping much, but he keeps going.
GEORDI
(continuing)
... see, that can be a problem...
unless, of course, she is ready...
and then it depends if you're
really serious. It's uh... kind
of complicated.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT TWO 21.
22 CONTINUED: (2)
Geordi tries to think of the right thing to say... but
he feels a little helpless here... finally gives up.
GEORDI
(after a beat)
My advice to you is... to ask
someone else for advice. Someone
with a little more experience in
these things.
CUT TO:
22A OMITTED
23 INT. TROI'S OFFICE
TROI and Data sitting.
TROI
I think you should be careful.
This is not some experiment you're
running. Jenna is a living,
breathing person with needs and
feelings that have to be
considered.
DATA
Then you believe I should not
pursue this any further.
TROI
No, I didn't say that... I just
want you to be aware that this
will be unlike any other... more
casual relationship that you've
attempted.
DATA
I have studied a great deal of
human literature on the subject
of love and romantic liaisons.
There are many role models for
me to emulate.
TROI
Ultimately, Jenna will care for
you because of what you are. Not
what you imitate out of a book.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT TWO 22.
23 CONTINUED:
DATA
My programming may be inadequate
to the task.
Troi gives him a sympathetic smile.
TROI
We're all more than the sum of
our parts, Data. You'll have to
be more than the sum of your
programming.
CUT TO:
24 INT. MAIN BRIDGE
Worf and Data near the Tactical station.
WORF
Klingons do not... pursue
relationships. They conquer that
which they desire.
Data nods and moves to leave, but Worf stops him.
WORF
(continuing)
However...
(quietly, with meaning)
Ensign D'Sora serves under my
command. If she were...
mistreated, I would be very...
displeased.
Data gets the message.
DATA
I understand.
Data walks away... glances back once at Worf... then
turns and keeps going.
CUT TO:
STAR TREK: "In Theory" - REV. 4/3/91 - ACT TWO 23.
25 INT. OBSERVATION LOUNGE
RIKER
I think you should pursue it.
First of all, she's a beautiful
woman who seems to be crazy about
you.
Data is still troubled by something.
DATA
Jenna has clearly demonstrated
how she feels about me. But I
am not capable of returning those
feelings.
RIKER
I'm sure she's aware of that.
(beat)
Data, when you get involved with
another person, there's always
a risk. Of disappointment. Of
getting hurt.
DATA
I cannot get hurt. But she can.
RIKER
Jenna knows that. And she's
obviously decided to take the
chance. Data, when it really
works between two people, it's
like nothing you've ever
experienced -- the rewards are
far beyond simple friendship.
DATA
How far beyond, sir?
RIKER
Well, that's what I hope you're
about to find out.
Data thinks for a beat.
DATA
Thank you, Commander.
Data EXITS to...
STAR TREK: "In Theory" - REV. 4/2/91 - ACT TWO 23A.
26 INT. MAIN BRIDGE
Data intercepts Picard as he's heading for his Ready
Room.
DATA
Captain, I am seeking advice in---
STAR TREK: "In Theory" - REV. 4/1/91 - ACT TWO 24.
26 CONTINUED:
PICARD
Yes, I've heard, Data... and I
would be delighted to offer you
any advice I have on understanding
women.
(beat)
As soon as I have some, I'll let
you know.
Picard continues to the Ready Room. OFF Data's
reaction.
CUT TO:
27 INT. CORRIDOR
Data is walking purposefully along the corridor, a
bouquet of flowers in his hand.
DATA (V.O.)
Second Officer's personal log,
Stardate 44935.6. After
conferring with my colleagues
regarding the nature of romantic
love in general, and my own
situation in particular, I have
reached a decision.
He stops in front of a door. It chimes and opens.
Jenna is standing inside, wearing an attractive,
off-duty outfit.
28 INT. JENNA'S QUARTERS - CONTINUOUS
Jenna smiles about the flowers.
JENNA
They're beautiful. Come in.
She takes the flowers from him, and he follows her into
the room, the door closing behind.
Jenna's quarters are more "personal" than any we've
seen on the Enterprise. "Creative disorganization"
seems to be the dominant motif. A profusion of art
objects and decorations are combined with a couple of
clothing articles casually left where they were
dropped. It looks very "comfortable."
STAR TREK: "In Theory" - REV. 4/1/91 - ACT TWO 24A.
28 CONTINUED:
She raises the flowers to catch their pleasant
fragrance.
JENNA
(continuing)
Mmmm. What are they?
DATA
Crystilia. Their fragrance is
an evolutionary response to the
acrid nature of the atmosphere
on Telemarius Three.
STAR TREK: "In Theory" - REV. 4/1/91 - ACT TWO 25.
28 CONTINUED: (2)
JENNA
(re: Data)
You silver-tongued devil.
(turns)
Let me find somewhere to put
these.
She scans the densely decorated room.
JENNA
(continuing)
Hmmm. That might not be so
easy...
As Jenna looks around, Data follows her further into
the room.
DATA
It seems that your quarters have
reverted to their earlier state
of disorder.
JENNA
I know. I'm hopeless.
Jenna finally locates a vase and arranges the flowers
in it.
JENNA
(continuing)
There.
(regarding them)
They're beautiful, Data. It's
so sweet of you...
DATA
It was Commander Riker who
suggested this particular flower.
He said that it had worked for
him in the past.
STAR TREK: "In Theory" - REV. 4/1/91 - ACT TWO 25A.
28 CONTINUED: (3)
Jenna raises an eyebrow.
