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1 line
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STAR TREK: THE NEXT GENERATION
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"Frame of Mind"
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#40276-247
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Written by
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Brannon Braga
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Directed by
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Jim Conway
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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FEBRUARY 16, 1993
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STAR TREK: "Frame of Mind" - 2/16/93 - CAST
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STAR TREK: THE NEXT GENERATION
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"Frame of Mind"
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CAST
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PICARD ADMINISTRATOR
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RIKER ATTENDANT
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DATA DOCTOR
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BEVERLY INMATE
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TROI LIEUTENANT
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WORF
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GEORDI
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WOUNDED CREWPERSON
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N.D. COM VOICE
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Non-Speaking
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1 WOUNDED N.D. CREWMEMBER
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N.D. CREWMEMBERS (AUDIENCE)
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2 GUARDS
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STAR TREK: "Frame of Mind" - 2/16/93 - SETS
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STAR TREK: THE NEXT GENERATION
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"Frame of Mind"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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SICKBAY
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READY ROOM
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RIKER'S QUARTERS
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TURBOLIFT
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CORRIDOR
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OBSERVATION LOUNGE
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TEN FORWARD
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THEATRE/ASYLUM CELL
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ASYLUM
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ASYLUM CORRIDOR
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ASYLUM COMMON AREA
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ASYLUM CELL
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ALIEN LAB
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STAR TREK: "Frame of Mind" - 2/16/93 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Frame of Mind"
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PRONUNCIATION GUIDE
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TILONUS tie-LONE-us
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MAVEK MAY-vek
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JAYA YAI-ya
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SUNA SOON-ah
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SYRUS SYE-russ
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STAR TREK: "Frame of Mind" - 02/16/93 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Frame of Mind"
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TEASER
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FADE IN:
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1 INT. ASYLUM CELL
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An austere room -- devoid of furnishings, except for a
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BED and a DOOR with a small thick-paned window. RIKER
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is sitting on the bed, dressed in casual hospital-type
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clothing. He is trying to maintain control, but there
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is an underlying tension. He looks strung out, like
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he's been at this for a long time...
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He speaks to an offscreen DOCTOR who we never clearly
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see (this will be Data, speaking with a distinctive
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accent so we don't recognize his voice).
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RIKER
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(to Doctor)
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You're absolutely right, Doctor.
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In fact, right now it's hard to
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imagine ever hurting anyone...
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DOCTOR (O.S.)
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How do you feel about that person
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you used to be?
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RIKER
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I feel... terrible. But thanks to
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you, I'm much better now. And I
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feel confident that when I leave,
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I'll be ready to take my place in
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society again.
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DOCTOR (O.S.)
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When do you think that will be?
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Riker looks at him... gives him a nervous smile...
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RIKER
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Well... now. Right away.
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DOCTOR (O.S.)
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What makes you say that?
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RIKER
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You said when I was able to accept
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what I'd done, and understood the
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consequences of my actions, that
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I'd be free to go.
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STAR TREK: "Frame of Mind" - 02/16/93 - TEASER 2.
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1 CONTINUED:
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DOCTOR (O.S.)
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"Free to go." Are you saying you
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don't think you should stand trial
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for what you've done?
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Riker pauses... he's skittish, trying to please the
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Doctor and say the right thing -- but he's losing the
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fight to stay calm.
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RIKER
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I'm looking forward to proving my
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innocence...
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DOCTOR (O.S.)
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I thought you said you accepted
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what you'd done.
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Riker tries to backtrack.
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RIKER
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But that's not what I meant. I...
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I meant that I was sick when it
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happened. I wasn't responsible
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for what I did...
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A tense beat.
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DOCTOR (O.S.)
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How do I know that you're not just
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telling me what I want to hear?
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Riker doesn't have a response.
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DOCTOR (O.S.)
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(doubtful)
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Perhaps we should continue this
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discussion next week...
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Riker's temper flares -- he stands.
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RIKER
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No. I want to talk about it
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now...
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DOCTOR (O.S.)
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(calmly)
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You're starting to sound angry
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again. Maybe you need another
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treatment...
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Riker drops all pretense of being the "good patient"
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and lets his genuine feelings come out.
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STAR TREK: "Frame of Mind" - 02/16/93 - TEASER 3.
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1 CONTINUED: (2)
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RIKER
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What I need is to get out of this
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cell. I'm locked up day and
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night... you control every
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move... tell me what to eat, what
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to think, what to say...
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Riker moves around the room, liked a caged animal.
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RIKER
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(continuing)
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And when I show a glimmer of
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independent thought, you strap me
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down, inject me with drugs and
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call it a "treatment."
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DOCTOR (O.S.)
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You're becoming agitated...
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RIKER
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You bet I'm agitated! I may be
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surrounded by insanity, but I'm
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not insane. And I won't let you
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or anyone... me think I am....
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Riker hesitates, stumbling over his words... tries to
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correct his last statement.
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RIKER
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I won't let you or anyone think
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that...
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Riker's whole demeanor changes -- he stops being the
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tortured patient and becomes just Wil Riker. He looks
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offscreen and speaks to somebody.
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RIKER
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I'm sorry. Can we take it from
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"You're becoming agitated"?
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2 NEW ANGLE
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to REVEAL that we have been in the ship's THEATER. A
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cell is set up on a stage. The theater seats are
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empty, except for BEVERLY, who is directing the play.
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DATA -- who is playing the Doctor -- is also on the
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cell stage.
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STAR TREK: "Frame of Mind" - 02/16/93 - TEASER 4.
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2 CONTINUED:
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BEVERLY
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(to all)
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Why don't we break for tonight.
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I think we've made a lot of
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progress.
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RIKER
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But I'm still not confident about
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that final speech...
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Beverly moves to Riker onstage.
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BEVERLY
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There's such a thing as over-rehearsing,
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Wil. You'll do just
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fine.
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(beat)
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Try to relax. You're resisting
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the character. Let yourself feel
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what he's feeling.
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Riker is frustrated.
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RIKER
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(unsure)
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Maybe I'm just not right for this
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part...
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Data chimes in.
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DATA
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(to Riker)
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Most humanoids have the potential
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to be irrational. Perhaps you
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should attempt to access that part
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of your psyche.
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Beverly nods, tries to give Riker the insight he needs.
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BEVERLY
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Haven't you ever felt at odds with
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everyone -- like the whole world
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was against you?
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Riker thinks.
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RIKER
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Yeah... my first year at the
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Academy...
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STAR TREK: "Frame of Mind" - 02/16/93 - TEASER 4A.
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2 CONTINUED: (2)
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BEVERLY
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Try to tap into that feeling.
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That's what your character is
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going through in this scene.
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Riker nods, feeling a little better.
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STAR TREK: "Frame of Mind" - 02/16/93 - TEASER 5.
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2 CONTINUED: (3)
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RIKER
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I'll work on it...
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BEVERLY
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It'll be wonderful. You're going
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to knock 'em dead.
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Riker nods. As everyone moves to go...
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3 INT. CORRIDOR
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A few minutes later. Riker walking along, still
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dressed in his inmate costume. He's practicing lines
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from his final speech, trying to get it right.
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RIKER
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"You control every move... tell me
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what to eat, what to think, what
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to say... "
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He tries again, this time with more emphasis:
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RIKER
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(continuing)
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"What to eat, what to think, what
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to say... "
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(beat)
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"And when I show a glimmer of
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independent thought, you strap me
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down, inject me with drugs and
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call it a 'treatment'... "
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Over the above, a CREWPERSON walks past and gives Riker
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a curious look. Riker is too absorbed to notice. He
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stops at a Turbolift and taps a button by the door. As
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he waits...
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RIKER
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(continuing)
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"I may be surrounded by insanity,
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but I'm not insane --"
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The doors open and Riker runs directly into an ALIEN
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LIEUTENANT. The Lieutenant stares at him with intense
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eyes, face utterly expressionless. Riker steps back,
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startled...
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RIKER
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Excuse me...
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STAR TREK: "Frame of Mind" - 02/16/93 - TEASER 6.
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3 CONTINUED:
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The Lieutenant walks past him. Riker enters the
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Turbolift, glances back to see --
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The Lieutenant has stopped and is watching Riker. For
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a moment, he seems almost menacing. Then he walks off
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down the hall...
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Riker stands there a moment... trying to shake the
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creepy feeling... Then he ENTERS the Turbolift. As
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the doors close...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 7.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes)
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4 INT. READY ROOM
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Riker and PICARD standing at the desk, looking at a
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terminal.
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RIKER
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(surprised)
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Tilonus Four? Didn't their
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government just collapse?
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PICARD
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(nods)
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It's in a state of total anarchy.
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When the Prime Minister was
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assassinated, a Federation
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research team was on the planet.
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It is believed they were forced to
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go into hiding...
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(beat)
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Your mission will be to locate and
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evacuate them.
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RIKER
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Can't they go to local
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authorities?
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PICARD
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There are no local authorities.
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The government's been splintered --
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several factions are vying for
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power. And they're desperate for
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weapons or technology of any
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kind...
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(beat)
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Apparently, some factions are
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resorting to torture to gather
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information. A Starfleet research
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team would be a prime target.
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Riker weighs the situation.
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RIKER
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Then I'll have to go alone...
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undercover.
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STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 7A.
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4 CONTINUED:
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PICARD
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Agreed. Mister Worf is ready to
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give you a detailed briefing on
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Tilonian culture.
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Riker nods... and smiles, remembering something.
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STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 8.
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4 CONTINUED: (2)
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RIKER
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(smiles)
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Looks like I'll have to back out
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of Doctor Crusher's play after
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all...
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Picard reacts, supportive.
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PICARD
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No, no... you'll have plenty of
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time for that, Number One. We
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won't be arriving at Tilonus for
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another five days.
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(beat)
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Besides, if you back out now,
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Beverly will come after me to play
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the part.
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Riker nods and they exchange a smile. As Riker
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EXITS...
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5 INT. OBSERVATION LOUNGE
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Later. Riker and WORF standing at the wall MONITOR,
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which displays an AERIAL MAP of TILONUS FOUR. Worf
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points to a specific region on the map.
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WORF
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This is the last known location of
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the research team. They had
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occupied a small building in the
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Southwest quarter of the city.
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You will begin your search there.
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Riker considers.
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RIKER
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The Southwest quarter covers over
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two hundred square kilometers.
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That's a lot of ground for one man
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to cover...
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(lightly)
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I'd better pack an extra pair of
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boots.
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STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 9.
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5 CONTINUED:
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Worf shoots him a look, not in the mood for jokes. A
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tense beat. Then he moves to the table, where SEVERAL
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pieces of EQUIPMENT have been laid out -- a canteen,
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some clothing, a tricorder, etc. Worf points to a
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bundle of plain-looking CLOTHING.
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WORF
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(re: clothing)
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This apparel will allow you to
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pass as a common merchant.
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Worf picks up a small Tilonian PENDANT.
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WORF
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(re: pendant)
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This Tilonian pendant has been
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equipped with a communicator
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circuit.
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Riker takes the pendant -- holds it up to the clothing.
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RIKER
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(with humor)
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It doesn't really match the
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outfit...
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Worf's temper flares.
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WORF
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I suggest you pay closer
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attention, Commander. Your life
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will be at stake.
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Worf stares intensely at Riker -- almost threatening.
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It's a very odd moment -- strange and creepy.
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WORF
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(hard)
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Do you understand what I am
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saying?
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Riker is taken aback by Worf's tone.
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RIKER
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(an edge)
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Yes... of course I do...