JENNA
You didn't talk to the entire ship
about us...
DATA
No. In actuality, less than one
percent of the Enterprise crew
was involved. It was necessary
to balance theory with
experiential referents. Both are
required for a program of this
nature.
(to Computer)
Computer, decrease illumination
level by one third standard lux.
The lights dim to a romantic glow. Data purposefully
sits down on the couch, Jenna remains standing, a
puzzled look on her face.
STAR TREK: "In Theory" - REV. 3/25/91 - ACT TWO 26.
28 CONTINUED: (4)
JENNA
(re: the situation)
This is all part of a program?
DATA
Yes. One which I have just
created for romantic
relationships.
Jenna smiles, sits down next to him, much closer than
she would to "a friend."
JENNA
(with humor)
So... I'm just a small variable
in one of your new computational
environments?
DATA
You are much more than that,
Jenna. I have written a
subroutine specifically for you
-- a program within the program.
I have devoted a considerable
share of my internal resources
to its development.
Jenna looks touched. She leans toward him, still
appreciates the humor of the situation.
JENNA
That's the nicest thing anyone's
ever said to me.
Jenna puts her arms around him and they kiss...
FADE OUT.
END OF ACT TWO
STAR TREK: "In Theory" - REV. 4/1/91 - ACT THREE 27.
ACT THREE
FADE IN:
29 EXT. SPACE - THE ENTERPRISE (OPTICAL)
travelling through the nebula.
30 INT. BRIDGE
Picard, Riker, Worf, McKnight at Con, Data at Ops.
PICARD
Estimated time of arrival, Mister
Data?
DATA
We will reach the M class planet
in approximately eleven hours.
Picard nods.
PICARD
You have the Bridge, Number One.
Riker takes the Captain's chair; FOLLOW Picard into the
Ready Room.
31 INT. READY ROOM - CONTINUOUS
Picard ENTERS the room, walks casually towards his desk
-- and STOPS.
The top of his desk is completely bare. Puzzled, he
glances around.
32 INCLUDE THE FLOOR
under the desk. Where everything once on top --
computer terminal, PADDS, PADD holder, tea mug -- have
been somehow dumped onto the floor.
Picard reacts, curious. He stares at the mess for a
beat.
PICARD
(keying insignia)
Picard to Lieutenant Worf.
STAR TREK: "In Theory" - REV. 3/27/91 - ACT THREE 28.
32 CONTINUED:
WORF'S COM VOICE
Yes, Captain?
PICARD
Step into my Ready Room, please.
And bring a tricorder.
WORF'S COM VOICE
Aye, Sir.
Picard crouches down, inspecting the objects. Worf
ENTERS the room and Picard stands back up.
WORF
Captain?
Worf stares at the floor for a moment. Then back to
Picard.
PICARD
What do you make of this?
WORF
I am puzzled, Sir.
PICARD
So am I, Mister Worf.
Worf aims the tricorder at the objects and takes a
quick reading.
WORF
Captain, the only detectable
bioelectric residuals are your
own.
(a beat)
You did not --
PICARD
-- No. I did not.
Worf scowls. He quickly checks the bathroom.
PICARD
(continuing)
It seems we have a poltergeist.
WORF
Sir?
PICARD
A mischievous spirit.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT THREE 29.
32 CONTINUED: (2)
WORF
(understanding)
Hoq-JoH.
PICARD
(beat)
Perhaps this is some kind of
practical joke.
WORF
(taken aback)
Sir?
PICARD
Perhaps not.
WORF
I cannot explain how an intruder
could have entered this room...
I recommend we go to Red Alert.
PICARD
Not yet.
WORF
Then I will order one of my
officers to stand watch.
(keys insignia)
Worf to Ensign --
PICARD
(cutting him off)
-- That's alright, Mister Worf.
For now, I think circumstances
warrant our caution -- nothing
more.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT THREE 30-32.
32 CONTINUED: (3)
WORF
(reluctantly)
As you wish, Captain.
Picard dismisses him with a nod, and Worf turns and
goes out the door. Picard stares again at the objects
beneath the desk. OFF his still puzzled face.
33 EXT. SPACE - THE ENTERPRISE (OPTICAL)
In the nebula.
34
thru OMITTED
35
36 INT. DATA'S QUARTERS
Data is painting at an easel. The door CHIMES.
DATA
Enter.
He stops painting and turns toward the door as Jenna
steps inside, carrying an object in both her hands.
JENNA
I know it's a little unexpected...
STAR TREK: "In Theory" - REV. 3/28/91 - ACT THREE 33.
36 CONTINUED:
DATA
You are correct. I did not
anticipate your arrival until
nineteen hundred hours.
Data stays at the easel, continues to paint.
JENNA
I couldn't wait... I wanted you
to have this.
She holds the object out to Data -- it is a small
alien sculpture, exotic and beautiful. He studies it,
but does not take it.
DATA
You have often expressed
dissatisfaction with the Spartan
nature of my quarters. Is this
an attempt at embellishment?
JENNA
The cat's out of the bag.
DATA
(looking around)
Spot?
JENNA
I mean you've caught me in the
act. I'm just trying to brighten
things up around here.
(re: the sculpture)
It's Tyrinean. What do you think?
Data studies the object for a moment.
DATA
Its line is both fluid and formal,
yet retains an unpremeditated
quality. The tactility of the
surface enrichment is evocative
of the neo-primitive period in
Tyrinean blade carving.
JENNA
I hadn't thought of it that way.
Jenna looks at Data, still seated at his easel.