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Worf picks up a small, exotic-looking KNIFE. Riker
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observes somberly, his mood darker now.
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STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 10.
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5 CONTINUED: (2)
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WORF
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(re: knife)
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Because you will be posing as a
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merchant, you will need to know
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how to use the Nisroh for the
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traditional bartering ceremony.
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Worf demonstrates by raising the blade high into the
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air, moving it in a complex, ritualistic manner...
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WORF
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(continuing)
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You will be judged on your prowess
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with the blade...
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Worf moves the blade in quick thrusting motions...
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faster.. more elaborate... Without warning, the blade
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CATCHES THE SIDE OF RIKER'S HEAD. Riker recoils,
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startled.
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Worf reacts, genuinely concerned.
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WORF
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I am sorry, Commander! I did not
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intend --
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RIKER
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That's okay, that's okay...
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Riker touches his head -- the wound is bleeding.
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RIKER
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(continuing)
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I guess I really wasn't paying
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attention...
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(beat)
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I'd better get to Sickbay. We'll
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pick this up later.
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WORF
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Aye sir...
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Worf watches with concern as Riker heads for the
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door...
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6 INT. SICKBAY (OPTICAL)
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Riker sitting on a bed; Beverly HEALING his head wound
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with a medical device.
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STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 11.
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6 CONTINUED:
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BEVERLY
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(with humor)
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You'll do anything to get out of
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this play, won't you?
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(beat)
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Well, you're going to have to do
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better than this...
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Riker smiles.
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RIKER
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The play's tomorrow night. I've
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still got twenty-four hours left.
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|
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Beverly shuts off the device. Riker turns -- his wound
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is completely healed.
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BEVERLY
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Don't get any ideas. I'll expect
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you on stage at eighteen hundred
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|
hours.
|
|
|
|
RIKER
|
|
Right...
|
|
|
|
Riker stands to go -- and stops, reacting to a sharp
|
|
pain in his head.
|
|
|
|
RIKER
|
|
(re: his head)
|
|
It still hurts...
|
|
|
|
Beverly quickly scans his head with a medical
|
|
tricorder.
|
|
|
|
BEVERLY
|
|
There's no nerve damage... you
|
|
shouldn't be feeling any pain.
|
|
|
|
RIKER
|
|
Probably just a symptom of stage
|
|
fright --
|
|
|
|
Suddenly, the doors OPEN and GEORDI rushes in with TWO
|
|
N.D. CREWMEMBERS. One of the crewmembers is badly
|
|
INJURED -- his face and uniform are marred by scorch
|
|
marks and blood. Geordi and the other N.D. carry him
|
|
along, urgent...
|
|
|
|
GEORDI
|
|
(re: wounded N.D.)
|
|
He was working on a conduit on
|
|
Deck Thirty-seven. A plasma torch
|
|
blew up in his hands...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 12.
|
|
|
|
6 CONTINUED: (2)
|
|
|
|
The crewmember screams in pain -- it's an awful sight.
|
|
|
|
WOUNDED CREWMEMBER
|
|
It hurts! Oh God -- it hurts!
|
|
|
|
The scene takes on a frantic, disturbing tone as they
|
|
help him toward a nearby bed...
|
|
|
|
Riker moves out of the way. The wounded N.D. moans in
|
|
pain and looks directly at him. Riker reacts,
|
|
startled. The N.D. stares at Riker even as he is laid
|
|
on the bed... as Beverly begins to treat the wounds...
|
|
He just keeps staring... strange... unsettling...
|
|
|
|
Riker edges toward the doors... unable to tear his eyes
|
|
away from the man... shaken by the sight... EXITS...
|
|
|
|
7 INT. TEN FORWARD
|
|
|
|
Later. Riker and TROI sitting at the bar, drinks in
|
|
front of them. Riker is troubled by the day's events.
|
|
|
|
RIKER
|
|
I've been on a lot of missions...
|
|
and I've seen a lot of people get
|
|
injured...
|
|
(beat)
|
|
But I've never been affected like
|
|
this...
|
|
|
|
Riker is chilled by the memory.
|
|
|
|
RIKER
|
|
(continuing)
|
|
He was looking right at me.
|
|
|
|
TROI
|
|
And that was disturbing to you...
|
|
|
|
RIKER
|
|
It was like he was... blaming me
|
|
or something. But it's more than
|
|
just this one incident. For the
|
|
past few days, I've been feeling
|
|
like everyone's staring at me...
|
|
or talking about me...
|
|
(MORE)
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 13.
|
|
|
|
7 CONTINUED:
|
|
|
|
RIKER (Cont'd)
|
|
(lightly)
|
|
I feel like I'm in "Frame of
|
|
Mind"...
|
|
|
|
TROI
|
|
"Frame of Mind"?
|
|
|
|
RIKER
|
|
Doctor Crusher's play. Ever since
|
|
I started rehearsing the role,
|
|
I've been feeling a little
|
|
restless... uneasy...
|
|
|
|
Troi considers.
|
|
|
|
TROI
|
|
You're probably drawing on
|
|
feelings that you're not used to
|
|
expressing...
|
|
|
|
RIKER
|
|
Yeah. The play is full of
|
|
disturbing images. People losing
|
|
their minds... being tortured by
|
|
doctors...
|
|
(beat)
|
|
I can't get it out of my head...
|
|
|
|
Troi is supportive, tries to help.
|
|
|
|
TROI
|
|
Sometimes it's healthy to explore
|
|
the darker sides of the psyche.
|
|
Jung called it "owning your own
|
|
shadow."
|
|
(beat)
|
|
This could be a sign that you're
|
|
a real actor, Wil. It's becoming
|
|
more than just a role to you.
|
|
|
|
Riker is intrigued by her words.
|
|
|
|
RIKER
|
|
Maybe you're right...
|
|
|
|
TROI
|
|
Don't be afraid of your darker
|
|
side. Have fun with it.
|
|
|
|
Riker nods, feeling better. He lifts his glass to take
|
|
a drink, and stops -- reacting to a pain in his temple,
|
|
where the wound was. He puts his hand to his head, and
|
|
something across the room catches his eye...
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/24/93 - ACT ONE 14.
|
|
|
|
8 NEW ANGLE
|
|
|
|
of the strange, alien Lieutenant (as seen in the
|
|
Teaser). He is sitting across the room, alone at a
|
|
table, staring at Riker with his expressionless face.
|
|
He stands and heads for the door...
|
|
|
|
9 RESUME
|
|
|
|
Riker turns to Troi.
|
|
|
|
RIKER
|
|
(re: Lieutenant)
|
|
Who is that?
|
|
|
|
Troi turns to look, but the doors are just closing.
|
|
The Lieutenant is gone.
|
|
|
|
RIKER
|
|
(continuing)
|
|
You just missed him.
|
|
(beat)
|
|
Do we have a new Lieutenant on
|
|
board?
|
|
|
|
TROI
|
|
I'm not sure. Do you want me to
|
|
check the personnel logs?
|
|
|
|
Riker shakes off the creepy feeling, stands to go.
|
|
|
|
RIKER
|
|
No... I'll check them tomorrow...
|
|
(beat)
|
|
I think I'll get to bed early.
|
|
Tomorrow's the performance and I
|
|
want to be up for it.
|
|
|
|
TROI
|
|
I'm looking forward to it.
|
|
(beat)
|
|
Break a leg.
|
|
|
|
RIKER
|
|
I'll try not to take that
|
|
literally.
|
|
|
|
They share a smile. Riker heads for the door...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 15.
|
|
|
|
10 INT. ASYLUM CELL/THEATER
|
|
|
|
The austere set, as seen in the Teaser. But now there
|
|
is a full AUDIENCE -- Picard, Beverly, Worf, Troi,
|
|
Geordi and several other crewmembers and civilians are
|
|
watching, engrossed.
|
|
|
|
The play is in its final moments. Riker is sitting on
|
|
the bed, strung-out. Data (as the Doctor) is standing
|
|
nearby. Riker's performance is different from before --
|
|
more focused and authentic. A genuine passion drives
|
|
him through the scene -- he is utterly convincing in
|
|
the role.
|
|
|
|
DATA/DOCTOR
|
|
(doubtful)
|
|
Perhaps we should continue this
|
|
discussion next week...
|
|
|
|
Riker stands, temper flaring.
|
|
|
|
RIKER
|
|
No. I want to talk about it
|
|
now...
|
|
|
|
DATA/DOCTOR
|
|
(calmly)
|
|
You're starting to sound angry
|
|
again. Maybe you need another
|
|
treatment...
|
|
|
|
RIKER
|
|
What I need is to get out of this
|
|
cell. I'm locked up day and
|
|
night... you control every
|
|
move... tell me what to eat, what
|
|
to think, what to say...
|
|
|
|
Riker moves around the room, liked a caged animal.
|
|
|
|
RIKER
|
|
(continuing)
|
|
And when I show a glimmer of
|
|
independent thought, you strap me
|
|
down, inject me with drugs and
|
|
call it a "treatment."
|
|
|
|
DOCTOR
|
|
You're becoming agitated...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 16.
|
|
|
|
10 CONTINUED:
|
|
|
|
Riker lets loose -- genuine emotions rushing to the
|
|
surface. He has no trouble with his final speech this
|
|
time around -- it's passionate and intense.
|
|
|
|
RIKER
|
|
You bet I'm agitated! I may be
|
|
surrounded by insanity, but I'm
|
|
not insane. And I won't let you
|
|
or anyone else tell me I am.
|
|
|
|
Riker prowls about the stage... hands shaking... voice
|
|
breaking with emotion. A believable, bravura
|
|
performance that has the audience riveted and moved.
|
|
|
|
RIKER
|
|
(continuing)
|
|
You can destroy my mind, but you
|
|
can't change the truth. I didn't
|
|
kill that man.
|
|
(beat)
|
|
And that's what's driving you
|
|
crazy...
|
|
|
|
A long tense beat.
|
|
|
|
DATA/DOCTOR
|
|
I can see we have a lot of work to
|
|
do.
|
|
|
|
Data turns and EXITS. The sound of it being LOCKED.
|
|
Riker moves to the door and shouts at Data.
|
|
|
|
RIKER
|
|
No matter what you do, you can't
|
|
change the fact that I'm innocent!
|
|
(beat)
|
|
I'm not crazy!
|
|
|
|
Suddenly, the cell lights GO OUT and Riker sags against
|
|
the door, defeated.
|
|
|
|
RIKER
|
|
(to himself)
|
|
I'm not crazy...
|
|
|
|
He pauses, staring into middle distance... suddenly
|
|
frozen with uncertainty... pondering the events that
|
|
have led to his imprisonment. The play has built to
|
|
this instant...
|
|
|
|
RIKER
|
|
(doubtful)
|
|
I'm... not...
|
|
(beat)
|
|
...crazy.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 17.
|
|
|
|
10 CONTINUED: (2)
|
|
|
|
The stage lights slowly FADE OUT. The End. A beat,
|
|
then the house lights COME UP. The audience begins to
|
|
APPLAUD enthusiastically. Several people stand... then
|
|
a few more... soon it is a standing ovation...
|
|
|
|
The stage lights GO UP for the curtain call. Data
|
|
walks out and takes a bow. The applause intensifies.
|
|
|
|
Riker walks onstage, out of breath... shaky... the
|
|
performance has taken its toll... but he smiles at the
|
|
audience and takes a bow...
|
|
|
|
11 NEW ANGLE
|
|
|
|
of the audience. Picard and the others can be seen
|
|
smiling, cheering...
|
|
|
|
12 RIKER
|
|
|
|
takes another bow...