STAR TREK: "In Theory" - REV. 3/27/91 - ACT THREE 33A.
36 CONTINUED: (2)
JENNA
(re: painting)
I'm sorry. Don't let me
interrupt.
DATA
Alright.
STAR TREK: "In Theory" - REV. 3/28/91 - ACT THREE 34.
36 CONTINUED: (3)
Then he turns back and continues painting. If it was
anybody else, the action would be the height of
rudeness. Jenna can't help but react a moment, even
though she knows he doesn't intend a slight. She
recovers.
JENNA
(playfully)
Data.
DATA
(looks up)
Yes?
JENNA
The Book of Love, chapter four,
paragraph seventeen: When your
girlfriend arrives with a gift,
stop whatever it is you're doing,
and give her your undivided
attention.
DATA
My literature search was
apparently incomplete. I
discovered twenty-nine books with
that title, but none contained
that particular admonition.
JENNA
(playful)
That's because we're writing our
own version as we go -- you and
I.
A long beat as Data thinks about this. He sets down
his paintbrush.
DATA
I should not have resumed my
painting?
JENNA
No.
DATA
Despite your suggestion that I
continue?
JENNA
Exactly.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT THREE 35.
36 CONTINUED: (4)
Another thoughtful beat.
DATA
The nature of our interactions
is considerably more subtle and
complex than I had anticipated.
I have much to learn.
A beat as Jenna gets an idea.
JENNA
Let's start with this.
She hands him back the sculpture.
JENNA
(continuing)
A critical analysis isn't
necessarily the best response to
a gift.
A beat.
DATA
Perhaps if I looked for a suitable
place to display it.
JENNA
(pleased)
Much better.
Data stands and walks with the carving to a remote
corner of the room, placing it onto a bare surface.
DATA
The ambient light in this location
accentuates its contours.
Data observes Jenna's neutral response. Then thinks
for a beat. He returns to a much more central table.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT THREE 36.
36 CONTINUED: (5)
DATA
(continuing)
However, a gift should not
necessarily be placed according
to aesthetic criteria. A more
central location will carry added
meaning.
He places the carving in the more noticeable location.
Jenna steps over to him, takes his hand.
JENNA
Data, what's important is that
you're trying. You don't know
how much that means to me.
She indicates the easel.
JENNA
(continuing)
Now, go back to your painting.
Data starts to go back to the easel... hesitates, looks
at her.
JENNA
(smiles)
This time I really mean it.
(kisses him on cheek)
I'll see you tonight.
FOLLOW Jenna as she goes out the door, smile on her
face.
37 INT. CORRIDOR - CONTINUOUS (OPTICAL)
Jenna walks out of Data's quarters and the door closes
behind her. She takes a few steps, still smiling, then
pauses a moment. The smile fades for just an instant,
replaced by the hint of a doubt about this situation.
She walks back into her room... as a wall panel on
the corridor bulkhead DEMATERIALIZES, briefly showing
the wiring within.
CUT TO:
38 EXT. SPACE - THE ENTERPRISE (OPTICAL)
The ship in the nebula.
STAR TREK: "In Theory" - REV. 4/1/91 - ACT THREE 37.
38A INT. READY ROOM
Picard is working on a terminal at his desk.
RIKER'S COM VOICE
Riker to Captain Picard. You're
needed on the Bridge.
PICARD
(to COM)
Acknowledged.
FOLLOW Picard as he stands and heads to the door and
onto the Bridge.
39 INT. MAIN BRIDGE - CONTINUOUS
Picard steps onto the Bridge from the Ready Room.
Riker is in Command, Data, Worf, McKnight at their
respective positions.
RIKER
We've reached the designated
coordinates.
Riker indicates the viewscreen and they turn to look.
RIKER
(continuing)
But the M-Class planet... it's
gone.
STAR TREK: "In Theory" - REV. 3/25/91 - ACT THREE 38.
40 INCLUDE VIEWSCREEN (OPTICAL)
Nothing but the nebula and empty space.
OFF Picard's reaction.
FADE OUT.
END OF ACT THREE
STAR TREK: "In Theory" - REV. 4/1/91 - ACT FOUR 39.
ACT FOUR
FADE IN:
41 INT. BRIDGE (OPTICAL)
Picard, Riker, Worf, Data, and McKnight turn from the
viewscreen.
PICARD
Are you sure there was no
malfunction in the sensors?
DATA
No, sir. Lateral EM scanners
registered radiation indicative
of an M-Class planet.
WORF
Sir!
42 INCLUDE VIEWSCREEN (OPTICAL)
A reddish-brown planet now fills the screen. Everyone
reacts to the sight.
43 RESUME
Picard and Riker exchange a bemused look.
PICARD
(to Data)
Mister Data, run a complete
systems diagnostic --
Picard is interrupted.
COMPUTER VOICE
-- Atmospheric decompression in
Bridge Observation Lounge...
Environmental compensation
sequence has been initiated...
STAR TREK: "In Theory" - REV. 3/26/91 - ACT FOUR 39A.
43 CONTINUED:
Everyone is taken aback.
WORF
(looks up puzzled)
I am not registering a hull
breach.
STAR TREK: "In Theory" - REV. 3/26/91 - ACT FOUR 40.
43 CONTINUED: (2)
PICARD
Scan for lifeforms.
WORF
(scanning)
None, Sir.
RIKER
(to Computer)
Computer, boost the structural
integrity field around the hull
by one hundred percent.
COMPUTER VOICE
Field augmented...
DATA
(off instruments)
Captain. Standard air pressure
has been reestablished in the
Observation lounge.