|
|
|
|
13 NEW ANGLE
|
|
|
|
The alien Lieutenant is now standing next to Picard.
|
|
He is staring directly at Riker... eyes intense... face
|
|
cold... and he is not applauding...
|
|
|
|
14 RIKER
|
|
|
|
reacts to the sight, startled. He takes a final bow...
|
|
|
|
15 NEW ANGLE
|
|
|
|
As Riker stands. THE AUDIENCE IS GONE AND THERE IS A
|
|
CELL WALL IN ITS PLACE. The cheering has stopped --
|
|
silence.
|
|
|
|
16 RIKER
|
|
|
|
reacts and spins around --
|
|
|
|
17 NEW ANGLE TO REVEAL:
|
|
|
|
we are now in an ACTUAL ASYLUM CELL. Similar to the
|
|
set but clearly a real place. Riker is completely
|
|
stunned. From offscreen:
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT ONE 18.
|
|
|
|
17 CONTINUED:
|
|
|
|
VOICE (O.S.)
|
|
I can see we have a lot of work to
|
|
do.
|
|
|
|
Riker turns to see --
|
|
|
|
18 AN ALIEN DOCTOR
|
|
|
|
is standing nearby -- a species we've never seen
|
|
before. A real Doctor. OFF Riker's shock and
|
|
confusion...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 19.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
19 INT. ASYLUM CELL - CONTINUOUS
|
|
|
|
Riker is glancing around the room, trying to make sense
|
|
out of the situation. He turns to the Doctor.
|
|
|
|
RIKER
|
|
Where am I?
|
|
(beat)
|
|
How did you get me off the ship?
|
|
|
|
The Doctor studies him with concern... then taps a few
|
|
controls on a note-taking device.
|
|
|
|
DOCTOR
|
|
(to himself)
|
|
The ship again...
|
|
|
|
Riker eyes him, confused. He moves to the door and
|
|
scans it -- but there's no visible way of getting it
|
|
open.
|
|
|
|
RIKER
|
|
What's going on?
|
|
|
|
The Doctor tries to keep Riker calm by staying calm
|
|
himself. It's like he's been through this before.
|
|
|
|
DOCTOR
|
|
I understand this must be very
|
|
disturbing for you. But try to
|
|
relax.
|
|
(beat)
|
|
Tell me. Where were you a moment
|
|
ago?
|
|
|
|
RIKER
|
|
I was on the Enterprise. In the
|
|
middle of a play...
|
|
(looks around)
|
|
Here... but it wasn't real... it
|
|
was a stage...
|
|
|
|
DOCTOR
|
|
I can assure you this is not a
|
|
stage.
|
|
(beat)
|
|
Do you remember your name?
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 20.
|
|
|
|
19 CONTINUED:
|
|
|
|
RIKER
|
|
I'm Commander...
|
|
(beat)
|
|
Commander...
|
|
|
|
Riker hesitates, unable to remember. He begins to move
|
|
about the room, grasping at the memories... but they're
|
|
quickly fading away...
|
|
|
|
RIKER
|
|
(continuing)
|
|
I knew who I was a second ago...
|
|
I was on the ship... in a play...
|
|
(beat)
|
|
It's getting harder to remember...
|
|
|
|
The Doctor nods.
|
|
|
|
DOCTOR
|
|
That's good. You're starting to
|
|
come out of your delusional state.
|
|
|
|
RIKER
|
|
(reacts)
|
|
Delusion... it couldn't be a
|
|
delusion. I was there...
|
|
|
|
A beat.
|
|
|
|
DOCTOR
|
|
(gently)
|
|
We've discussed this. Do you
|
|
remember when we contacted
|
|
Starfleet... and asked them about
|
|
you?
|
|
|
|
RIKER
|
|
No...
|
|
|
|
DOCTOR
|
|
We spoke with Admiral Budrow. On
|
|
Starbase...
|
|
|
|
RIKER
|
|
(chiming in)
|
|
... Starbase Twenty-nine.
|
|
|
|
Riker's face changes as he starts to remember -- a
|
|
mixture of shock and realization...
|
|
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 21.
|
|
|
|
19 CONTINUED: (2)
|
|
|
|
RIKER
|
|
He said he'd never heard of me...
|
|
that they had no officer matching
|
|
my description...
|
|
|
|
DOCTOR
|
|
That's right. Now. Focus on who
|
|
I am. Do you remember me?
|
|
|
|
Riker eyes him.
|
|
|
|
RIKER
|
|
I'm not sure...
|
|
|
|
DOCTOR
|
|
I'm Doctor Syrus.
|
|
(beat)
|
|
Do you remember anything about
|
|
where you are now?
|
|
|
|
Riker thinks... instinctively puts a hand up to his
|
|
temple, feeling a pain there...
|
|
|
|
RIKER
|
|
I hurt my head... somebody hit
|
|
me...
|
|
|
|
DOCTOR
|
|
You tried to escape. You
|
|
struggled with one of the
|
|
attendants and hit your head on a
|
|
door. Do you remember that?
|
|
|
|
It finally starts to come back to Riker -- he remembers
|
|
what happened...
|
|
|
|
RIKER
|
|
Yes... now I do. But at first, I
|
|
thought a Klingon cut me... with
|
|
a knife...
|
|
|
|
DOCTOR
|
|
It's called transposition. You're
|
|
projecting elements from your
|
|
delusions onto events that really
|
|
happened.
|
|
(beat)
|
|
But that's good. There was a time
|
|
when you couldn't break away from
|
|
your Starship fantasy at all.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 22.
|
|
|
|
19 CONTINUED: (3)
|
|
|
|
Riker looks at him. He's starting to accept this
|
|
reality.
|
|
|
|
RIKER
|
|
If what you're saying is true...
|
|
where am I?
|
|
|
|
The Doctor takes a beat.
|
|
|
|
DOCTOR
|
|
You're in Ward Forty-seven of the
|
|
Tilonus Institute for Mental
|
|
Disorders.
|
|
|
|
Riker reacts. He sits down on the bed... weighing the
|
|
implications.
|
|
|
|
RIKER
|
|
Why am I here?
|
|
|
|
The Doctor softens his tone.
|
|
|
|
DOCTOR
|
|
We'll talk more later. You don't
|
|
have to remember everything today.
|
|
(beat)
|
|
You're making excellent progress.
|
|
|
|
He gives Riker a gentle smile and a pat on the arm...
|
|
turns to go. Riker stands.
|
|
|
|
RIKER
|
|
Wait...
|
|
|
|
Too late -- he EXITS and the door shuts with a
|
|
distinctive LOCKING NOISE. Riker moves to the small
|
|
window on the door and peers through it. The Doctor
|
|
disappears from view down an austere CORRIDOR.
|
|
|
|
Riker stands there a moment... not sure what to do with
|
|
himself... then begins to take in the room. There's
|
|
not much to see. The walls and ceiling and floor are
|
|
blank. He presses his hands against the wall, as if to
|
|
test it. Solid.
|
|
|
|
There is a small stainless steel MIRROR inset in a
|
|
wall. Riker moves to it and stares at his reflection.
|
|
At his clothing... his tired eyes... somber
|
|
expression...
|
|
|
|
A voice is heard over the COM:
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 23.
|
|
|
|
19 CONTINUED: (4)
|
|
|
|
ATTENDANT'S COM VOICE
|
|
Good afternoon. I've got some
|
|
good news for you.
|
|
(beat)
|
|
Doctor Syrus suggested that you
|
|
might enjoy a couple of hours in
|
|
the Common Area today.
|
|
|
|
Riker doesn't respond.
|
|
|
|
ATTENDANT'S COM VOICE
|
|
(continuing)
|
|
Well?
|
|
|
|
RIKER
|
|
(to com)
|
|
I guess so...
|
|
|
|
The door OPENS and an ATTENDANT (MAVEK) ENTERS along
|
|
with a HOSPITAL GUARD. The guard is holding a small
|
|
stun WEAPON.
|
|
|
|
The Attendant offers Riker a smile.
|
|
|
|
ATTENDANT
|
|
I hope you're hungry. They're
|
|
serving spiny lobe-fish today.
|
|
|
|
The Guard moves behind Riker to escort him out of the
|
|
room. Riker is surprised by the high level of
|
|
security.
|
|
|
|
RIKER
|
|
(re: guard)
|
|
There's no need for this.
|
|
|
|
ATTENDANT
|
|
That's what you said the last
|
|
time.
|
|
|
|
Riker reacts. As they EXIT..
|
|
|
|
20 INT. ASYLUM CORRIDOR
|
|
|
|
Riker, the Attendant and the Guard walking along. The
|
|
hall is ascetic, lined with CELL DOORS on either side,
|
|
each with an inset window pane. They pass another
|
|
inmate, who is being led along by an Attendant.
|
|
Somewhere in the distance, a brief YELL echoes through
|
|
the corridors. Riker takes it all in, unsettled by the
|
|
chilly environment.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 24.
|
|
|
|
20 CONTINUED:
|
|
|
|
Another Doctor is approaching from the opposite end of
|
|
the corridor. Riker eyes him as they get closer...
|
|
|
|
21 ANGLE ON THE DOCTOR
|
|
|
|
He looks exactly like the alien Lieutenant seen
|
|
earlier. He passes Riker without so much as a
|
|
glance...
|
|
|
|
22 RIKER
|
|
|
|
reacts. As the Guard leads him around a corner...
|
|
|
|
23 INT. ASYLUM - COMMON AREA
|
|
|
|
A large room that is brighter and more colorful than
|
|
the cell and the corridor. There are windows...
|
|
plants... several tables and activities for the
|
|
patients. One inmate is painting a bizarre PICTURE...
|
|
two other inmates are sitting together, engaged in a
|
|
hushed conversation... another sits alone, staring into
|
|
middle-distance, slowly rocking back and forth...
|
|
|
|
Riker, the Attendant and the Guard ENTER. The
|
|
Attendant dismisses the Guard and leads Riker to a
|
|
table, sits him down.
|
|
|
|
ATTENDANT
|
|
(to Riker)
|
|
I'll be back with your lunch.
|
|
|
|
The Attendant walks off. Riker glances around
|
|
nervously, uncomfortable in this strange setting. A
|
|
few moments go by... then a FEMALE INMATE -- alien,
|
|
humanoid -- sits down next to Riker and stares at him.
|
|
She glances around to make sure no one's listening...
|
|
speaks to him in an urgent whisper...
|
|
|
|
INMATE
|
|
I hear you're a Starfleet
|
|
officer...
|
|
|
|
Riker looks at her, surprised.
|
|
|
|
INMATE
|
|
(continuing)
|
|
I'm Commander Bloom from the
|
|
Yorktown...
|
|
(looks around)
|
|
There are at least a dozen of us
|
|
here... maybe more...
|
|
(MORE)
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/17/93 - ACT TWO 25.
|
|
|
|
23 CONTINUED:
|
|
|
|
INMATE (Cont'd)
|
|
We were kidnapped... brought here
|
|
against our will...
|
|
|
|
Riker just stares at her... listening and trying to
|
|
figure out what to believe... She points out various
|
|
inmates around the room.
|
|
|
|
INMATE
|
|
(re: inmate)
|
|
Sanders was on the Yosemite. They
|
|
did something to his mind. I
|
|
think they're trying to get neuro
|
|
chemicals from our brains...
|
|
(points to another)
|
|
Stafko was with me on the
|
|
Yorktown. I don't know what they
|
|
did to him...
|
|
|
|
Riker is compelled by her story...
|
|
|
|
INMATE
|
|
(continuing)
|
|
We're going to get out of here.
|
|
I've made a communicator...
|
|
|
|
RIKER
|
|
(hopeful)
|
|
You have?
|
|
|
|
INMATE
|
|
Yes. There are three Starships in
|
|
orbit. They're going to beam us
|
|
out of here any day now...
|
|
(beat)
|
|
I'll tell them to get you out,
|
|
too...
|
|
|
|
Riker's hope is rising... She looks around
|
|
surreptitiously... then carefully pulls out a spoon.
|
|
|
|
INMATE
|
|
(into spoon)
|
|
Lieutenant Bloom to Yorktown...
|
|
come in Yorktown. I've made
|
|
contact with another officer...
|
|
|
|
Riker's realizes, his hopes dashed. From offscreen:
|
|
|
|
ATTENDANT (O.S.)
|
|
Talking to your Starship again,
|
|
Jaya?
|
|
|
|
She quickly hides the spoon.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 26.
|
|
|
|
23 CONTINUED: (2)
|
|
|
|
INMATE
|
|
No.
|
|
|
|
She gets up and gives Riker a conspiratorial look --
|
|
|
|
INMATE
|
|
(quiet)
|
|
Don't let them tell you you're
|
|
crazy.
|
|
|
|
The Attendant sets down a plate of FOOD in front of
|
|
Riker, then moves to the inmate and stretches out his
|
|
hand.
|
|
|
|
ATTENDANT
|
|
You know you're not supposed to
|
|
take utensils from the Common
|
|
Area.
|
|
|
|
A beat. She grudgingly hands over the spoon and moves
|
|
off. The Attendant sits down and sets down the spoon
|
|
in front of Riker.
|
|
|
|
ATTENDANT
|
|
(re: spoon)
|
|
You're welcome to try it.
|
|
|
|
Riker manages a smile.
|
|
|
|
RIKER
|
|
I'm not that far gone, am I?
|
|
|
|
ATTENDANT
|
|
Of course you are. Last week you
|
|
held an entire conversation with
|
|
a chair, remember?
|
|
|
|
Riker looks at him, surprised.
|
|
|
|
RIKER
|
|
No...
|
|
|
|
A beat. The Attendant laughs. Riker realizes he was
|
|
joking and somberly looks down at his tray. There is
|
|
an underlying tension to the Attendant's friendly
|
|
demeanor -- he enjoys manipulating the patients to get
|
|
a reaction.
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/17/93 - ACT TWO 27.
|
|
|
|
23 CONTINUED: (3)
|
|
|
|
ATTENDANT
|
|
Where's your sense of humor? If
|
|
you ever want to get better,
|
|
you've got to relax.
|
|
|
|
Riker takes a bite of food. A moment as he eats...
|
|
then he gazes at the Attendant, suddenly remembering
|
|
something...
|
|
|
|
RIKER
|
|
Your name -- it's Mav... Mavek.
|
|
|
|
ATTENDANT
|
|
That's right. Not bad for a crazy
|
|
man.
|
|
|
|
Riker looks frustrated.
|
|
|
|
RIKER
|
|
I'm starting to remember certain
|
|
things, but...
|
|
(beat)
|
|
Why am I here?
|
|
|
|
The Attendant considers... eyeing Riker...
|
|
|
|
ATTENDANT
|
|
I remember when they brought you
|
|
in. You were screaming...
|
|
struggling...
|
|
|
|
Riker listens intently, unsettled. The Attendant seems
|
|
to relish in the description...
|
|
|
|
ATTENDANT
|
|
(continuing)
|
|
We could barely hold you down. In
|
|
fact, just getting the blood off
|
|
your hands took over an hour.
|
|
|
|
RIKER
|
|
(reacts)
|
|
Blood?
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 28.
|
|
|
|
23 CONTINUED: (4)
|
|
|
|
ATTENDANT
|
|
(nods)
|
|
On your hands... your clothes...
|
|
(beat)
|
|
You didn't just kill that man...
|
|
you mutilated him.
|
|
|
|
Riker is shocked.
|
|
|
|
RIKER
|
|
What are you talking about? I
|
|
didn't kill anybody.
|
|
|
|
The Attendant is deliberately pushing Riker to get a
|
|
response.
|
|
|
|
ATTENDANT
|
|
I'm afraid you did. You stabbed
|
|
him. They found you near the
|
|
body... with the knife in your
|
|
hand...
|
|
|
|
Riker grows fearful... angry...
|
|
|
|
RIKER
|
|
No. It's not true...
|
|
|
|
ATTENDANT
|
|
Yes it is. And if you get out of
|
|
here, you're going to stand
|
|
trial...
|
|
|
|
RIKER
|
|
(yells)
|
|
You're lying!
|
|
|
|
ATTENDANT
|
|
I imagine the punishment will be
|
|
quite severe... considering you
|
|
stabbed him nine times --
|
|
|
|
Riker loses control --
|
|
|
|
RIKER
|
|
NO!
|
|
|
|
He stands, GRABS the Attendant and shoves him against
|
|
the wall. TWO GUARDS hurry over. They grab Riker by
|
|
the arms, restraining him. He struggles. The entire
|
|
room is watching.
|
|
|
|
The Attendant pulls out an ALIEN SYRINGE from his coat --
|
|
moves toward Riker... As he INJECTS Riker with the
|
|
syringe --
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT TWO 29-31.
|
|
|
|
24
|
|
thru OMITTED
|
|
25
|
|
|
|
26 INT. ENTERPRISE - RIKER'S QUARTERS - CONTINUOUS
|
|
|
|
Riker bolts awake in his bed, as if from a nightmare.
|
|
He's dressed in his nightclothes... sweating... rattled
|
|
by the dream. He glances around the room in momentary
|
|
confusion... but there's no one there. He's safely
|
|
aboard the Enterprise. OFF his shaken expression...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 32.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
27 INT. RIKER'S QUARTERS
|
|
|
|
Riker is standing in the bathroom, dressed in his
|
|
INMATE COSTUME, looking in the mirror. He is preparing
|
|
himself for that evening's performance of the play.
|
|
Everything appears to be normal. Beverly stands
|
|
nearby, listening to Riker recall his "dream."
|
|
|
|
RIKER
|
|
(to Beverly)
|
|
I was there... in Ward Forty-seven,
|
|
just like in the play.
|
|
Everyone thought I was insane...
|
|
that I'd killed somebody...
|
|
(beat)
|
|
Except it was all real.
|
|
|
|
Beverly is fascinated.
|
|
|
|
BEVERLY
|
|
Deanna mentioned you went to bed
|
|
early because you felt a little
|
|
anxious about the play. But I had
|
|
no idea...
|
|
|
|
Riker picks up a small MAKE-UP STICK and begins to
|
|
apply dark make-up in circles around his eyes --
|
|
creating the subtle effect that he is exhausted.
|
|
|
|
Beverly lightens the mood.
|
|
|
|
BEVERLY
|
|
You said that in your dream we
|
|
performed the play...
|
|
(beat)
|
|
How'd it go?
|
|
|
|
RIKER
|
|
It was a smash. We got a standing
|
|
ovation.
|
|
|
|
BEVERLY
|
|
Let's hope it goes that well
|
|
tonight.
|
|
|
|
Riker smiles. He finishes applying the make-up, sets
|
|
down the tube.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 33.
|
|
|
|
27 CONTINUED:
|
|
|
|
BEVERLY
|
|
We've got one hour to curtain.
|
|
How do you feel?
|
|
|
|
Riker smiles, confident.
|
|
|
|
RIKER
|
|
I feel... like an actor.
|
|
|
|
Beverly musses his hair a little for added effect.
|
|
|
|
BEVERLY
|
|
You're certainly starting to look
|
|
the part.
|
|
|
|
They exchange a smile. Beverly EXITS. Riker stands to
|
|
take a final look at himself in the mirror...
|
|
|
|
And stops at what he sees. The image is disquieting:
|
|
Riker the asylum inmate. There is a creepy moment as
|
|
he stares at himself... remembering the dream... then
|
|
he shakes off the feeling and turns away from the
|
|
mirror...
|
|
|
|
28 INT. ASYLUM CELL/THEATER
|
|
|
|
Mid-performance -- the same scene from Teaser and Act
|
|
One. There's a full AUDIENCE -- Picard, Beverly, Worf,
|
|
Troi, Geordi, etc. They are engrossed.
|
|
|
|
Riker on his feet, haggard; Data the Doctor stands
|
|
nearby. Riker's performance is focused and intense.
|
|
|
|
DATA/DOCTOR
|
|
(doubtful)
|
|
Perhaps we should continue this
|
|
discussion next week...
|
|
|
|
Riker's temper flares.
|
|
|
|
RIKER
|
|
No. I want to talk about it
|
|
now...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 34.
|
|
|
|
28 CONTINUED:
|
|
|
|
DATA/DOCTOR
|
|
You're starting to sound angry
|
|
again. Maybe you need another
|
|
treatment...
|
|
|
|
RIKER
|
|
What I need is to get out of this
|
|
cell. I'm locked up day and
|
|
night... you control my every
|
|
move...
|
|
|
|
At that instant, Riker something catches Riker's eye.
|
|
he looks toward the door. A face is staring in through
|
|
the small window. Riker reacts, surprised -- it's not
|
|
part of the play.
|
|
|
|
RIKER
|
|
(distracted)
|
|
You tell me what to eat... what to
|
|
think... what to say...
|
|
|
|
The cell door starts to OPEN. Riker watches as Mavek
|
|
the Attendant -- as seen in the "dream" -- walks onto
|
|
the stage. He shuts the door and stands there,
|
|
silently watching him.
|
|
|
|
Riker is stunned -- what's happening? He looks to
|
|
Beverly, who sits in the wings...
|
|
|
|
29 BEVERLY
|
|
|
|
reacts, thinking Riker has forgotten his dialogue. She
|
|
picks up a PADD and feeds him his next line --
|
|
|
|
BEVERLY
|
|
(whispers)
|
|
"And when I show a glimmer of
|
|
independent thought... "
|
|
|
|
30 RIKER
|
|
|
|
looks back toward Mavek -- he is gone. Riker
|
|
hesitates, unsettled... but his instincts quickly kick
|
|
in and he continues...
|
|
|
|
RIKER
|
|
And when I show a glimmer of
|
|
independent thought, you strap me
|
|
down, inject me with drugs and
|
|
call it a "treatment."