Everyone looks at each other -- another mysterious
development.
PICARD
Let's have a look.
Picard, Riker, Data, and Worf head for the obs lounge.
44 INT. OBSERVATION LOUNGE
The door opens from the Bridge and Worf ENTERS first,
phaser drawn. He is taken aback by what he sees.
WORF
Captain.
Picard, Riker, and Data immediately follow him inside.
45 THEIR POV
The entire room has been tossed. Everything not nailed
down -- PADDS, chairs, displays -- looks as though it's
been bounced off the walls.
STAR TREK: "In Theory" - REV. 3/28/91 - ACT FOUR 41.
46 RESUME
Everyone reacts.
WORF
(frustrated)
I do not understand.
Worf rights an upturned chair as Data quickly goes to
the outer wall and begins running his tricorder along
it.
RIKER
Data, are you picking up anything?
DATA
I detect no unusual readings.
Data reaches the window, passes the tricorder over it
-- reacts.
DATA
(continuing)
Curious. The transparent aluminum
alloy of this window is
exhibiting a pattern of transient
electrical currents.
PICARD
Explanation?
DATA
I have none. The rate is
characteristic of a subspace
distortion. But I am not picking
up evidence of subspace fields.
A beat. Picard turns to his officers.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FOUR 42.
46 CONTINUED:
PICARD
We will hold position while we
seek an explanation for these
anomalies. Divert all resources
to that end.
Everyone knows their jobs and as they move to EXIT...
CUT TO:
46A EXT. SPACE - THE ENTERPRISE (OPTICAL)
The Enterprise at impulse, nebula in the background.
47 INT. JENNA'S QUARTERS (OPTICAL)
Data ENTERS, carrying a PADD under his arm like a
briefcase, looking like a cross between Ward Cleaver
and the Man in the Grey Flannel Suit. Jenna has just
come in, is still in uniform, and looks a little
frazzled.
DATA
Hi, honey, I am home.
JENNA
Hi.
He kisses her on the check. She reacts a moment to
his manner -- they aren't living together, and Data's
home from work attitude is a bit odd. But she brushes
it off.
JENNA
Any luck at your end?
DATA
Negative. We performed a full
systems diagnostic and found no
malfunctions.
JENNA
We did a full security sweep.
Nothing.
She flops down on the couch, takes off her shoes, and
drops them on the floor. There are several other pairs
there -- this is something she does every night.
STAR TREK: "In Theory" - REV. 4/1/91 - ACT FOUR 43.
47 CONTINUED: (2)
DATA
Can I get you a drink, dear?
Another little take... Data's saying the right things,
but it comes off a bit strangely.
JENNA
Well, yes. I think I'll have...
a Calaman Sherry.
DATA
Excellent choice. I shall join
you.
He moves to the replicator.
DATA
Two Calaman Sherries.
(to Jenna)
Would you like some dinner as
well?
JENNA
I'm too tired to think about what
I want... maybe later.
The replictor produces the drinks; he carries them to
her.
DATA
Whatever you like, dear.
He gives her a drink and she starts too sip. But he
stops her arm, indicates that they should toast. He
lifts his glass.
STAR TREK: "In Theory" - REV. 3/28/91 - ACT FOUR 43A.
47 CONTINUED: (2)
DATA
Darling, you remain as
aesthetically pleasing as the day
we first met. I believe I am the
most fortunate sentient in this
sector of the galaxy.
He touches her glass with his, and then takes a drink.
So does Jenna, though she eyes him a bit warily. This
is feeling really strange...
DATA
Now... you must relax. Put your
feet up. I will take care of
everything.
He rises and begins to straighten things in the
perpetual clutter of Jenna's quarters. He picks up the
shoes which have collected on the floor.
DATA
I could organize your closets.
I have found that by grouping
apparel first by function, and
then by color from light to dark,
one can more easily locate one's
desired choice.
He heads toward the bedroom with the shoes.
JENNA
Data... it's all right. You don't
have to do that...
DATA
But I am happy to do it.
JENNA
Please... put them down.
Acquiescent, Data puts the shoes down right where he is
-- in the doorway. He swoops down on the couch beside
her, utterly attentive.
DATA
What would you like, dear? Am
I not paying enough attention to
you?
JENNA
It's not that...
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FOUR 44.
47 CONTINUED: (4)
DATA
Perhaps I have not given you
enough compliments. Your hair
is looking particularly silky
tonight...
JENNA
Data... there's just something...
strange... about the way you're
acting...
Data tries to figure that one out.
DATA
Am I not behaving as a solicitous
mate?
JENNA
Well, yes, but...
DATA
Tending to your every need?
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FOUR 45.
47 CONTINUED: (5)
JENNA
What is wrong with you tonight?
Data responds to her angry tone, matching it as best
he can.
DATA
My most recent self-diagnostic
revealed no malfunctions. Perhaps
something is wrong with you.
Jenna stares at him, unbelieving.
JENNA
I've never seen you behave so...
foolishly. Why are you doing
this?
DATA
(still "angry")
You may not tell me how I should
behave. You are not my mother.
JENNA
What?
DATA
"You are not my mother." Is that
not an appropriate response to
your statement that I am behaving
foolishly?
JENNA
(completely frustrated)
Data, I think you should just
leave.
Data cocks his head.
DATA
(calm)
You do not wish to continue our...
lovers quarrel?
She stares at him, dumbfounded.
JENNA
Is that what this is?
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FOUR 45A.