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 35.
|
|
|
|
30 CONTINUED:
|
|
|
|
DATA/DOCTOR
|
|
You're becoming agitated...
|
|
|
|
Riker gets back into the scene... genuinely agitated
|
|
now... and it fuels his performance...
|
|
|
|
RIKER
|
|
You bet I'm agitated! I may be
|
|
surrounded by insanity, but I'm
|
|
not insane. And I won't let you
|
|
or anyone else tell me...
|
|
|
|
Something catches Riker's eye -- he glances toward the
|
|
audience to see:
|
|
|
|
31 RIKER'S POV
|
|
|
|
THE AUDIENCE IS GONE. In its place is an ASYLUM CELL
|
|
WALL.
|
|
|
|
32 RIKER
|
|
|
|
can't believe his eyes. He looks to Data, who stares
|
|
back at him as if nothing is wrong.
|
|
|
|
Riker looks back toward the wall -- it's gone and the
|
|
audience has returned.
|
|
|
|
RIKER
|
|
(to himself)
|
|
What's happening...
|
|
|
|
An awkward beat. The scene has stalled. Data,
|
|
thinking fast, jumps to his next line of dialogue to
|
|
keep things moving.
|
|
|
|
DATA/DOCTOR
|
|
I can see we have a lot of work to
|
|
do.
|
|
|
|
Data EXITS. Riker is truly shaken, continuing the
|
|
scene out of desperation if nothing else.
|
|
|
|
RIKER
|
|
No matter what you do, you can't
|
|
change the fact that I'm
|
|
innocent...
|
|
|
|
Riker sees something in the audience --
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 36.
|
|
|
|
33 RIKER'S POV
|
|
|
|
In the audience, sitting next to Picard, is the alien
|
|
Lieutenant. He stares at Riker, expressionless.
|
|
|
|
34 RIKER
|
|
|
|
is at the breaking point. He stares at the Lieutenant,
|
|
growing angry.
|
|
|
|
Data is unsure what to do. Beverly looks alarmed.
|
|
Riker calls out --
|
|
|
|
RIKER
|
|
(to Lieutenant)
|
|
You're the key to all this, aren't
|
|
you? Who are you?
|
|
|
|
Riker forgets the play and walks offstage... directly
|
|
into the audience... straight toward the alien
|
|
Lieutenant. People react, surprised, and get out the
|
|
way. Riker GRABS the Lieutenant by the uniform.
|
|
|
|
RIKER
|
|
Who are you?
|
|
|
|
The Lieutenant looks confused.
|
|
|
|
LIEUTENANT
|
|
Lieutenant Suna, sir...
|
|
|
|
The Lieutenant is clearly terrified. Riker realizes...
|
|
and gradually lets him go... looks around the room to
|
|
see that everyone is staring at him.
|
|
|
|
There is a long, awkward silence. Beverly walks up to
|
|
Riker.
|
|
|
|
BEVERLY
|
|
Wil... are you alright?
|
|
|
|
Riker is confused.
|
|
|
|
RIKER
|
|
No... I don't know...
|
|
|
|
She gently takes him by the arm.
|
|
|
|
BEVERLY
|
|
Why don't we go down to Sickbay...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 37.
|
|
|
|
34 CONTINUED:
|
|
|
|
Riker nods. Everyone watches with concern as Beverly
|
|
leads him toward the door...
|
|
|
|
35 INT. SICKBAY
|
|
|
|
Later. Riker sitting on a bio-bed; Beverly scanning
|
|
him with a medical tricorder.
|
|
|
|
BEVERLY
|
|
(off tricorder)
|
|
There's nothing wrong with you
|
|
neurologically. I don't see
|
|
anything that could've caused your
|
|
hallucinations.
|
|
(beat)
|
|
But your heart rate is up... blood
|
|
pressure's way above normal.
|
|
You're physically exhausted.
|
|
|
|
Riker is on edge.
|
|
|
|
RIKER
|
|
This is more than just fatigue...
|
|
|
|
BEVERLY
|
|
It's possible under conditions of
|
|
extreme stress for the mind to
|
|
manufacture all kinds of things.
|
|
|
|
Riker thinks -- remembers something.
|
|
|
|
RIKER
|
|
Drugs. They injected me with me
|
|
drugs...
|
|
(to Beverly)
|
|
Are there drugs in my system?
|
|
|
|
Beverly scans him with the tricorder just to be sure.
|
|
|
|
BEVERLY
|
|
(off tricorder)
|
|
Nothing.
|
|
|
|
Riker lets out a long breath.
|
|
|
|
RIKER
|
|
It's that dream... they gave me
|
|
drugs in the dream...
|
|
(beat)
|
|
(MORE)
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/22/93 - ACT THREE 38.
|
|
|
|
35 CONTINUED:
|
|
|
|
RIKER
|
|
(continuing)
|
|
Did anybody in the theater see
|
|
anything strange happen during the
|
|
performance?
|
|
|
|
BEVERLY
|
|
No... nobody.
|
|
|
|
Riker looks uneasy. Beverly tries to comfort him.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
Get some rest, Wil. The play is
|
|
over. Don't give it another
|
|
thought.
|
|
|
|
Riker nods, starting to feel normal again.
|
|
|
|
RIKER
|
|
Thanks...
|
|
|
|
Riker stands and heads for the door. Beverly watches
|
|
him go, concerned...
|
|
|
|
35A INT. CORRIDOR
|
|
|
|
A few minutes later. Riker and Troi walking along.
|
|
Troi is trying to ease Riker's mind.
|
|
|
|
RIKER
|
|
How's Lieutenant Suna?
|
|
|
|
TROI
|
|
A little shaken... but alright.
|
|
|
|
RIKER
|
|
I feel like such an idiot.
|
|
|
|
TROI
|
|
It's nothing to be embarrassed
|
|
about. We're your friends... We
|
|
all know the stress you've been
|
|
under. I'm sure everyone
|
|
understands perfectly...
|
|
|
|
They reach an intersection and run into Data, who is
|
|
back in uniform. A moment as they stop.
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/23/93 - ACT THREE 39.
|
|
|
|
35A CONTINUED:
|
|
|
|
DATA
|
|
(to Riker)
|
|
Commander, I must compliment you
|
|
on your performance this evening.
|
|
|
|
RIKER
|
|
Oh?
|
|
|
|
DATA
|
|
Your unexpected choice to
|
|
improvise was an effective method
|
|
of drawing the audience into the
|
|
plight of your character.
|
|
(beat)
|
|
You gave a truly realistic
|
|
interpretation of multi-infarct
|
|
dementia.
|
|
|
|
Riker and Troi exchange a look.
|
|
|
|
RIKER
|
|
Thank you.
|
|
|
|
Data nods and continues on his way.
|
|
|
|
TROI
|
|
(with humor)
|
|
Well... maybe not everyone
|
|
understands.
|
|
|
|
35B CLOSE ON RIKER
|
|
|
|
as he smiles -- feeling better. HOLD on Riker as he
|
|
continues walking with Troi (who is now offscreen).
|
|
|
|
RIKER
|
|
I guess all I need is a little
|
|
rest... clear my mind a little...
|
|
|
|
TROI (O.S.)
|
|
I want you to try a few relaxation
|
|
techniques, as well. Remember the
|
|
ones I showed you a few months
|
|
ago?
|
|
|
|
RIKER
|
|
Yeah... but they didn't seem to
|
|
work for me.
|
|
|
|
Suddenly, Troi's VOICE changes to Doctor Syrus' voice:
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/22/93 - ACT THREE 40-41.
|
|
|
|
35B CONTINUED:
|
|
|
|
DOCTOR (O.S.)
|
|
Maybe you need another treatment.
|
|
|
|
Riker stops, turns to Troi, startled.
|
|
|
|
35C INCLUDE TROI
|
|
|
|
She looks at him, puzzled.
|
|
|
|
TROI
|
|
What's wrong?
|
|
|
|
Riker suddenly isn't sure he heard anything after all.
|
|
|
|
RIKER
|
|
Nothing... nothing...
|
|
|
|
TROI
|
|
(gentle)
|
|
Get some sleep, Wil. I'll see you
|
|
tomorrow.
|
|
|
|
Troi walks off. Riker heads down a different corridor,
|
|
unsettled...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 42.
|
|
|
|
36
|
|
thru OMITTED
|
|
39
|
|
|
|
40 INT. TURBOLIFT - MOVING
|
|
|
|
A few minutes later. Riker is trying to stay calm.
|
|
After a beat, the lift STOPS and the doors OPEN to
|
|
reveal --
|
|
|
|
THE ASYLUM CORRIDOR (as seen in Act Two). Riker
|
|
reacts, startled -- backs up against the inside of the
|
|
lift and closes his eyes...
|
|
|
|
RIKER
|
|
(quietly)
|
|
It's not real... not real...
|
|
|
|
Slowly, he opens his eyes to look -- the asylum
|
|
corridor is gone. It's the Enterprise again. Riker
|
|
takes a breath, then EXITS...
|
|
|
|
41 INT. ENTERPRISE - CORRIDOR - CONTINUOUS
|
|
|
|
Riker walking down the hall, staring straight ahead,
|
|
trying to maintain control. He passes a crewmember...
|
|
walks a little further... then turns a corner...
|
|
|
|
42 INT. ENTERPRISE - ANOTHER CORRIDOR
|
|
|
|
Riker turns the corner and stops at what he sees...
|
|
|
|
INCLUDE the female inmate -- "Commander Bloom" seen in
|
|
the Asylum Common Area. She is standing in the
|
|
corridor, staring blankly at Riker.
|
|
|
|
INMATE
|
|
(to Riker)
|
|
Don't let them tell you you're
|
|
crazy.
|
|
|
|
Riker panics -- turns and quickly walks the other
|
|
direction...
|
|
|
|
43 INT. ENTERPRISE - ANOTHER CORRIDOR
|
|
|
|
Riker running down the hall... afraid... stops at the
|
|
door to his quarters and hurries inside...
|
|
|
|
44 INT. RIKER'S QUARTERS
|
|
|
|
As Riker ENTERS. The doors slide shut with the
|
|
distinctive LOCKING SOUND (as heard in the Asylum
|
|
Cell). Riker reacts to the noise -- turns to see:
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT THREE 43.
|
|
|
|
45 NEW ANGLE
|
|
|
|
to REVEAL we are in the ASYLUM CELL. Riker is wearing
|
|
the inmate clothing.
|
|
|
|
Riker reacts -- runs to the door and tries to get it
|
|
open...
|
|
|
|
RIKER
|
|
No... NO! Let me out of here!
|
|
|
|
He loses control -- beats his fists on the door,
|
|
helpless, keeps yelling --
|
|
|
|
RIKER
|
|
No! Let me out of here! Help
|
|
me...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 44.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
46 INT. COMMON AREA
|
|
|
|
A couple of hours have passed. Various inmates are
|
|
around the room. Riker and Doctor Syrus sitting at a
|
|
table. Riker looks exhausted -- at the breaking point.
|
|
|
|
RIKER
|
|
I need help. I don't want to be
|
|
at the mercy of these
|
|
hallucinations any more.
|
|
|
|
DOCTOR
|
|
So you've accepted that you're not
|
|
from a starship... and that it's
|
|
all a delusion?
|
|
|
|
Riker nods.
|
|
|
|
RIKER
|
|
All I know is that whenever I go
|
|
back to the ship, reality starts
|
|
to break apart... nothing makes
|
|
sense. And when it's over, it
|
|
fades away... like a dream...
|
|
(beat)
|
|
But the hospital... everything
|
|
here seems real. I can always
|
|
remember what happens here...
|
|
|
|
DOCTOR
|
|
And what about how you got here?
|
|
|
|
Riker takes a deep breath... nods.
|
|
|
|
RIKER
|
|
Maybe I did kill someone. I don't
|
|
know. But I want to find out.
|
|
|
|
DOCTOR
|
|
I'm glad to hear you say that.
|
|
Because I just had a long talk
|
|
with the hospital Administrator.
|
|
He told me there are certain legal
|
|
questions that have to be resolved
|
|
relatively soon.
|
|
|
|
RIKER
|
|
Meaning?
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 45.
|
|
|
|
46 CONTINUED:
|
|
|
|
DOCTOR
|
|
Meaning we can't keep you here
|
|
much longer. We're the only
|
|
mental health facility on Tilonus
|
|
Four. There are many people who
|
|
need our help...
|
|
(beat)
|
|
I don't want to put any undue
|
|
stress on you... but we have to
|
|
settle this case one way or
|
|
another within the next few days.
|
|
|
|
RIKER
|
|
What does that mean?
|
|
|
|
The Doctor takes a beat.
|
|
|
|
DOCTOR
|
|
You're facing a choice. We can
|
|
try to help you remember what
|
|
happened using Reflection Therapy.
|
|
If it's successful, you would be
|
|
fit to stand trial.
|
|
|
|
RIKER
|
|
Reflection Therapy?
|
|
|
|
DOCTOR
|
|
It's a way for you to interact
|
|
with various facets of your
|
|
personality. We scan the regions
|
|
of your brain that control
|
|
emotions and memory... then
|
|
project them holographically.
|
|
|
|
Riker considers.
|
|
|
|
RIKER
|
|
What's the other option?
|
|
|
|
The Doctor finds the best way to put this.
|
|
|
|
DOCTOR
|
|
A complete synaptic reconstruction
|
|
of your cerebral cortex.
|
|
|
|
RIKER
|
|
Surgery?
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 46.
|
|
|
|
46 CONTINUED: (2)
|
|
|
|
The Doctor nods grimly.
|
|
|
|
DOCTOR
|
|
We would neutralize the synaptic
|
|
pathways responsible for your
|
|
mental instability.
|
|
|
|
RIKER
|
|
You don't seem to like that
|
|
option.
|
|
|
|
DOCTOR
|
|
I don't. The procedure is
|
|
irreversible. You'd be left with
|
|
a completely altered personality.
|
|
The person you are now would cease
|
|
to exist.
|
|
|
|
Riker doesn't like the sound of it.
|
|
|
|
RIKER
|
|
Option one is starting to sound
|
|
better...
|
|
|
|
DOCTOR
|
|
I agree.
|
|
|
|
A beat as Riker makes the choice.
|
|
|
|
RIKER
|
|
Reflection Therapy then... when do
|
|
we start?
|
|
|
|
DOCTOR
|
|
This afternoon, if you're ready.
|
|
I want you to understand this
|
|
isn't going to be easy. You'll be
|
|
interacting with aspects of your
|
|
psyche that you've never dealt
|
|
with before.
|
|
(beat)
|
|
And you may be disturbed by what
|
|
they have to say.
|
|
|
|
Riker nods, understanding what he's about to face. OFF
|
|
his apprehension...
|
|
|
|
47 INT. ASYLUM CELL (OPTICAL)
|
|
|
|
Riker is sitting on the bed, watching Doctor Syrus, who
|
|
is placing a MEDICAL DEVICE on the floor. The device
|
|
is a tall, sleek cylinder with several controls on the
|
|
side.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 46A.
|
|
|
|
47 CONTINUED:
|
|
|
|
The Doctor ACTIVATES the device and it sends out a low
|
|
HUMMING NOISE.
|
|
|
|
DOCTOR
|
|
(to Riker)
|
|
Close your eyes. Try to relax.
|
|
Clear your mind.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 47.
|
|
|
|
47 CONTINUED: (2)
|
|
|
|
Riker shuts his eyes. The Doctor hits a control on the
|
|
device -- it SENDS OUT a THIN BEAM OF LIGHT that
|
|
briefly PLAYS ACROSS Riker's forehead in a scanning
|
|
pattern.
|
|
|
|
DOCTOR
|
|
Now. Think back to before you
|
|
came to the hospital. But don't
|
|
try to remember specific
|
|
incidents. Concentrate on how you
|
|
felt...
|
|
|
|
Riker thinks.
|
|
|
|
RIKER
|
|
I was... afraid...
|
|
|
|
From offscreen:
|
|
|
|
TROI (O.S.)
|
|
Terrified...
|
|
|
|
48 INCLUDE TROI (OPTICAL)
|
|
|
|
who is standing in the room -- a holographic image.
|
|
Riker reacts.
|
|
|
|
RIKER
|
|
(re: Troi)
|
|
She was on the ship with me...
|
|
|
|
DOCTOR
|
|
That's because she represents an
|
|
aspect of your personality -- and
|
|
there are many parts of you that
|
|
still believe you're on that
|
|
starship.
|
|
|
|
RIKER
|
|
Why her?
|
|
|
|
DOCTOR
|
|
I asked you to get in touch with
|
|
your feelings, and this is the
|
|
part of you that responded. Talk
|
|
to her about how you felt before
|
|
you came here...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 48.
|
|
|
|
48 CONTINUED:
|
|
|
|
Riker walks over to the Troi image, eyes her.
|
|
|
|
RIKER
|
|
(to Troi)
|
|
You said I was terrified... of
|
|
what?
|
|
|
|
Troi looks at Riker.
|
|
|
|
TROI
|
|
I was in a dark place... cold...
|
|
frightened... someone was there...
|
|
|
|
RIKER
|
|
Who?
|
|
|
|
TROI
|
|
I felt threatened by them...
|
|
trapped...
|
|
|
|
The Doctor leads him through the process.
|
|
|
|
DOCTOR
|
|
You're doing very well. Let's try
|
|
to find out how you responded to
|
|
these feelings. Try to focus on
|
|
your actions...
|
|
(beat)
|
|
You felt trapped. What did you
|
|
do?
|
|
|
|
Riker thinks. Worf APPEARS in the room. He seems
|
|
furious -- at a high emotional pitch.
|
|
|
|
WORF
|
|
I was angry. They were attacking
|
|
me... I fought back...
|
|
|
|
TROI
|
|
I felt pain...
|
|
|
|
WORF
|
|
I was injured...
|
|
|
|
TROI
|
|
I began to panic...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/17/93 - ACT FOUR 49.
|
|
|
|
48 CONTINUED: (2)
|
|
|
|
WORF
|
|
There was a struggle... and I...
|
|
|
|
Worf trails off.
|
|
|
|
RIKER
|
|
You what? What happened?
|
|
|
|
Worf and Troi are silent -- they don't have an answer.
|
|
Riker looks to the Doctor, agitated.
|
|
|
|
DOCTOR
|
|
(to Riker)
|
|
Try to associate your actions and
|
|
emotions with logical thoughts.
|
|
What do you think caused you to
|
|
act and feel this way... ?
|
|
|
|
Riker concentrates. Picard APPEARS in the room. He is
|
|
thoughtful, assured.
|
|
|
|
PICARD
|
|
It was dark and cold because... I
|
|
was outdoors... at night... in a
|
|
narrow space...
|
|
(thinks)
|
|
I was walking through an alley.
|
|
|
|
TROI
|
|
I felt threatened...
|
|
|
|
WORF
|
|
I was being watched...
|
|
|
|
PICARD
|
|
Someone must have followed me into
|
|
the alley. That's why I started
|
|
to walk faster. Then someone
|
|
grabbed me from behind...
|
|
|
|
TROI
|
|
I panicked...
|
|
|
|
WORF
|
|
I tried to fight them off...
|
|
|
|
RIKER
|
|
How many of them were there?
|
|
|
|
PICARD
|
|
Three. They were humanoid. I
|
|
could only make out one of their
|
|
faces...
|
|
|
|
RIKER
|
|
Who was it?
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 49A.
|
|
|
|
48 CONTINUED: (3)
|
|
|
|
Suddenly, the alien Lieutenant APPEARS. He stands
|
|
silently, staring at Riker. Riker is surprised by the
|
|
sight.
|
|
|
|
RIKER
|
|
(re: Lieutenant)
|
|
He was on the ship too... and I
|
|
saw him here in the hospital...
|
|
but I don't know who he is...
|
|
|
|
The Doctor looks curious.
|
|
|
|
DOCTOR
|
|
That's Mister Suna -- the hospital
|
|
Administrator. You met him when
|
|
you first arrived.
|
|
|
|
RIKER
|
|
What part of me does he represent?
|
|
|
|
DOCTOR
|
|
I don't know...
|
|
|
|
Suddenly, Picard and Worf all turn to Riker. Their
|
|
demeanors change -- they sound and act just like
|
|
themselves. It's an eerie moment...
|
|
|
|
TROI
|
|
Don't believe this, Wil.
|
|
(indicates room)
|
|
None of it is real. You're still
|
|
with us... on the Enterprise.
|
|
|
|
Riker is worried by this change in attitude.
|
|
|
|
RIKER
|
|
Doctor...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 50.
|
|
|
|
48 CONTINUED: (4)
|
|
|
|
PICARD
|
|
We're your colleagues. Trust us.
|
|
It's going to be alright...
|
|
|
|
DOCTOR
|
|
(to Riker)
|
|
Do you have anything to say to
|
|
them?
|
|
|
|
RIKER
|
|
(to crew)
|
|
You're just... delusions...
|
|
|
|
WORF
|
|
(re: Doctor)
|
|
Do not listen to him, Commander.
|
|
He is trying to trick you. You
|
|
are in danger here. Let us help
|
|
you...
|
|
|
|
Riker's mind is reeling -- he's trying desperately to
|
|
hang on to what he believes to be the here and now.
|
|
|
|
RIKER
|
|
Stop it... please. Leave me
|
|
alone...
|
|
|
|
TROI
|
|
Listen to me, Wil. In all the
|
|
years we've known each other, have
|
|
I ever lied to you?
|
|
|
|
Riker glances between Troi and the Doctor, who is
|
|
waiting to see what he will do. Finally --
|
|
|
|
RIKER
|
|
(a shout)
|
|
You are not real!
|
|
|
|
PICARD
|
|
Wil, please --
|
|
|
|
RIKER
|
|
NO!
|
|
|
|
Picard, Troi, Worf and the alien Lieutenant VANISH.
|
|
Riker sags into his chair, exhausted. The Doctor looks
|
|
pleased.
|
|
|
|
DOCTOR
|
|
You've taken a big step today.
|
|
You've finally turned your back on
|
|
those delusions and all that they
|
|
represent.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 51.
|
|
|
|
47A CONTINUED: (5)
|
|
|
|
The Doctor deactivates the device and stands to go.
|
|
|
|
DOCTOR
|
|
We'll continue later.
|
|
|
|
Riker pulls a hand across his weary face. As he sits
|
|
silently, staring...
|
|
|
|
CUT TO:
|
|
|
|
49 INT. COMMON AREA
|
|
|
|
The next day. Various inmates engaged in various
|
|
activities. Riker sits alone at a table, eating food
|
|
from a tray. A silent moment as he eats, then
|
|
something across the room catches his eye...
|
|
|
|
50 INCLUDE BEVERLY
|
|
|
|
as she ENTERS the room. She is dressed in a hospital
|
|
doctor's uniform and holds a note-taking device. Very
|
|
official. She scans the room a moment, then spots
|
|
Riker --
|
|
|
|
Riker reacts, unnerved by the sight. Beverly starts to
|
|
approach him. He quickly shuts his eyes.
|
|
|
|
RIKER
|
|
(to himself)
|
|
It's not real...
|
|
|
|
He opens his eyes -- Beverly is sitting down at his
|
|
table. Riker looks down at his food and continues
|
|
eating, desperately trying to ignore her presence.
|
|
Beverly studies him, gauging his condition -- speaks in
|
|
an urgent whisper.
|
|
|
|
BEVERLY
|
|
(to Riker)
|
|
Commander... do you know who I am?
|
|
|
|
Riker doesn't respond -- keeps eating.
|
|
|
|
BEVERLY
|
|
Do you know where you are?
|
|
(no response)
|
|
If you can't answer, just listen.
|
|
You were on an undercover mission
|
|
to Tilonus Four... something
|
|
happened... we've been told that
|
|
you killed someone. But we don't
|
|
believe that's true...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 52.
|
|
|
|
50 CONTINUED:
|
|
|
|
Beverly glances around to make sure no one's watching --
|
|
pulls out a tricorder and surreptitiously scans Riker.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
We've been in orbit, trying to
|
|
find a way to get you out. But
|
|
there's a security field around
|
|
the hospital that we can't
|
|
penetrate...