47 CONTINUED: (6)
DATA
In my study of interpersonal
dynamics, I learned that conflict
followed by emotional release
often strengthens a connection
between two people.
JENNA
But there's just something
forced and artificial about the
way you're doing it. It's not
the real you.
DATA
With respect to romantic
relationships, there is no... real
me. I am drawing upon various
literary and cultural sources to
help define my role.
Jenna takes a moment to absorb all this... the whole
thing has been an act, a part of his "program"... the
solicitousness, the helpfulness, the argument --
everything. After a beat she goes to him.
STAR TREK: "In Theory" - REV. 3/28/91 - ACT FOUR 46.
47 CONTINUED: (6)
JENNA
Kiss me.
He stands and obliges her. After a beat...
JENNA
What were you just thinking?
DATA
At that particular moment, I was
reconfiguring the warp field
parameters, analyzing the
collected works of Charles
Dickens, calculating the maximum
pressure I could safely apply to
your lips, considering a new food
supplement for Spot...
His voice trails off as he notices the crestfallen look
on her face. Jenna tries to hide her disappointment...
even from herself.
JENNA
(half-hearted smile)
I'm glad I was in there somewhere.
She hugs him... but we can see the uneasiness growing
on her face.
48 EXT. SPACE - THE ENTERPRISE (OPTICAL)
At full stop above the planet, the nebula dark in the
background.
49 INT. BRIDGE (OPTICAL)
Picard, Riker, Worf, and Data are at the aft science
station.
RIKER
(re: viewscreen)
A complete sensor scan of the
planet and three survey probes
turned up no surprises. No sign
of life, nothing out of the
ordinary.

STAR TREK: "In Theory" - REV. 3/26/91 - ACT FOUR 46A.
49 CONTINUED:
RIKER
(re: viewscreen)
A complete sensor scan of the
planet and three survey probes
turned up no surprises. No sign
of life, nothing out of the
ordinary.
STAR TREK: "In Theory" - REV. 3/28/91 - ACT FOUR 47.
49 CONTINUED:
WORF
Seven more unusual incidents have
been reported. No casualties or
damage.
DATA
At present, we can only state that
a subspace effect seems to exist
within this nebula. After I have
made further analysis, I may be
able to adjust the ship's sensors
to locate and identify the
anomaly.
RIKER
(to Picard)
The ship is at risk as long as
we're sitting here. We can always
continue our investigation from
outside the nebula.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FOUR 48.
49 CONTINUED: (2)
PICARD
Agreed. Ensign McKnight, plot the
most direct course. Ahead warp
one.
MCKNIGHT
(works instruments)
Yes, Sir.
PICARD
Engage...
McKnight touches the panel. The ship goes to warp.
Immediately --
DATA
(standing back)
Captain.
Everyone turns to see Data's science station and a
section of the wall DEMATERIALIZE for a moment.
WORF
(off instruments)
Captain! Explosive decompression
on Deck Thirty-seven!
RIKER
Bridge to La Forge... damage
report.
The CLAXON SOUNDS, and RED ALERT lights go on.
50 INT. ENGINEERING (OPTICAL)
Geordi and several N.D. engineers, including THORNE and
VAN MAYTER, are reading sensors.
GEORDI
We're showing damage between decks
-- we haven't localized it yet.
A section of the wall DEMATERIALIZES across its middle
section. A violent BURST OF ENERGY arcs between the
two ends, EXPLOSIVELY. Thorne is knocked to the
ground.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FOUR 48A.
50 CONTINUED:
GEORDI
Thorne!
Geordi goes to him, picks him up -- he's alright. The
conduit REMATERIALIZES.
GEORDI
La Forge to Bridge... a cryogenic
control conduit just blew out on
us. I almost lost a man...
STAR TREK: "In Theory" - REV. 4/1/91 - ACT FOUR 49.
51 INT. BRIDGE
Everyone is alarmed.
PICARD
Full stop!
MCKNIGHT
Yes, Sir --
52 OMITTED
53 INT. BRIDGE - ANOTHER ANGLE
Everyone is tensed, hoping the full stop will lessen
the strange dematerializations.
GEORDI'S COM VOICE
La Forge to Bridge...
PICARD
Yes, Commander?
54 INT. CORRIDOR
Geordi is hurrying along with two Engineers.
GEORDI
(to Comm)
I think we have some structural
damage between Decks Thirty-Six
and Seven. We're checking it out
now.
(MORE)
STAR TREK: "In Theory" - REV. 3/27/91 - ACT FOUR 50.
54 CONTINUED:
GEORDI (Cont'd)
(to one engineer)
Van Mayter, you take access tube
twenty-three M and look at the
the Bridge connectors.
Van Mayter heads off around a corridor as Geordi and
Thorne continue on.
GEORDI
I'll cover the aft section. You
go---
A TERRIBLE SCREAM OFF SCREEN. Geordi and Thorne
suddenly react -- bolting toward the sound, rounding
the corner...
54A INCLUDE VAN MAYTER (OPTICAL)
stuck half-way through the deck, at chest-level. Head,
upper torso and one arm are all that's visible. He's
limp, obviously dead.
OFF Geordi's reaction.
FADE OUT.
END OF ACT FOUR
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 51.
ACT FIVE
FADE IN:
56 EXT. SPACE - THE ENTERPRISE (OPTICAL)
At full stop in the midst of the nebula.
57 INT. OBSERVATION LOUNGE (OPTICAL)
Picard, Riker, Worf and Geordi are sitting at the
table. The atmosphere is one of grave concern. Data
is standing next to an Okudagram displayed on the wall
MONITOR.