|
|
|
|
Riker eats faster, agitated, trying not to listen --
|
|
it's a struggle.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
We've been blocked at every turn.
|
|
The hospital Administrator denies
|
|
you're here at all. It's
|
|
beginning to look like some kind
|
|
of a conspiracy...
|
|
(beat)
|
|
I had to come in posing as a
|
|
health official...
|
|
|
|
She stands to go, looks at him with concern.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
Sit tight. We're going to get you
|
|
out of here.
|
|
|
|
She walks away. Riker breathes a sigh of relief. He
|
|
stares at his tray... unsettled by the incident...
|
|
|
|
RIKER
|
|
(quiet)
|
|
Not real...
|
|
|
|
OFF his troubled face...
|
|
|
|
51 INT. ASYLUM CELL
|
|
|
|
Later. The room is dark. Riker is lying in bed, eyes
|
|
closed, asleep. Gradually, a TAPPING NOISE can be
|
|
heard somewhere in the darkness. Riker opens his
|
|
eyes... listens a moment... then looks toward the
|
|
door...
|
|
|
|
Someone is trying to break in. Riker sits up, alarmed.
|
|
The tapping noise is followed by a CLACK and other
|
|
tampering sounds. Riker watches as the door starts to
|
|
OPEN -- slowly, as if someone is forcing it. Two hands
|
|
can be seen pulling the door apart...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 53.
|
|
|
|
51 CONTINUED:
|
|
|
|
Data gets the door all the way open and ENTERS the
|
|
room. He's dressed in dark clothing. Worf quickly
|
|
follows, holding a phaser, also in dark clothing. They
|
|
scan the room, then spot Riker on the bed.
|
|
|
|
DATA
|
|
(whispers)
|
|
Commander.
|
|
|
|
They move to help him, but Riker jumps off the bed and
|
|
backs against a wall -- can hardly believe his eyes.
|
|
|
|
RIKER
|
|
Get away from me...
|
|
|
|
Data and Worf exchange a concerned look. Worf takes a
|
|
step toward Riker, speaks very carefully.
|
|
|
|
WORF
|
|
Commander, you must come with us.
|
|
You are in danger here...
|
|
|
|
RIKER
|
|
(louder)
|
|
No.
|
|
|
|
WORF
|
|
Silence...
|
|
|
|
Riker starts to say something, but Data quickly moves
|
|
in and GRABS him -- puts a hand over his mouth. Riker
|
|
struggles, to little effect. They lead him toward the
|
|
door...
|
|
|
|
52 INT. ASYLUM CORRIDOR - CONTINUOUS (OPTICAL)
|
|
|
|
Worf ENTERS the hall, looks around -- it's empty. Data
|
|
ENTERS holding Riker tightly by the arm. They quickly
|
|
move down the hall, Worf leading the way, keeping a
|
|
look-out...
|
|
|
|
Suddenly, Riker goes limp in Data's arms. Data looks
|
|
down at him, loosening his grip a little, concerned.
|
|
|
|
DATA
|
|
Commander, are you --
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FOUR 54.
|
|
|
|
52 CONTINUED:
|
|
|
|
Riker BREAKS OUT of Data's grip, taking him by
|
|
surprise. He bolts down the hall.
|
|
|
|
RIKER
|
|
(calls out)
|
|
Help me! HELP ME!
|
|
|
|
Worf goes to grab him. Mavek the Attendant and a
|
|
hospital Guard round a corner. The Guard immediately
|
|
draws his weapon, getting the drop on Worf, who stops.
|
|
Riker runs to the safety of the guards -- he looks like
|
|
he's coming unhinged.
|
|
|
|
OFF Data and Worf, who are stunned by the
|
|
development...
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 55.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
53 INT. ASYLUM CORRIDOR - CONTINUOUS
|
|
|
|
As before. Worf and Data facing Mavek and the Guard.
|
|
Riker looks on.
|
|
|
|
ATTENDANT
|
|
(to Worf, Data)
|
|
Who are you?
|
|
|
|
Worf just glares at him.
|
|
|
|
ATTENDANT
|
|
(to Guard)
|
|
Take them to Security Ward.
|
|
|
|
Suddenly, Data moves for the Guard, disarms the man and
|
|
easily KNOCKS him to the floor. Worf takes out Mavek
|
|
with a single well-timed PUNCH.
|
|
|
|
Riker makes a run for it, but Data GRABS him firmly by
|
|
the arms. As they lead Riker down the hall...
|
|
|
|
54 INT. COMMON AREA - NIGHT (OPTICAL)
|
|
|
|
After hours -- dark. Worf, Data and Riker ENTER and
|
|
cross to the middle of the room, where THREE PATTERN
|
|
ENHANCER DEVICES have been set up (as seen in "Power
|
|
Play"). Worf activates one of the enhancers and they
|
|
create a TRIANGLE OF LIGHT. Worf pulls out a
|
|
communicator.
|
|
|
|
WORF
|
|
(taps communicator)
|
|
Worf to Enterprise -- the pattern
|
|
enhancer has been activated.
|
|
Three to beam up.
|
|
|
|
N.D.'S COM VOICE
|
|
Acknowledged.
|
|
|
|
Riker struggles, but it's too late -- the three of them
|
|
DEMATERIALIZE.
|
|
|
|
55 INT. ENTERPRISE - SICKBAY (OPTICAL)
|
|
|
|
A few hours later. Picard looks on as Beverly scans
|
|
Riker with a medical tricorder.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/17/93 - ACT FIVE 56.
|
|
|
|
55 CONTINUED:
|
|
|
|
Riker sits on a bio-bed, silent, guarded, wary of
|
|
everything and everyone around him. He still does not
|
|
believe any of this is really happening. Worf stands
|
|
close by, alert.
|
|
|
|
Beverly turns to Picard.
|
|
|
|
BEVERLY
|
|
(to Picard, off
|
|
tricorder)
|
|
There's damage to his parietal
|
|
lobe. It's as if someone was
|
|
trying to access his long term
|
|
memory...
|
|
|
|
They watch Riker a moment.
|
|
|
|
BEVERLY
|
|
(re: Riker)
|
|
He's still in a state of severe
|
|
neural shock. It'll take him a
|
|
while to recover...
|
|
|
|
Picard moves to Riker, reaches out a comforting hand.
|
|
Riker jerks back, skittish.
|
|
|
|
PICARD
|
|
(gentle)
|
|
Number One... do you remember what
|
|
happened?
|
|
|
|
Riker tries to ignore him, tense.
|
|
|
|
PICARD
|
|
(continuing)
|
|
You were abducted during your
|
|
mission to Tilonus Four. You were
|
|
taken to a psychiatric hospital...
|
|
|
|
Riker glances at him, compelled by the words but not
|
|
wanting to believe it. Suddenly, he reacts to a pain
|
|
in the side of his head -- and we see that there is a
|
|
WOUND on his temple (as seen in Act One). It's
|
|
bleeding. Riker touches it, looks at the blood on his
|
|
hand.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 57.
|
|
|
|
55 CONTINUED: (2)
|
|
|
|
RIKER
|
|
My head... why is it still
|
|
bleeding?
|
|
|
|
Beverly eyes the wound, picks up a medical device.
|
|
|
|
BEVERLY
|
|
It's minor. Nothing to worry
|
|
about...
|
|
|
|
Beverly uses the device to OPTICALLY HEAL Riker's
|
|
wound.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
We've done some checking on the
|
|
hospital Administrator...
|
|
|
|
RIKER
|
|
... Mister Suna...
|
|
|
|
PICARD
|
|
That's right. It appears he's
|
|
involved with one of the rival
|
|
factions. We believe he was
|
|
responsible for what happened to
|
|
you...
|
|
|
|
Riker considers the possibility -- then reacts to a
|
|
sharp pain in his temple, the same place as before.
|
|
|
|
RIKER
|
|
(re: head)
|
|
It still hurts...
|
|
|
|
A drip of blood trails down the side of his face.
|
|
Riker reacts -- touches his face: THE WOUND HAS
|
|
REAPPEARED. He reacts, startled -- how could that be?
|
|
|
|
RIKER
|
|
It's bleeding again...
|
|
(to Beverly)
|
|
But how? You just healed it...
|
|
|
|
Beverly eyes him.
|
|
|
|
BEVERLY
|
|
Wil, try to calm down...
|
|
|
|
Riker comes to a realization -- and a look of resolve
|
|
crosses his face.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 57A.
|
|
|
|
55 CONTINUED: (3)
|
|
|
|
RIKER
|
|
This isn't real...
|
|
|
|
With that, he lunges for a nearby MEDICAL KIT. Worf
|
|
tries to stop him but Riker SMASHES the kit against the
|
|
side of Worf's head. Worf staggers back, and he as he
|
|
does, Riker grabs his phaser. Picard makes a move but
|
|
stops when Riker trains the phaser on him.
|
|
|
|
Nobody moves.
|
|
|
|
PICARD
|
|
Wil, what are you doing?
|
|
|
|
Riker's hands are shaking -- he's determined to shatter
|
|
this reality.
|
|
|
|
RIKER
|
|
If I'm right, you're not really
|
|
here... and this isn't a real
|
|
phaser...
|
|
(beat)
|
|
It's all a fantasy, and I'm ending
|
|
it no matter what it takes...
|
|
|
|
Picard takes a step toward him.
|
|
|
|
PICARD
|
|
But what if this isn't a fantasy?
|
|
Are you willing to take that
|
|
chance?
|
|
|
|
Riker hesitates, lowers the phaser slightly...
|
|
|
|
RIKER
|
|
You're right... I won't. But I've
|
|
got to find out what's real and
|
|
what's not...
|
|
|
|
Riker turns the phaser on himself.
|
|
|
|
RIKER
|
|
One way or another, this is going
|
|
to end.
|
|
|
|
BEVERLY
|
|
Wil, don't -- !
|
|
|
|
Riker FIRES. The blast has no effect on him -- at that
|
|
instant:
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 57B.
|
|
|
|
56 NEW ANGLE (OPTICAL)
|
|
|
|
AS THE ENTIRE ROOM SHATTERS LIKE BREAKING GLASS AROUND
|
|
RIKER -- "REALITY" BREAKING APART -- THE SCENE
|
|
SPLINTERING AWAY TO REVEAL:
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/17/93 - ACT FIVE 58.
|
|
|
|
57 INT. ASYLUM CELL - CONTINUOUS (OPTICAL)
|
|
|
|
Riker standing in the exact same position, arms hanging
|
|
at his side -- his head wound is gone. The alien
|
|
Lieutenant is standing in front of him, dressed as the
|
|
hospital Administrator (as seen in Act Two). Doctor
|
|
Syrus and Mavek stand nearby. Riker glances around,
|
|
startled by the change in setting.
|
|
|
|
ADMINISTRATOR
|
|
(re: Riker)
|
|
How's he progressing?
|
|
|
|
DOCTOR
|
|
He's not responding to the
|
|
Reflection Therapy. His delusions
|
|
are growing more elaborate...
|
|
|
|
ATTENDANT
|
|
He broke out of his cell last
|
|
night. We found him running down
|
|
a corridor... claiming people had
|
|
come to take him back to his
|
|
"starship."
|
|
|
|
A grim beat.
|
|
|
|
ADMINISTRATOR
|
|
Then I see no other choice...
|
|
(beat)
|
|
We'll have to perform the synaptic
|
|
reconstruction.
|
|
|
|
Riker senses something odd -- looks down at his hand.
|
|
HE IS STILL HOLDING THE PHASER. He reacts, startled --
|
|
aims the phaser at the others.
|
|
|
|
RIKER
|
|
I still have the phaser... why do
|
|
I still have the phaser?
|
|
|
|
ADMINISTRATOR
|
|
It's not a phaser. It's a knife.
|
|
You stole it from one of the food
|
|
trays.
|
|
(beat)
|
|
Give it to me. We don't want you
|
|
to hurt yourself...
|
|
|
|
Riker hesitates, unsure, then --
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 59.
|
|
|
|
57A NEW ANGLE (OPTICAL)
|
|
|
|
As a trickle of blood runs down Riker's face -- THE
|
|
WOUND HAS REAPPEARED ON HIS TEMPLE. Riker touches the
|
|
wound, and it shocks him into awareness. He aims the
|
|
phaser at the Attendant.
|
|
|
|
RIKER
|
|
I don't believe you --
|
|
|
|
Riker FIRES, VAPORIZING the Attendant. The Doctor and
|
|
the Administrator/Lieutenant react, shocked. Riker
|
|
smiles -- he's feeling more confident...
|
|
|
|
RIKER
|
|
(re: phaser)
|
|
If this is a knife... what
|
|
happened to Mavek?
|
|
|
|
The Administrator/Lieutenant tries to stay in control
|
|
of the situation.
|
|
|
|
ADMINISTRATOR
|
|
It's very complicated. I'll
|
|
answer all of your questions. But
|
|
first I want you to put it down...
|
|
|
|
RIKER
|
|
No. If I'm really holding a
|
|
phaser, then that means I was on
|
|
the Enterprise...
|
|
|
|
He realizes the implications, stares at the phaser.
|
|
|
|
RIKER
|
|
But I fired this at myself on the
|
|
Enterprise. I should be dead
|
|
right now...
|
|
|
|
Riker looks around the room, trying to put it all
|
|
together.
|
|
|
|
RIKER
|
|
None of this is real --
|
|
|
|
58 INSERT: THE PHASER
|
|
|
|
as Riker presses a few buttons.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 59A.
|
|
|
|
59 RESUME (OPTICAL)
|
|
|
|
RIKER
|
|
I'm setting this to Level Sixteen,
|
|
wide field. That should destroy
|
|
half of this building...
|
|
(beat)
|
|
Unless, of course, it isn't a real
|
|
phaser.
|
|
|
|
Riker FIRES an IMMENSE BLAST --
|
|
|
|
60 NEW ANGLE (OPTICAL)
|
|
|
|
AS THE ENTIRE ROOM SHATTERS LIKE BREAKING GLASS AROUND
|
|
RIKER AND THE ALIEN ADMINISTRATOR/LIEUTENANT --
|
|
"REALITY" BREAKING APART -- THE SCENE SPLINTERING AWAY
|
|
TO REVEAL:
|
|
|
|
61 INT. ENTERPRISE - ASYLUM CELL/THEATER - CONTINUOUS
|
|
|
|
Riker (wound gone) and the Administrator/Lieutenant now
|
|
standing face to face on the stage set. Riker looks
|
|
around --
|
|
|
|
62 INCLUDE - THE AUDIENCE
|
|
|
|
Filled with people: Picard, Data, Worf, Geordi,
|
|
Beverly, Troi -- the entire Enterprise crew, and more:
|
|
Doctor Syrus, Mavek. Nearly everyone Riker saw during
|
|
the last five Acts is present, watching the stage
|
|
intently.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 60.
|
|
|
|
62 CONTINUED:
|
|
|
|
Riker is more confused than ever, but he's determined
|
|
to get to the bottom of this. He turns to the
|
|
Administrator/Lieutenant.
|
|
|
|
RIKER
|
|
It's all about you, isn't it?
|
|
You're the only constant... the
|
|
only person in both places...
|
|
|
|
ADMINISTRATOR
|
|
There's a lot more going on here
|
|
than you realize.
|
|
|
|
Riker glances toward the audience.
|
|
|
|
RIKER
|
|
None of this is real, either...
|
|
(beat)
|
|
What's happening to me?
|
|
|
|
The administrator/Lieutenant steps toward him.
|
|
|
|
ADMINISTRATOR
|
|
We can still save you -- but you
|
|
must stop fighting us.
|
|
|
|
Riker hesitates, unsure for a moment -- then he reacts
|
|
to a pain in the side of his head.
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 61.
|
|
|
|
62A NEW ANGLE
|
|
|
|
as a trickle of blood runs down the side of his face.
|
|
THE WOUND HAS REAPPEARED. Riker reacts, touches the
|
|
wound. It seems to jolt him into awareness. He looks
|
|
up, defiant.
|
|
|
|
RIKER
|
|
You're lying...
|
|
|
|
ADMINISTRATOR
|
|
Let me help you...
|
|
|
|
RIKER
|
|
(yells)
|
|
No!
|
|
|
|
The audience reacts with a smattering of APPLAUSE.
|
|
Riker glances at them, encouraged.
|
|
|
|
ADMINISTRATOR
|
|
I'm warning you...
|
|
|
|
RIKER
|
|
No!
|
|
|
|
Riker loses control -- he SHOVES the
|
|
Administrator/Lieutenant aside and heads for the back
|
|
wall of the stage set. The audience CHEERS and starts
|
|
to get to its feet. Determined to break out of this
|
|
reality, driven by the applause, Riker PUNCHES both
|
|
fists toward the back wall --
|
|
|
|
62B NEW ANGLE (OPTICAL)
|
|
|
|
AS EVERYTHING SHATTERS LIKE BREAKING GLASS, INCLUDING
|
|
RIKER AND THE ADMINISTRATOR/LIEUTENANT -- "REALITY"
|
|
BREAKING APART ONE FINAL TIME TO REVEAL:
|
|
|
|
STAR TREK: "Frame of Mind" - 02/17/93 - ACT FIVE 62.
|
|
|
|
63 INT. ALIEN LAB
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|
Riker bolts awake. He looks around, sees that he is
|
|
lying on an EXAMINATION TABLE. An alien MEDICAL
|
|
APPARATUS is above him -- a PROBE is connected to the
|
|
side of his head at the exact spot where the wound has
|
|
appeared all along. He is dressed in the Tilonus
|
|
merchant costume seen in Act One. He turns to see:
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|
64 INCLUDE - THE ROOM (OPTICAL)
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|
|
|
It's a redress of the Asylum Cell -- rigged with
|
|
various alien medical equipment. The
|
|
Administrator/Lieutenant is working at a console that
|
|
displays a GRAPHIC of a HUMAN BRAIN. The mood is
|
|
different here -- THIS IS REALITY.
|
|
|
|
The Administrator/Lieutenant turns, sees that Riker is
|
|
awake, yells to someone offscreen:
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|
|
|
ADMINISTRATOR
|
|
(urgent)
|
|
He's conscious!
|
|
|
|
The Administrator/Lieutenant rushes to Riker and tries
|
|
to pin him down. Riker struggles. An ALIEN ASSISTANT
|
|
moves into view.
|
|
|
|
ADMINISTRATOR
|
|
(to assistant)
|
|
We haven't finished the neuro
|
|
chemical drain -- get him sedated!
|
|
|
|
The Assistant moves for him -- but Riker KICKS him
|
|
squarely in the head, knocking him unconscious and to
|
|
the floor. Riker tears the probe away from his head,
|
|
revealing a nasty-looking wound -- blood trails down
|
|
his face. He quickly scans the room -- spots a nearby
|
|
table --
|
|
|
|
INCLUDE the table, which contains the tricorder, water
|
|
bottle, nisroh knife and the pendant/communicator seen
|
|
in Act One. Before the Administrator can stop him,
|
|
Riker grabs the knife and turns it on the Administrator --
|
|
holds it close to his neck, threatening. The
|
|
Administrator stops. Riker grabs the pendant --
|
|
|
|
RIKER
|
|
(taps pendant)
|
|
Riker to Enterprise!
|
|
|
|
Beat.
|
|
|
|
STAR TREK: "Frame of Mind" - REV. 02/17/93 - ACT FIVE 63.
|
|
|
|
64 CONTINUED:
|
|
|
|
WORF'S COM VOICE
|
|
Enterprise here. Are you alright,
|
|
sir?
|
|
|
|
RIKER
|
|
Emergency transport -- get me out
|
|
of here!
|
|
|
|
Riker DEMATERIALIZES. OFF the Administrator's
|
|
frustrated reaction...
|
|
|
|
CUT TO:
|
|
|
|
65 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log, Stardate 46778.1.
|
|
Commander Riker has returned
|
|
safely from his mission to Tilonus
|
|
Four, where he was being held
|
|
captive by one of the rival
|
|
factions. Doctor Crusher has
|
|
repaired the damage to his long
|
|
term memory. His recovery is
|
|
proceeding well.
|
|
|
|
65A INT. READY ROOM
|
|
|
|
A couple of days have passed. Riker looks rested and
|
|
in good health. He's sitting with Picard and Troi, midconversation.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
Evidently, you were abducted two
|
|
days after beaming to the surface.
|
|
|
|
RIKER
|
|
I remember it now... I was in an
|
|
alley... they attacked me from
|
|
behind. I tried to defend myself
|
|
with the nisroh knife Worf gave
|
|
me...
|
|
(beat)
|
|
I managed to fight off one of
|
|
them... but I think they injected
|
|
me with some kind of drug...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 63A.
|
|
|
|
65 CONTINUED:
|
|
|
|
PICARD
|
|
We believe they were trying to
|
|
extract strategic information from
|
|
your memory using a neuro-somatic
|
|
technique.
|
|
|
|
Riker considers, disturbed.
|
|
|
|
RIKER
|
|
I was in a hospital... then on the
|
|
Enterprise... and the hospital
|
|
again...
|
|
(beat)
|
|
I kept shifting back and forth...
|
|
I couldn't tell what was real...
|
|
|
|
TROI
|
|
Your mind must have created a
|
|
defense mechanism, a fantasy that
|
|
helped you resist the neuro-somatic
|
|
process. Your unconscious
|
|
fastened onto elements from your
|
|
real life in an attempt to keep
|
|
you grounded... to keep you sane.
|
|
|
|
RIKER
|
|
(onto the idea)
|
|
The preparation for the mission...
|
|
the play... they were all recent
|
|
experiences, fresh in my mind...
|
|
|
|
Troi nods. A thoughtful beat.
|
|
|
|
PICARD
|
|
Get some rest, Number One. We can
|
|
talk more in the morning.
|
|
|
|
RIKER
|
|
Alright... but there's one thing
|
|
I'd like to do first...
|
|
|
|
STAR TREK: "Frame of Mind" - 02/16/93 - ACT FIVE 64.
|
|
|
|
66 INT. ASYLUM CELL/THEATER
|
|
|
|
Riker and Beverly standing on the stage set. They are
|
|
alone. Riker is eyeing the stage intently.
|
|
|
|
BEVERLY
|
|
Are you sure you want to do this
|
|
by yourself? The stage crew and
|
|
I were going to wait until
|
|
morning...
|
|
|
|
RIKER
|
|
I'm positive. After what I've
|
|
experienced... I don't think I
|
|
could sleep knowing this was still
|
|
up...
|
|
|
|
Riker moves to a stage wall and removes a piece of the
|
|
set, starting to break it down. He drops the piece to
|
|
the floor, satisfied. Beverly smiles gently and EXITS.
|
|
Riker considers the stage for a long beat... reflecting
|
|
on his experience... then continues to break it down.
|
|
As he works...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
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|