DATA
During the series of events, I
was able to measure the W particle
inference which confirms one of
my hypotheses.
Data indicates the Okudagram, which shows "lines" of
normal space interrupted by pockets or deformations
of varying sizes and shapes. A graphic depiction of
the Enterprise is in the midst of it all.
DATA
The unusual preponderance of dark
matter in this nebula is causing
small gaps in the fabric of normal
space.
He points from one "pocket" to another.
DATA
As the Enterprise moves through
the nebula, it collides with these
deformations.
PICARD
Like a carriage bouncing over a
series of potholes.
DATA
That is an apt analogy.
GEORDI
So every time we hit one, part
of the ship momentarily phases
out of normal space.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 52.
57 CONTINUED:
DATA
(acknowledging)
Or when one of them hits us. My
readings suggest that the
deformations themselves are in
motion.
RIKER
We're lucky one of these pockets
didn't pass through a photon
torpedo casing... or the
matter/anti-matter containment
pods.
PICARD
The question now is, how do we
get out? Mister Data, can you
reconfigure the sensors to detect
these anomalies?
DATA
Yes, sir, but they can only be
perceived at extremely close
range. Even at minimal speed,
it would be impossible to maneuver
the Enterprise quickly enough to
avoid them.
WORF
A shuttlecraft is more
maneuverable...
RIKER
He's right.
Riker moves to the monitor, points to the Enterprise
and a position far ahead of it.
RIKER
If we positioned a shuttle far
enough in front of the
Enterprise... it could detect the
pockets and provide us enough
time to maneuver out of the way.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 53.
57 CONTINUED: (2)
GEORDI
We could give the shuttle control
of our navigational systems --
that way, the corresponding
maneuvers would be virtually
instantaneous.
PICARD
Make it so.
58 INT. BRIDGE
Picard, Riker, Data, and Worf enter the Bridge from the
Observation Lounge. Jenna is standing at Tactical.
Worf approaches her.
WORF
You are relieved, Ensign.
Jenna nods and crosses to the turbolift. As she does,
she passes Data, now at the right science station,
working furiously at the instruments. She hesitates,
gives him a look... but he is oblivious, concentrating
on his task. She turns and proceeds toward the
turbolift.
59 OMITTED
60 ON PICARD AND RIKER
heading across the Bridge. Riker starts to peel off
toward the turbolift.
RIKER
I'll do my pre-flight once I'm
on board.
PICARD
Not this time, Will.
Riker stops, brought up short.
RIKER
Sir?
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 54.
60 CONTINUED:
PICARD
I'm going to pilot the shuttle.
RIKER
Captain... my duty as First
Officer is to safeguard the lives
on this ship. Including yours.
The Enterprise can't afford to
lose you, sir. Not in this
situation.
PICARD
I believe our best chance of
escaping this situation is for
me to pilot that shuttle.
(beat)
This is my ship, Will. I've
got to do it.
A beat.
RIKER
(acquiescing)
Captain.
Picard heads for the turbolift.
60A
thru OMITTED
60B
60C EXT. SPACE - THE ENTERPRISE (OPTICAL)
The ship is in the nebula, the tiny shuttle far off in
front of it. Both appear to be holding their
positions.
61 INT. SHUTTLE
Picard at the console.
PICARD
Shuttle three to Enterprise,
telementry link enabled.
He touches the controls and the blinkies respond by
lighting up in a different pattern.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 54A.
62 OMITTED
63 INT. MAIN BRIDGE
Riker in captain's chair, Data at his post, Worf at
Tactical, McKnight at CONN.
DATA
Ship's computer is accepting
navigational inputs from the
shuttle.
64 INT. SHUTTLE - INCLUDE MONITOR (OPTICAL)
in front of Picard, where there appears an OKUDAGRAM
display, similar to the one Data had in the Observation
Lounge, with "lines" of space displayed out in front of
the shuttle. It resembles a vector graphic "POV" type
videogame.
PICARD
Forward sensors are on line.
Ensign McKnight, plot a course
for the shortest distance out of
the nebula.
MCKNIGHT
Plot laid in, sir. Outer
perimeter at thirty-two million
kilometers.
PICARD
Point one impulse, Number One.
64A INT. MAIN BRIDGE
RIKER
Acknowledged, Captain. We're
right behind you.
(to Comm)
Riker to O'Brien, lock on to the
Captain's communicator. I want
to be able to pull him out of
there if I have to.
O'BRIEN'S COM VOICE
Aye, sir.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 55.
65 EXT. SPACE - ENTERPRISE & SHUTTLE (OPTICAL)
The shuttle in f.g., Enterprise behind it in the
nebula. As the shuttlecraft slowly moves forward, the
Enterprise follows.
INTERCUT AS NEEDED:
66 INT. SHUTTLE
Picard working controls, watching the monitor.
67 INCLUDE MONITOR (OPTICAL)
the lines in space suddenly display a distorting
"pocket" similar in appearance to those on Data's obs
lounge Okudagram. It is heading right toward him.
PICARD
Changing course... new heading
two-nine-nine mark zero-two-nine.
We see from the movement of the gassy whirls of the
nebula that the shuttle has banked into a turn that
is left and up. The monitor moves accordingly and the
"pocket" disappears from the screen.
68 OMITTED
69 INT. MAIN BRIDGE
DATA
Main coupling is matching
navigational inputs, Captain.
MCKNIGHT
New heading confirmed.
PICARD
I missed it by less than a
thousand meters, Enterprise...
Advise your status...
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 56.
69 CONTINUED:
WORF
(checking his panel)
Sensors indicate the deformation
passing five hundred meters off
the starboard bow. We're
clear...
RIKER
One down, Captain...
There is Bridge-wide release of tension.
PICARD
Resuming previous course.
MCKNIGHT
Confirmed. Outer perimeter now
at thirty-point-one million
kilometers.
Riker's eyes sweep the Bridge. There's still a long
way to go.
70
thru OMITTED
72
73 INT. SHUTTLE - INCLUDE MONITOR (OPTICAL)
Picard's eyes are glued on the monitor. Two pockets
appear on the screen, a small one and a larger one.
PICARD
Changing course... heading zero
seven three, mark --
two-eight-eight...
The shuttle veers right and down. The pockets
disappear from the screen. But suddenly, four more
pockets loom on the monitor -- like the next level in
a Nintendo game.
PICARD
New heading... two-eight-four
mark zero...
The shuttle swerves hard to the left.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 56A.
74
thru OMITTED
74C
75 INT. MAIN BRIDGE
There is a jolt to the Bridge as the Enterprise makes
the two corrections in close order.
76 INT. SHUTTLE - INCLUDE MONITOR (OPTICAL)
Three of the potholes appear on screen... There's not
a minute for Picard to breathe. The potholes keep
coming... big ones moving slowly, little ones that zip
like hummingbirds. But this time there's a JOLT to the
shuttle...
76A EXT. SPACE - SHUTTLE (OPTICAL)
There's an EFFECT on part of the shuttle... the
thruster assembly flares, then hangs, damaged, on the
shuttle.
77 INT. SHUTTLE - INCLUDE MONITOR (OPTICAL)
as the potholes keep coming... Picard tapping
instructions... but...
PICARD
Enterprise... I'm losing
maneuverability...
CONTINUE INTERCUT:
77A INT. ENGINEERING
GEORDI
Sensors indicate damage to the
shuttle's starboard impulse
nacelle, Captain.
PICARD
I'm reading fluctuations in the
thermal control sub-system...
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 57.
78 INT. BRIDGE
RIKER
Captain, I'm bringing you back.
PICARD
Belay that, Number One! I'm
re-routing the secondary deuterium
supply... switching to manual
controls.
DATA
Transceiver signal is down
forty-two percent. Navigational
inputs are not registering.
RIKER
(what next?)
Captain, we've lost the link.
PICARD
You'll have to make course changes
manually until we re-establish
the connection.
RIKER
Understood. Get us back on line,
Data. Geordi, try boosting the
power to the L-U band. And
increase the distance between the
Enterprise and the shuttle. We're
going to need some more room to
make manual adjustments.
GEORDI
Aye, sir.
RIKER
How far do we have to go?
MCKNIGHT
Sixteen million kilometers.
Riker's face shows his grave concern that they're not
going to make it that far.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 57A.
79 INT. SHUTTLE
Where Picard is battling a bucking shuttle. Now he
becomes a concert pianist... changing course to escape
the oncoming potholes with one hand... working to
correct the engine problem with the other.
PICARD
New heading... two-nine-nine mark
one eight...
MCKNIGHT
(working panels)
Yes, sir... I've got it... course
corrected.
Potholes swim at Picard; the shuttle dips and swerves
for a tense moment. There's only time for --
PICARD
Enterprise -- hard starboard!
MCKNIGHT
Aye, sir --
79A INT. BRIDGE
WORF
Deformation impact on Deck
Fifteen... science section...
RIKER
Damage?
WORF
Report coming in, sir... minimal
damage.
PICARD
Hold steady... I've completed the
re-routing sequence... do you read
my navigational inputs?
RIKER
Data, do we have the telemetry
link back?
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 58.
79A CONTINUED:
DATA
I have increased sensitivity in
the L-U band... it should be
sufficient.
RIKER
Captain, let's try it.
79B INT. SHUTTLE (OPTICAL)
Half a dozen pockets swarm toward the shuttle on the
monitor. Picard barely has time to respond.
PICARD
New heading. Two-seven-five mark
three nine!
DATA
Confirmed... the link has been
re-established.
MCKNIGHT
Nine-point-four million kilometers
to the perimeter.
79C EXT. SPACE - THE ENTERPRISE & SHUTTLE (OPTICAL)
continue their strange tandem dance through the nebula.
80 INT. BRIDGE
PICARD
Mister La Forge, I am still having
difficulty controlling the
shuttlecraft.
80A INT. ENGINEERING
GEORDI
Yes, sir, your krellide storage
cells are losing their charge.
Maintaining manual control is
gonna get increasingly harder...
STAR TREK: "In Theory" - REV. 4/2/91 - ACT THREE 58A.
81 INT. SHUTTLE
The shuttle is bucking, barely under control.
PICARD
Estimated distance to the nebula's
perimeter?
DATA
Four-point-seven million
kilometers, sir.
PICARD
Is there a way to transfer the
microfusion thrusters so I can
get a power boost?
DATA
Possibly. If you augment the
thruster sequencing so that the
inertial dampening fields --
But as he's speaking a pothole appears on the
monitor... then looms large... larger... this is the
Mother Of All Potholes. Picard responds --
PICARD
Bearing -- two-seven... make that
two-eight-five, mark
two-five-five!
The shuttle banks hard left and plunges down at a steep
angle... then whirls out of control.
82 INT. MAIN BRIDGE
as the Bridge begins to jolt in response to the
shuttle.
DATA
Commander, the shuttle is out of
control. Navigational link is
severed.
RIKER
(to Com)
Mister O'Brien -- do you have the
Captain's signal?
82A INT. TRANSPORTER ROOM
O'BRIEN
I'm having trouble locking on,
sir.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 59.
82B INT. BRIDGE
DATA
Sir, the shuttle's inertial
dampeners have failed. It is
breaking up.
83 INT. SHUTTLE (OPTICAL)
The craft is spinning (SHAKING AS THE GASSY WHIRLS BLUR
BY THE WINDOW). Picard can't even move from the g
force.
PICARD
(to Com)
Now would be a good time, Mister
O'Brien...
83A
thru OMITTED
86
87 INT. MAIN BRIDGE - INCLUDE VIEWSCREEN (OPTICAL)
Riker and the others react to a tiny explosion far out
in front of the ship -- it's the shuttle.
RIKER
O'Brien -- did we get him?
87A INT. TRANSPORTER ROOM (OPTICAL)
As Picard MATERIALIZES, heads for the door.
O'BRIEN
Aye, sir, we got him.
PICARD
I'm a little dizzy, Number One...
but none the worse... on my way...
87B INT. BRIDGE
RIKER
(relieved)
Acknowledged, sir.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 60.
87B CONTINUED:
DATA
Commander, we are nearing the
perimeter -- one million
kilometers away.
RIKER
All right, let's make a run for
it.
A tense moment -- will there be more potholes?
88 EXT. SPACE - ENTERPRISE (OPTICAL)
As the great ship plows toward the edge of the
nebula... and then shoots out into normal space.
89 INT. MAIN BRIDGE
as Picard emerges from the turbolift.
RIKER
We're clear of the nebula, sir.
Picard looks out at the starfield... relieved to see
normal space again. He moves toward his chair.
PICARD
Ensign, plot a course for Starbase
Two-Sixty. Warp two. Engage.
90 OMITTED
91 EXT. SPACE - THE ENTERPRISE (OPTICAL)
The ship at warp in normal space.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 60A.
92 INT. DATA'S QUARTERS
Data is preparing two place settings for an intimate
dinner. His cat passes by. The door CHIMES.
STAR TREK: "In Theory" - REV. 3/27/91 - ACT FIVE 61.
92 CONTINUED:
DATA
Enter.
The door opens and Jenna ENTERS the room, crosses
toward Data.
DATA
(continuing)
Hello.
Jenna gives him a peck on the cheek. Her smile is a
little weak.
JENNA
Hi.
She notices several potted plants and a couple of
antique Japanese style hanging lanterns.
JENNA
(continuing)
The place looks great.
DATA
Thank you. It is much less
Spartan, is it not?
JENNA
Much less... It looks... great...
it really does... it looks great.
DATA
Jenna, you are repeating yourself.
I have found this to be indicative
of mental distraction. Is that
a correct assumption in this
instance?
JENNA
I'm afraid it is.
Data moves toward the replicator.
DATA
Then perhaps we should begin our
meal. Among humans, a low serum
glucose level is often responsible
for --
JENNA
(interrupting)
-- Data.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 62.
92 CONTINUED: (2)
Data pauses.
JENNA
(continuing)
Let's talk... first.
She indicates his chair at the table. Data comes back,
sits down. She sits opposite him.
JENNA
(continuing)
I'm not sure how to begin.
DATA
What is the subject?
JENNA
You and me. Our relationship.
DATA
Yes?
JENNA
(deep breath)
Data, sometimes people blindly
make the same mistake again and
again. Until it finally happens
in a way so obvious and so
blatant, that they can no longer
deny what they've been doing.
DATA
Are you currently experiencing
this phenomenon?
JENNA
I didn't see it until today. I
got out of a relationship with
an unemotional man. And went
right back into another with a
man who is absolutely incapable
of emotion.
DATA
There does appear to be a
recurring motif.
JENNA
You were so kind and attentive.
I thought maybe that would be
enough.
STAR TREK: "In Theory" - REV. 3/27/91 - ACT FIVE 63.
92 CONTINUED: (3)
DATA
It is not?
JENNA
No, it's not. Because as close
as we are, I don't really matter
to you. Not really. Nothing I
could do or say will ever make
you happy, or hurt you, or touch
you in any way.
DATA
That is... a valid projection.
Data thinks for a moment.
DATA
(continuing)
It is apparent that my reach has
exceeded my grasp in this
particular area. I am perhaps
not nearly so human as I aspire
to become...
A beat.
DATA
(continuing, pleasantly)
If you are ready to eat, I will
bring our meal.
Data stands. Jenna looks at him sadly for a beat --
this is just what she was talking about.
JENNA
No. That's alright.
She stands.
JENNA
(continuing)
I'd better go, Data.
DATA
If you wish.
Jenna reaches over and kisses him on the cheek. Starts
to turn toward the door.
STAR TREK: "In Theory" - REV. 4/2/91 - ACT FIVE 64.
92 CONTINUED: (4)
DATA
(continuing)
Jenna. Are we no longer... a
couple?
Her eyes suddenly fill with tears.
JENNA
No... we're not.
DATA
Then I will delete the
appropriate program.
JENNA
(quickly toward the
door)
I'll see you later...
She goes out the door -- it closes behind her. Data
watches for a moment. The cat suddenly jumps up on his
lap.
DATA
Hello, Spot.
He reaches down to pet it, and the animal nuzzles up to
his hand.
OFF Data's face...
FADE OUT.
END OF ACT FIVE
THE END
Reference in New Issue View Git Blame Copy Permalink